Bracha yaniv (119 risultati)
Lingua: Inglese
Editore: Department of Jewish Art Faculty of Jewish Studies Bar-Ilan University, Ramat-Gan, 2006
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Hardbound. Condizione: Very Good. Quarto, paper covers, 184 pp., color ad b/w illustrations and photos, bookplate Articles are "Editor's Note," Bracha Yaniv, "Seeing the Voice: Configurng the Non-Figurable in Early Medieval Jewish Art," Elisheva Revel-Neher, "Harlot or Penitent: The Figure of Rahab in Byzantine Illuminated Manus…cripts," Mati Meyer, "Picture Bibles and the Re-written Bible: The Place of Moses dal Castellazzo in Early Modern Book History," Katrin Kogman-Appel, "Moses' Shoes at the Burning Bush," Daniel Sperber, "Menasseh Ben Israel and the 'Wandering Jew,'" Ziva Amishai-Maisels, "Praising the Lord: Discovering a Song of Ascents on Carved Torah Arks in Eastern Europe," Bracha Yaniv, "Hebraism and Hellenism in 'An Allegory' - A Painting by Solomon Joseph Solomon," Irit Miller, "Oriental-Style Synagogues in Austria-Hungary: Philosophy and Historical Significance," Rudolf Klein, "Spiritualism and Mysticism in Recent Jewish American Art," Matthew Baigell, Special Item: "'Joy and Gladness, Happy Festivals for the House of Judah': A Unique Parokhet from Alessandra della Paglia," Susan Nashman-Friaman. Book Reviews: "Pro arte judaicae.Kalman P.Bland,The Artless Jew: Medieval and Modern Affirmations ad Denials of the Visual," Ilia Rodov,"Resplendent Book.Thomas C.Hubka, Resplendent Synagogue: Architecture nd Worship in an Eighteenth-Cetury Polish Community," Moshe Rosman, "Jewish Idetity in Contemporary Architecture, eds. Angeli Sach and Edward van Voolen," Katrin Kessler, "Samantha Baskin, Rapahel Soyer and the Search for Modern Jewish Art," Stephe J. Whitfield. In Memoriam: "Naphtali G. Deutsch (1931-2005)," Elisheva Revel-Neher, "Zussia Efron (1911-2002),"Sarah Harel Hoshen.
Editore: Department of Jewish Art Faculty of Jewish Studies Bar-Ilan University, Ramat-Gan, 2005
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Da: Henry Hollander, Bookseller, Los Angeles, CA, U.S.A.Henry Hollander, Bookseller
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EUR 31,58
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Hardbound. Condizione: Very Good. Quarto, paper covers backed in boards, 168 pp., color ad b/w illustrations and photos, bookplate Articles are "Michael J. Floersheim, 1938 - 1992," "Editor's Note," Bracha Yaniv, "Figural Art in Ancient Judaism," Lee I. Levine, "Towards a Semiotic Approach to Jewish Art," Avigdor W.G. Poseq, "Th…e Meaning of the Zodaic in Synagogues in the Land of Israel during the Byzantine Period," Mira Friedman, "Dragons: A Symbol of Evil in European Synagogue Decoration?" Ilia Rodov, "Gallico's Identity Exposed: Revealing an Erased Colophon from a Renaissance Prayer Book," Evelyn M. Cohen, "Discovering the Floersheim Haggadah," Yale Zirlin, "Art and the Early Zionist Movement: Controversy and Discord," Avram Karff, "Chagall's Fiddler" Mirjam Rajner, "Arnold Schoenberg's Self-Portraits between 'Iconism' and 'Anti-Iconism': The Jewish- Christian Struggle," Milly Heyd, Special Item: "An Early Torah Pointer from Afghanistan," Shaul Shaked and Ruth Jacoby, Book Review: "Jerzy Malinowski, Painting and Sculpture of Polish Jews in the Nineteenth and Twentieth Centuries (Polish)," Olga Goldberg-Mulkiewicz. In Memoriam: "Moshe Barasch (1920 - 2004)," Ziva Amishai-Maisels, "Joseph Gutmann (1923 - 2004)," Shalom Sabar, "Rafi Grafman (1939 - 2001)," Willy Lindwer.
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hardcover. Condizione: near fine. Condizione sovraccoperta: near fine. Limited. Illustrated mostly in b/w. 176 pages with text in English and Hebrew. 4to, red cloth, pictorial d.w. Jerusalem: HaMakor Press, 1991. A near fine copy in a near fine dust wrapper. No. 54 of 500 numbered copies.
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Condizione: New. Brand New.
Lingua: Inglese
Editore: center of jewishart-the hebrew university of jerusalem, jerusalm, 1991
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- Prima edizione
Da: BookStore Jerusalem, jerusalem, IsraeleBookStore Jerusalem
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Hardcover. Condizione: Very Good. 1st Edition. 178pp in english and 44pp in hebrew.illustrations.might need extra shipping costs.
