boyle frank thomas (21 risultati)

Condizione: good. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Condizione: Very Good. No Jacket. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. No Jacket. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Dj+. 1st Edition. The Saturday Evening Post Stories : 1950 by Conrad Richter; Zora Neale Hurston; MacKinlay Kantor; Paul Gallico; Erik Sjögren; Brooke Hanlon; Basil Heatter; Helen Eustis; Don Tracy; Alec Hudson; Sigman Byrd; Frank Luther Mott; James Norman Hall; Ray Bradbury; Thomas Barlow; Will F. Jenkins; Roderick Lull; Nigel Balchin; Paul Horgan; Kay Boyle. New York: Random House, 1950. 298pp. Language: English. Note: Gently used with some writing inside the cover. Binding is tight. Pages are clean and unmarked.

Condizione: New. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). Satisfaction Guaranteed or your money back.

paperback. Condizione: New. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Fine. No Jacket. 1st Edition. Fine condition blue linen boards with blindstamped front cover lettering decorations, dark blue front cover lettering enclosed within a lime green block border, and silver spine lettering. Short stories by the following authors: Conrad Richter, Zora Neale Hurston, Mackinlay Kantor, Paul Gallico, Erik Sjogren, Brooke Hanlon, Basil Heatter, Helen Eustis, Don Tracy, Alec Hudson, Sigman Byrd, Frank Luther Mott, James Norman Hall, Ray Bradbury, Thomas Barlow, Will F. Jenkins, Roderick Lull, Nigel Balchin, Paul Horgan, and Kay Boyle.

Hardback. Condizione: New. With much of the intellectual discourse of the last several decades concerned with reconsiderations of modernity, how do we read the works of Jonathan Swift, who ridiculed the modern even as it was taking shape? The author approaches the question of modernity in Swift by way of a theory of satire from Aristotle via Swift (and Bakhtin) that eschews modern notions that satire is meant to reform and correct. Linking satire to Nemesis, the goddess of righteous vengeance, Swift as Nemesis develops new readings of Swift's major satires. From his first published work, Swift associates the modern with the new science and represents modernity as a pernicious strain of narcissism that devalues humanistic discourse. In his early satires, he compiles a profane history of the modern in which the new philosophy is an extension of the methodology of alchemists, the debased Roman Catholic Church, and the various Puritan sects. This history culminates in A Tale of a Tub with an assault on the intellectual basis of that most formidable of all modern works, Newton's Principia. In Gulliver's Travels, Swift attacks modern culture while aiming at individual readers. Novelistic identification with Gulliver's narcissism (beginning with masturbation and encompassing various scatological observations) implicates readers in the larger cultural critique in which Gulliver, paralleling Narcissus, rejects cultures he encounters until he embraces a cultural image that destroys him. The wider cultural implications of Swift's work are evident in the way he uses travel as a metaphor to link the inhuman consequences of European imperialism with the discoveries of the new science. Finally, Swift's works, like the mirror Nemesis uses to destroy Narcissus, are shown to return the narcissistic projections of critics. Recognizing that Narcissus and Echo have become important to the critique of modernism, the author argues that readers will find it useful now to turn to the contextualizing role of Nemesis. She emerges from Swift's critically irreducible satire with an ironic claim on modernity itself.

Hardcover. Condizione: New. Joe Paduano; Gene Ahrens; Serge J-F. Levy; Ray Fisk; Michael Baytoff; Donna Connor; Contributing Photographers (illustratore). In shrink wrap. Looks like an interesting title!

Hardback. Condizione: New. With much of the intellectual discourse of the last several decades concerned with reconsiderations of modernity, how do we read the works of Jonathan Swift, who ridiculed the modern even as it was taking shape? The author approaches the question of modernity in Swift by way of a theory of satire from Aristotle via Swift (and Bakhtin) that eschews modern notions that satire is meant to reform and correct. Linking satire to Nemesis, the goddess of righteous vengeance, Swift as Nemesis develops new readings of Swift's major satires. From his first published work, Swift associates the modern with the new science and represents modernity as a pernicious strain of narcissism that devalues humanistic discourse. In his early satires, he compiles a profane history of the modern in which the new philosophy is an extension of the methodology of alchemists, the debased Roman Catholic Church, and the various Puritan sects. This history culminates in A Tale of a Tub with an assault on the intellectual basis of that most formidable of all modern works, Newton's Principia. In Gulliver's Travels, Swift attacks modern culture while aiming at individual readers. Novelistic identification with Gulliver's narcissism (beginning with masturbation and encompassing various scatological observations) implicates readers in the larger cultural critique in which Gulliver, paralleling Narcissus, rejects cultures he encounters until he embraces a cultural image that destroys him. The wider cultural implications of Swift's work are evident in the way he uses travel as a metaphor to link the inhuman consequences of European imperialism with the discoveries of the new science. Finally, Swift's works, like the mirror Nemesis uses to destroy Narcissus, are shown to return the narcissistic projections of critics. Recognizing that Narcissus and Echo have become important to the critique of modernism, the author argues that readers will find it useful now to turn to the contextualizing role of Nemesis. She emerges from Swift's critically irreducible satire with an ironic claim on modernity itself.

Gebunden. Condizione: New. How do we read the works of Jonathan Swift, who ridiculed the modern even as it was taking shape? The author approaches the question of modernity in Swift by way of a theory of satire from Aristotle via Swift (and Bakhtin) that eschews modern notions that s.

Buch. Condizione: Neu. Neuware - With much of the intellectual discourse of the last several decades concerned with reconsiderations of modernity, how do we read the works of Jonathan Swift, who ridiculed the modern even as it was taking shape The author approaches the question of modernity in Swift by way of a theory of satire from Aristotle via Swift (and Bakhtin) that eschews modern notions that satire is meant to reform and correct. Linking satire to Nemesis, the goddess of righteous vengeance, Swift as Nemesis develops new readings of Swift's major satires.

75 pp.; 27.8 x 21.6 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1981 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Editor's Notes," by Linda Burnham; "Plimtonization," MO David; "Skit in Defense of Poetry," by Michael Andre; "Stephen Seemayer's 'Young Turks,'" review by Hunter Drohojowska; "Still Missing After All These Years? A Response to L.A.'s white/male Sixties show," by Carol Quint; "M. Staff Brandl's 'Dusk Rituals for Egypt,'" by Thomas Emil Homerin; "Birthdaze," by Barbara T. Smith; "Revealing the Numinous: Theory and Practice in Seattle Performance," by Gary Reel; "Excerpts from a new source book by Contemporary Arts Press;" "Correspondence artworks by: E.F. Higgins, Billy Curmano, Lerner & Turner, Nancy Frank, Lon Spiegelman, Jerri Allyn, Jeffrey Vallance, Monique Safford; "Between the Diaspora and the Crinoline: Bonnie Sherk interviewed by Linda Frye Burnham and "When the Dust Settles: Mark Boyle interviewed by Mark Bloch." Front Cover: "Cover Girl," by Bonnie Sherk. Back Cover: "Challenge," Labat versus Chapman 1981, photo by F. Stop Fitzgerald. Very Good. Light edgewear and bumping of bottom edge of covers with light creasing. 7 mm. tear to recto wrapping around to spine with and additional 5 mm. tear to verso wrapping around to spine. Contents clean and unmarked.