Condizione: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.
Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Lingua: Inglese
Editore: Metropolitan Museum of Art New York, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Da: Goodwill of Silicon Valley, SAN JOSE, CA, U.S.A.
Condizione: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
EUR 11,52
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardcover. Condizione: New. Condizione sovraccoperta: New. 1. This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s--the first in-depth scholarly survey of the region's art--demonstrates the major role Southern California artists played in the twentieth century's most influential art movements. Grounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America. .
EUR 6,16
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: Cassidy's Bookstore, San Marcos, CA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. clean covers-tight binding-no marks or names-236 pages with illustrations throughout.
Hardcover without dustjacket as issued , 330 pages, very good condition, light scratches and edgewear to covers; no internal marks. Foreign shipping may be extra.
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 16,77
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: Half Price Books Inc., Dallas, TX, U.S.A.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: Strand Book Store, ABAA, New York, NY, U.S.A.
Oversized Hardcover. Condizione: Very Good.
Lingua: Inglese
Editore: Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. 1st. Pictorial boards, 235 pages, illustrations (chiefly colour); 29 cm. Published in conjunction with "Delirious: Art at the Limits of Reason, 1950-1980," on view at The Metropolitan Museum of Art, New York, from September 13, 2017 through January 14, 2018. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, Delirious situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology--along with fear of its capability to promote mass destruction--developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means." - Publisher. *** CONTENTS: Think crazy: the art and history of delirium, by Kelly Baum; Bite your tongue: Antonin Artaud and the neo-avant-garde, by Lucy Bradnock; Blown circuits: technology and irrationality in postwar art, by Tine Rivers Ryan; Plates. Excess; Vertigo; Twisted; Nonsense. Size: 4to. Collectible.
Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Yale University Press, New Haven, CT, 2021
ISBN 10: 0300251033 ISBN 13: 9780300251036
Da: Archer's Used and Rare Books, Kent, OH, U.S.A.
Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Dust Jacket is in fine condition without tears or chips or other damage. In publisher's shrinkwrap. Quantity Available: 1. Category: Art & Design; ISBN/EAN: 9780300251036. Pictures of this item not already displayed here available upon request. Inventory No: 25882.
Condizione: good.
Condizione: New.
Lingua: Inglese
Editore: The Metropolitan Museum of Art, New York, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Color-illustrated boards with white vertical lettering. 235 pp. Color and BW illustrations. Catalogue of an exhibition at The Met from September 13, 2017- January 14, 2018. New, but one copy not in shrinkwrap.
Lingua: Inglese
Editore: J. Paul Getty Museum, Los Angeles, 2011
ISBN 10: 1606060724 ISBN 13: 9781606060728
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Silver boards, 330 pp., BW & color illus. Issued in conjunction with several 2011-2012 exhibitions of this California art. With essays by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, Rani Singh, Catherine Taft, Lucy Bradnock. Ken D. Allan, Lisa Turvey, Donna Conwell, and Jane McFadden. Includes many examples of artwork. "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements."--Page 4 of cover. Contents as follows: Introduction : shifting the standard : reappraising art in Los Angeles / Rebecca Peabody et al. -- 1. Floating structures : building the modern in postwar Los Angeles / Andrew Perchuk and Catherine Taft -- Case study houses / Lyra Kilston -- The Morder Institute of Art / Catherine Taft -- Collaborative couples / Catherine Taft -- The Post-Surrealists / Catherine Taft -- Zen in the studio / Catherine Taft -- The Anti-Square Merry-Go-round Show ; action and politics in Los Angeles / Serge Guilbaut -- 2. Papa's got a brand new bag : crafting an art scene / Lucy Bradnock and Rani Singh -- In the shadow of the spotlight / Rani Singh -- Name games / Lucy Bradnock -- Tap City Circus / Nancy Perloff -- Brittin by Baza / Ken D. Allen -- Instant theatre / Lucy Bradnock -- Clickin' with Clax / Rani Singh -- Roxy's / Alex Potts -- 3. For people who know the difference : defining the pop art sixties / Ken D. Allan, Lucy Bradnock, and Lisa Turvey -- Tooth / Annette Leddy -- Duchamp in Pasadena / Ken D. Allan -- Gemini G.E.L. / Lucy Bradnock -- The Artists' Protest Committee / Ken D. Allan -- The Golden State Mutual Art Collection / Lucy Bradnock -- Riko Mizuno / John Tain -- "Los Angeles Meant boys" : David Hockney, Bob Mizer, and the lure of physique photography / Richard Meyer -- 4. Duration piece : rethinking sculpture in Los Angeles / Donna Conwell and Glenn Phillips -- Jack Brogan : fabricator / Margaret Honda -- Protesting art and technology / Donna Conwell -- First National Symposium on Habitability / Donna Conwell -- Process painting / Glenn Phillips -- L.A. air / Donna Conwell -- Postmodernism between art and film : Jack Goldstein's Portrait of Père Tanguy / Michael Lobel -- 5. Here, here or there: on the whereabouts of art in the seventies / Jane McFadden -- Performing among us : ritual and witness / Irene Tsatsos -- Hermann Nitsch visits Los Angeles / Jane McFadden -- The Estrada Courts murals / Dianna Marisol Santillano -- Video at the Long Beach Museum of Art / Catherine Taft -- Close radio / Jane McFadden -- Making the scene : fashioning an artistic identity. VG (Few marks from previous gallery owner.).
Da: Manitou Books, Manitou Springs, CO, U.S.A.
Prima edizione
First Printing with full number line 1-10. Inside is clean and unmarked. Some nudging to corners. Small tears at the edges of dust jacket. Waving on top and bottom back of dust jacket (see photos 6-8). Puncture tear on spine of dust jacket (see photos 9 and 10). Stain on back of dust jacket (see photos 8 and 11). See photos.