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Paperback. Condizione: new. Paperback. Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociolog…y, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.The study of Jewish art frequently raises questions relating to Jewish survival and Jewish identity. These issues have always been of relevance throughout the Jewish diaspora, and as is evident from the articles in this volume they continue to concern Jewish artists to this day. The opening article, 'Illuminations of Kol Nidrei in Two Ashkenazi Mahzorim' by Sara Offenberg, deals with the hidden meanings expressed by groups of animals depicted in two medieval Ashkenazi prayer books for the Day of Atonement. By using allegorical animals in this way the Jews of the thirteenth and fourteenth centuries could safely express their fear of the hostile Christian society in which they lived, as well as their trust in God and belief in redemption.A surprising link between the Middle Ages and modern times is made by Rachel Singers article, 'Maurice Sendaks Where the Wild Things Are: An Exploration of the Personal and the Collective'. Published in 1963, this classic childrens book, written and illustrated by the son of a Jewish immigrant family in Brooklyn, is far removed, both chronologically and geographically, from the Ashkenazi Middle Ages. In her study, however, Singer prises out hidden sources of antisemitic perceptions rooted in medieval Christian Europe. This leads us to the volumes third article, *'The Return of the Wandering Jew(s) in Samuel Hirszenbergs Art' by Richard I. Cohen and Mirjam Rajner. The motif of the wandering Jew, a negative and frightening gure, is rooted in the late Middle Ages: it made its first appearance in Christian art, in printed books which disseminated the Christian legend all over Europe. In the nineteenth century, Jewish artists engaging with the image of the wandering Jew endowed it with new interpretations and presentations. One of these is revealed by the authors as they focus on the painting *The Wandering Jew, created in 1899 by the Polish Jewish artist Samuel Hirszenberg.As is well known, emancipation and the Jewish national awakening in late nineteenth-century Europe were accompanied by diverse artistic activities. These included the establishment of Jewish societies promoting Jewish art and artists, exhibitions, documentation, and research. Among the most impressive efforts were the activities of Jewish artists in interwar Poland, recorded in contemporary local newspapers and periodicals. As these were published in Polish and Yiddish they werent accessible to the English-speaking reader, something that is now rectied by Renata Piatkowska in A Sense of Togetherness: The Jewish Society for the Encouragement of the Fine Arts in Warsaw (19231939)'. Based on primary sources, the article introduces us to the ourishing artistic life which was cruelly destroyed in the Holocaust.Another result of Jewish national awakening, in this case in the medium of photography, is presented in 'Modernity as Anti-Nostalgia: The Photographic Books of Tim Gidal and Moshe Vorobeichic and the Eastern European Shtetl', by Rose-Carol Washton Long. This article examines how Zionist ideas led two assimilated German-trained photographers to develop variant thematic and stylistic portrayals of eastern European shtetls in their photobooks, published in 1931 and 1932. Their volumes are neither romantic nor nostalgic, but instead convey a vibrant vision of modernity.While the first five articles discuss iss Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: new. Paperback. Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociolog…y, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.Contributors: Zsofia Buda, Andreina Contessa, Monika Czekanowska-Gutman, Basema Hamarneh, Moshe Idel, Sharman Kadish, Reuven Kiperwasser, Rudolf Klein, Susan Nashman Fraiman, Ido Noy, Larry Silver, Ronit Sorek, Sharon Weiser-FergusonInterested in subscribing to Ars Judaica? Institutional subscriptions are available via LUP's Journals department. To find out more or to recommend Ars Judaica to your institutional librarian, please visit: Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. Orders and enquiries from Israeli customers should be directed to:Ars JudaicaDepartment of Jewish ArtBar-Ilan UniversityRamat-Gan 52900telephone 03 5318413fax 03 6359241email Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condizione: New. Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folk…lore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.The study of Jewish art frequently raises questions relating to Jewish survival and Jewish identity. These issues have always been of relevance throughout the Jewish diaspora, and as is evident from the articles in this volume they continue to concern Jewish artists to this day. The opening article, 'Illuminations of Kol Nidrei in Two Ashkenazi Mahzorim' by Sara Offenberg, deals with the hidden meanings expressed by groups of animals depicted in two medieval Ashkenazi prayer books for the Day of Atonement. By using allegorical animals in this way the Jews of the thirteenth and fourteenth centuries could safely express their fear of the hostile Christian society in which they lived, as well as their trust in God and belief in redemption.A surprising link between the Middle Ages and modern times is made by Rachel Singer's article, 'Maurice Sendak's Where the Wild Things Are: An Exploration of the Personal and the Collective'. Published in 1963, this classic children's book, written and illustrated by the son of a Jewish immigrant family in Brooklyn, is far removed, both chronologically and geographically, from the Ashkenazi Middle Ages. In her study, however, Singer prises out hidden sources of antisemitic perceptions rooted in medieval Christian Europe. This leads us to the volume's third article, *'The Return of the Wandering Jew(s) in Samuel Hirszenberg's Art' by Richard I. Cohen and Mirjam Rajner. The motif of the wandering Jew, a negative and frightening ?gure, is rooted in the late Middle Ages: it made its first appearance in Christian art, in printed books which disseminated the Christian legend all over Europe. In the nineteenth century, Jewish artists engaging with the image of the wandering Jew endowed it with new interpretations and presentations. One of these is revealed by the authors as they focus on the painting *The Wandering Jew, created in 1899 by the Polish Jewish artist Samuel Hirszenberg.As is well known, emancipation and the Jewish national awakening in late nineteenth-century Europe were accompanied by diverse artistic activities. These included the establishment of Jewish societies promoting Jewish art and artists, exhibitions, documentation, and research. Among the most impressive efforts were the activities of Jewish artists in interwar Poland, recorded in contemporary local newspapers and periodicals. As these were published in Polish and Yiddish they weren't accessible to the English-speaking reader, something that is now recti?ed by Renata Piatkowska in 'A Sense of Togetherness: The Jewish Society fo.
