Editore: Private
Da: Lobster Lane Books, Pembroke, MA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition So Stated. Book is very sharp. There is rubbing at periphery of dust jacket.
Editore: Springfield/ Albrecht-Kemper Museums, St. Joseph, MO, 2000
Da: Reader's Corner, Inc., Raleigh, NC, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. Brega Brothers (illustratore). First Edition. This is a fine, as new, hardcover first edition copy in a fine mylars protected DJ, black spine. Flat signed by the Brega brothers on the frontispiece. Also with a warm inscription by David Brega on the front flyleaf. Signed by Author(s).
Editore: Springfield Museum Fine Arts (2000), Springfield, MA, 2000
Da: Ray Boas, Bookseller - Established 1980, Walpole, NH, U.S.A.
HC. B&W and color illustrations (illustratore). 99pp Published for the exhibition held at the Springfield Museum of Fine Arts, September 20-December 31, 2000; and, Albrecht-Kemper Museum of Art, March 2-June 6, 2001. fine w/fine dustjacket (hardcover).
Editore: Unknown
Da: ThriftBooksVintage, Tukwila, WA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Inscribed by artists David and Douglas Brega on fly leaf. Binding is tight. This book shows minimal sign of wear to the cover, binding, or pages. The book is inscribed by Other. Dust jacket condition is Very Good. Secure packaging for safe delivery.
Editore: Unknown, 2000
Da: HPB Inc., Dallas, TX, U.S.A.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: Unknown, 2000
Da: Birkitt's Books, SARASOTA, FL, U.S.A.
Paperback. Condizione: Very Good. Inscribed by Douglas Brega on fep. Minor wear to covers, interior unmarked. The 25-year retrospective of the the identical twin Bregas' work is their first major joint exhibition. Douglas Brega, of East Longmeadow, Massachusetts, paints realistic watercolors of the people and places of New England, with his work often being compared to that of Andrew Wyeth. His architectural landscapes of lighthouses, old Colonial homes, Cape Cod windows, and weathered buildings capture the simple grandeur of New England. He is attracted to clean shapes, angled lines, and the play of light and shadow. He usually works from photographs, sometimes taking as many as 100 slides which he uses to make preliminary sketches. When he creates portraits, Doug tries to bring out the personality of the person, rather than concentrate on the physical likeness. His paintings are meticulously done in a watercolor and drybrush medium, which is extremely difficult and allows him to achieve extraordinary detail. David Brega works in the trompe l'oeil tradition, meaning "to fool the eye" into believing that which is painted is real. He is often told that his paintings looks as real as photographs, but he emphasizes that he is not a photorealist. He suggests that "Photos look like photos, while trompe l'oeil looks like it's there." Many of the subjects used in his paintings were found in antique stores. He is drawn to old, worn surfaces and intrigued by light and patina.