Brainard joe illustrations (12 risultati)

Staple bound. Condizione: Very good +. Limited edition. Unpaginated. Quarto. [28 cm]. Black and white printed wraps. Moderately sunned with slight discoloration to wraps. This copy was printed in a limited run of 300. Waldman is known for her movement through the beat and avant garde poetry scene of the midcentury.…

Soft cover. Condizione: Good. Tall folio, 8 1/2 x 14 inches tall, photocopied zine , 96pp, staple-bound (top staple of 3 becoming undone, bumps, wear to edges, indentations to cover from being stacked, mild toning and soiling, good to very good).

First edition. Large 8vo in brown cloth hardcover boards with black foil stamped image on the front, gold foil letters along the spine. 144 pp. Inside brown dust jacket. One of Cape Golliard's most beautiful books featuring delicately typeset poetry by the talented Raworth and illustrations by Joe Brainard, one of which is in color and the rest in black and white. The color illustration features two flattened cigarette packages, one of which is the brand Camel, and the other a Cuban knock-off called Ciervo. Colophon states 'Cigarette packets from use'. Ted Berrigan also provides an insightful and endearing review of Raworth on the back cover of the dust jacket. A highly recommended book for anyone who's a fan of Raworth or Brainard. Light foxing to head of text block and light wear to the bottom of the cloth cover, else fine. Dustjacket with some rubbing and a small closed tear at the top edge on the back, else fine.…

PB. unpaginated Slight acidic discoloration on foreedge of front cover. good+, side stapled sheets (softcover) some discoloration edges. B&W illustrations (illustratore).

First Edition. First Printing, wrappered issue, one of 750 copies. Small quarto (26cm); original printed card wrappers; [8],9-66,[6]pp; illus. Some pinpoint wear to extremities, mild creasing along the right edge of front wrapper; contents clean; Near Fine. MORROW & COONEY 31a. 85895.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. Quarto (8 1/2 x 11 inches / 217 x 280 mm), [18] leaves, in side-stapled wrappers. SIGNED on the colophon by the author, Anne Waldman, and the illustrator, Joe Brainard. One of only 26 copies lettered A-Z and signed by both author and artist, from a total edition of 300 copies. Besides the striking front and back covers, Brainard has also contributed three leaves of illustrations. A typically beautiful collaboration by two major figures of the New York School of poetry. CONDITION: Light soiling to edges of covers. Near Fine. Signed by Author(s). …

PB. Condizione: very good, wraps (softcover). unpaginated Uncommon publication by New York "underground artist" Joe Brainard. Includes contributions from John Ashbery, Bill Berkson, Ted Berrigan, Kenward Elmslie, Dick Gallup, Barbara Guest, Kenneth Kich, Frank Lima, Frank O'Hara, Ron Padgett, Peter Schjeldahl, Jimmy Schuyler, and Tony Towle. B&W illustrations (illustratore).…

Condizione: Near Fine. First Edition. First edition. Unpaginated. Side-stapled wraps. Near Fine with a little offsetting from staples, a few small rust stains to front cover. Nice shape overall.

First Edition. Deluxe Issue, an out-of-series overrun from the bindery, bound without the signed colophon, the title label on the spine, and without the tipped-in original artwork by Joe Brainard. Quarto (27.5cm); black, brown, and white floral-patterned cloth boards and rough orange cloth backstrip; [8],9-66,[2]pp; illus. Faint foxing to text edges and verso of terminal leaf, faint mustiness; Near Fine. Attractive collaborative work by these two prominent New York School figures, pairing Elmslie's poem with black & white illustrations by Brainard. Uncommon in the deluxe issue. Morrow & Cooney 31c.…

Condizione: Very Good. First Edition. First edition. Side-stapled mimeographed sheets, printed on rectos only. Very Good+ with uneven toning to rear cover, light wear, rusting to staples. A lovely copy featuring text by Ted Berrigan and drawings by Joe Brainard.

First Edition. Limited Issue, one of 100 numbered copies specially bound and signed by the author and illustrator, this being copy no.79. Octavo (27.25cm); full striped cloth, with title label mounted to front cover; [8],9-66,[6]pp; illus. A Fine copy in lightly rubbed, Near Fine dustjacket.Attractive collaborative work by these two prominent New York School figures, pairing Elmslie's poem with black & white illustrations by Brainard. Morrow & Cooney 31b.…

First Edition. Deluxe Issue, one of 26 lettered copies specially bound and signed by the author and illustrator, this being copy 'M.' Octavo (23.75cm); pictorial paper-covered boards and patterned cloth backstrip, with title label mounted to spine; publisher's original acetate dustjacket; [6],7-101,[7]pp. With a full-page original ink illustration of flowers by Brainard tipped in following the copyright page (signed and dated "Brainard 74"). Fine in a lightly rubbed, Near Fine dustjacket, with shallow loss at the crown. Deluxe issue of Ashbery's 1975 experimental book-length poem, often overlooked in favor of his critically-acclaimed Self-Portrait in a Convex Mirror published the same year. "In fact, The Vermont Notebook has often been elided entirely from the Ashbery canon: excluded from Ashbery's bibliography in some subsequent volumes, the poem failed to make an appearance in the poet's 1985 Selected Poems.An innovative hybrid of prose, verse, and line drawings provided by artist-poet Joe Brainard, The Vermont Notebook differs significantly from Ashbery's more classically Stevensian verse of the period. Formally, the poem is characterized by quasi-cinematic jump cuts, blatant appropriation of found material, and meaningful white space separating its mostly prose paragraphs. Beyond mere stylistic difference, this most essayistic of Ashbery's books reflects and refracts, with typically Ashberyian irony, a number of arguments about environmental and sexual politics regnant during the decade when it was written" (Schmidt, Christopher. "The Queer Nature of Waste in John Ashbery's The Vermont Notebook." Arizona Quarterly, Vol.68, No.3 (Autumn 2021), pp.71-72). Difficult to find for years, until it was published by Granary Books in 2001, and included in the Library of America's volume of Ashbery's work. Uncommon in the deluxe issue. Kermani A21.b; Morrow & Cooney 207c. …