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Paperback. Condizione: new. Paperback. Bringing to light little-known artistic traditions, the latest volume of Ars Judaica focuses on the local and temporal contexts of objects and their images and explores collective and personal memories and identities in art.Rivka Ben-Sasson examines modes of symbolic perception of nature pr…evalent in religious thought and art by analysing images of the lulav and etrog. Iwona Brzewska and Waldemar Deluga discuss the significance of Hebrew script in paintings and prints of the fifteenth to seventeenth centuries originating from the borderland between the Catholic and Christian Orthodox domains of eastern Europe. Michelle Klein studies the typological development of the havdalah candle-holder, based on an analysis of 170 examples. Matthew Baigell suggests that American Jewish artists are characterized by concern for the betterment of humankind; his sources include Jewish postcards, photographs, and caricatures as well as the work of contemporary American Jewish artists. Astrid Schmetterling discusses how Else Lasker-Schuelers Orientalism offered a serious aesthetic-political challenge to both German and Jewish society. Mor Presiado argues that the contemporary use of sewing and embroidery by contemporary Jewish women artists to depict womens experience of the Holocaust initiates a new, feminist response to the Holocaust.The Special Item in this volume, an article by Shalom Sabar on the earliest illustrated Esther Scroll by Shalom Italia, is an illuminating insight into early modern Jewish art in the making. Also included are exhibition and book reviews.Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts.Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to: Ars Judaica, Department of Jewish Art, Bar-Ilan University, Ramat-Gan 52900, Telephone 03 5318413; Fax 036359241; Email Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condizione: New. 2016. Paperback. . . . . .
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Hardcover. Condizione: new. Hardcover. National Jewish Book Awards Finalist for the Visual Arts Award, 2017. The carved wooden Torah arks found in eastern Europe from the seventeenth to nineteenth centuries were magnificent structures, unparalleled in their beauty and mystical significance. The work of Jewish artisans, they domi…nated the synagogues of numerous towns both large and small throughout the former Polish-Lithuanian Commonwealth, inspiring worshippers with their monumental scale and intricate motifs. Virtually none of these superb pieces survived the devastation of the two world wars. Bracha Yanivs pioneering work therefore breathes new life into a lost genre, making it accessible to scholars and students of Jewish art, Jewish heritage, and religious art more generally. Making use of hundreds of pre-war photographs housed in local archives, she develops a vivid portrait of the history and artistic development of these arks, the scope and depth of her meticulous research successfully compensating for the absence of physical remains. In this way she has succeeded in producing a richly illustrated and comprehensive overview of a classic Jewish religious art form. Professor Yanivs analysis of the historical context in which these arks emerged includes a broad survey of the traditions that characterized the local workshops of Lithuania, Belarus, and Ukraine. She also provides a detailed analysis of the motifs carved into the Torah arks and explains their mystical significance, among them representations of Temple imagery and messianic themesand even daring visual metaphors for God. Fourteen arks are discussed in particular detail, with full supporting documentation; appendices relating to the inscriptions on the arks and to the artisans names will further facilitate future research. This seminal work throws new light on long-forgotten traditions of Jewish craftsmanship and religious understanding. Monumental carved wooden Torah arks were an outstanding feature of east European synagogues between the seventeenth and the nineteenth centuries, yet virtually none survived the Second World War. Bracha Yaniv therefore breathes a new life into a lost genre with this extensively researched, meticulously documented, and richly illustrated book. She is the first to paint a vivid portrait of their history and to offer a detailed explanation of the motifs that adorned them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condizione: New. pp. 168 119 Illus. (85 Col.).
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Condizione: New. 128.