Condizione: As New. Unread book in perfect condition.
Condizione: Very Good. 352 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. Documents the burgeoning Southern Californian post-war art scene, with several essays following a more or less chronological order, and hundreds of illustrations of artworks, but also of art people (a wonderful 1963 photograph of Marcel Duchamp playing chess with a naked Eve Babitz in front of a replica of his Large Glass in Pasadena, photographs of artists working in their studios, etc). Some names are well known, others less so, but it is the versatility, the creativity and, above all, the richness and depth of this LA art scene that strike the reader-viewer through these richly illustrated pages. The birth of a genuine pop art in California (thanks to some of the most gifted artdealers in the US), of conceptual art, the creation of a new way of making sculpture, all those aspects are tackled in an informative and erudite (sometimes too erudite, though.)text that makes this book a more than valuable addition to the literature on post-war American art. Record # 352750.
Lingua: Inglese
Editore: Metropolitan Museum of Art, 2017
ISBN 10: 1588396339 ISBN 13: 9781588396334
Da: Dymphna's Archive, Sheffield, Regno Unito
Prima edizione
EUR 12,99
Quantità: 1 disponibili
Aggiungi al carrelloTitle: Delirious: Art at the Limits of Reason, 1950-1980 Description: New York: The Metropolitan Museum of Art / Yale University Press, 2017. First edition hardback, 235 pp., 29 x 24 cm, ~150 colour illustrations. Exhibition catalogue for the Met Breuer show (Sept 2017-Jan 2018), curated by Kelly Baum, exploring postwar "delirious" art?absurdity, excess, disorientation?in response to Cold War anxiety and technological dread. Features 62 artists (Nauman, Guston, Birnbaum, Spero, Ferrari) across painting, sculpture, video; essays on Artaud's influence and irrationality. ISBN 9781588396334. Condition: Very good. Clean tight copy with minimal shelfwear to pictorial boards, no ownership marks, plates vivid. Major Met survey of conceptual and neo-avant-garde art.
Lingua: Inglese
Editore: Yale University Press, New Haven, CT, 2021
ISBN 10: 0300251033 ISBN 13: 9780300251036
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, vii, 232 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud. A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics." - Publisher. Size: 4to. Collectible.
Lingua: Inglese
Editore: Getty Research Institute and the J. Paul Getty Museum, Los Angeles, 2011
ISBN 10: 1606060724 ISBN 13: 9781606060728
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. 1st. Pictorial boards, xxi, 330 pages, illustrations (some colour); 30 cm. Published on the occasion of Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty with arts institutions across Southern California, and accompanies the Getty Research Institute's exhibition held at the J. Paul Getty Museum, Los Angeles, from 1 October 2011 through 5 February 2012 and at the Martin-Gropius-Bau, Berlin, from 15 March through 10 June 2012. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements." - Publisher. *** CONTENTS: Introduction: shifting the standard: reappraising art in Los Angeles, by Rebecca Peabody et al.; 1. Floating structures: building the modern in postwar Los Angeles, by Andrew Perchuk and Catherine Taft; Case study houses, by Lyra Kilston; The Morder Institute of Art, by Catherine Taft; Collaborative couples, by Catherine Taft; The Post-Surrealists, by Catherine Taft; Zen in the studio, by Catherine Taft; The Anti-Square Merry-Go-round Show; action and politics in Los Angeles, by Serge Guilbaut; 2. Papa's got a brand new bag: crafting an art scene, by Lucy Bradnock and Rani Singh; In the shadow of the spotlight, by Rani Singh; Name games, by Lucy Bradnock; Tap City Circus, by Nancy Perloff; Brittin by Baza, by Ken D. Allen; Instant theatre, by Lucy Bradnock; Clickin' with Clax, by Rani Singh; Roxy's, by Alex Potts; 3. For people who know the difference: defining the pop art sixties, by Ken D. Allan, Lucy Bradnock, and Lisa Turvey; Tooth, by Annette Leddy; Duchamp in Pasadena, by Ken D. Allan; Gemini G.E.L., by Lucy Bradnock; The Artists' Protest Committee, by Ken D. Allan; The Golden State Mutual Art Collection, by Lucy Bradnock; Riko Mizuno, by John Tain; "Los Angeles Meant boys": David Hockney, Bob Mizer, and the lure of physique photography, by Richard Meyer; 4. Duration piece: rethinking sculpture in Los Angeles, by Donna Conwell and Glenn Phillips; Jack Brogan: fabricator, by Margaret Honda; Protesting art and technology, by Donna Conwell; First National Symposium on Habitability, by Donna Conwell; Process painting, by Glenn Phillips; L.A. air, by Donna Conwell; Postmodernism between art and film: Jack Goldstein's Portrait of Pere Tanguy, by Michael Lobel; 5. Here, here or there: on the whereabouts of art in the seventies, by Jane McFadden; Performing among us: ritual and witness, by Irene Tsatsos; Hermann Nitsch visits Los Angeles, by Jane McFadden; The Estrada Courts murals, by Dianna Marisol Santillano; Video at the Long Beach Museum of Art, by Catherine Taft; Close radio, by Jane McFadden; Making the scene: fashioning an artistic identity. Size: 4to. Collectible.
Lingua: Inglese
Editore: Yale University Press, New Haven, 2021
ISBN 10: 0300251033 ISBN 13: 9780300251036
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A nice, clean copy. ; Color Plates; 10.3 X 7.4 X 0.8 inches; 240 pages.
Da: AwesomeBooks, Wallingford, Regno Unito
EUR 30,47
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Lawrence Alloway: Critic and Curator (Issues & Debates (Paperback)) (Getty Publications - (Yale)) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.