Brejon de lavergnee arnauld (104 risultati)

Soft cover. Condizione: Fine. First Edition. Catalog to accompany 1999 PMA exhibition. As issued. 72 pp., illus. w/ color plates. Size: 4to - over 9¾" - 12" tall. Book.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fine. 72 pages, illustrations (chiefly colour); 31 cm. Published on the occasion of an exhibition at the Philadelphia Museum of Art, April 11 to July 11, 1999. Organized by Arnauld Brejon de Lavergnee and Joseph J. Rishel. Firm binding, clean inside copy. *** "During his own lifetime Francisco Goya (1746-1828) was thought to be without rival in his native Spain. Since his death, his legacy has received ever-higher acclaim. This illustrated catalogue presents several distinct aspects of Goya's oeuvre, including the tapestry cartoons, his religious works and still-life paintings, related to the inventory of works of art he kept for himself in his studio. These diverse groups afford a series of insights into this artist's successful career. In turn, it shows that Goya at his most public can be as private and revealing as he is in the works he held back from public view." - Publisher. Size: 4to.…

Condizione: New. pp. 100.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Good. Paperback. Text is in French. A few scores on covers. Spine foot is a little bumped. Bump on upper edge of front cover, affecting early pages. Light wear on leading corners. Binding is intact, contents are clean and clear. AM. Used.

Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Clean, sharp corners, firm hinges with DJ in NF condition. Handsome copy. BP/Ren Art.

Hardcover with dustjacket, 180 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: Very Good. Image shows actual book for sale. Book Condition: Very Good; firm binding; contents very good. Soft Cover Reunion des Musees Nationaux 1980 Art.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Dark blue cloth boards, color illustrated dj. 179 pp. Profuse color illustrations. Released to commemorate the 50th anniversary of Viola Bray's gift to the Flint Institute of Arts, the book is based on new research of the Bray Collection conducted by Tracee Glab, Associate Curator of Exhibitions. Reflecting years of exhaustive research in collaboration with leading experts in the field of Renaissance and Baroque art, the book offers new insights into the history and iconography of this remarkable collection. (publisher) With essays by John B. Henry III, Tracee J. Glab, Charissa Bremer-David, and Arnauld Berjon de Lavergnee. Lavishly illustrated. VG, As New (Includes bookmark announcement of exhibition.).…

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. 4to, hardcover, dust jacket, 320pp., ills. A SEALED copy with no faults. Extra postage may be asked (4).

Hardcover. Condizione: Fair. Geruch; Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveränderung; Starke Gebrauchsspuren; Einriss über 1 cm.

Condizione: NEW.

Softbound. Condizione: VG (overall light shelfwear). Color illustrated wraps. 229 pp., 100s of small bw reproductions. Text in French.Complete catalogue of Dutch, Flemish and Belgian paintings in the Louvre, with several indexes and appendices, including: changes in attribution, list of copies, provenances, iconographic index, list of works cited (including previous Louvre catalogues), others. A very useful reference. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, xi, 156 pages, colour illustrations; 29 x 32 cm. Issued on the occasion of an exhibition of fourteen examples from the tapestry collection of Louis XIV, held at the Getty Center from December 15, 2015, to May 1, 2016. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "Meticulously woven by hand with wool, silk, and gilt-metal thread, the tapestry collection of the Sun King, Louis XIV of France, represents the highest achievements of the art form. Intended to enhance the kings reputation by visualizing his manifest glory and to promote the kingdoms nascent mercantile economy, the royal collection of tapestries included antique and contemporary sets that followed the designs of the greatest artists of the Renaissance and Baroque periods, including Raphael, Giulio Romano, Rubens, Vouet, and Le Brun. Ranging in date from about 1540 to 1715 and coming from weaving workshops across northern Europe, these remarkable works portray scenes from the bible, history, and mythology. As treasured textiles, the works were traditionally displayed in the royal palaces when the court was in residence and in public on special occasions and feast days. They are still little known, even in France, as they are mostly reserved for the decoration of elite state residences and ministerial offices. This catalogue accompanies an exhibition of fourteen marvelous examples of the former royal collection that will be displayed exclusively at the J. Paul Getty Museum at the Getty Center from December 15, 2015, to May 1, 2016. Lavishly illustrated, the volume presents for the first time in English the latest scholarship of the foremost authorities working in the field." - Publisher. *** CONTENTS: Foreword, by Timothy Potts and Herve Barbaret; Acknowledgments; Note to the Reader; Louis XIV, Patron and Collector of Painting and Tapestry, by Arnauld Brejon de Lavergnee; The French Royal Collection of Tapestries at Its Zenith: Louis XIV as Heir, Collector, and Patron, by Jean Vittet; Louis XlV and Louis XV: Their Coronations and Their Tapestries, 1654 and 1722. LOUIS XIV AS COLLECTOR, by Charissa Bremer-David: 1 The Acts of the Apostles; 2 The Triumphs of the Gods; 3 The Story of Vulcan; 4 The Story of Scipio or The Story of Scipio Africanus. LOUIS XIV AS HEIR, by Charissa Bremer-David: 5 The Story of Queen Artemisia; 6 The Story of Constantino; 7 Stories from the Old Testament. LOUIS XIV AS PATRON, by Charissa Bremer-David: 8 The Portiere of the Chariot of Triumph; 9 The Seasons; 10 The Story of Alexander; 11 The Royal Residences / The Months of the Year; 12 The Gallery of Apollo at the Chateau of Saint-Cloud; Checklist and Endnotos; References Cited; Index; Illustration Credits; Contributors. Size: Oblong. Collectible.…

4°, Hardcover/Pappeinband. Condizione: Sehr gut. 320 S., zahlr. Abb. SU., gebraucht: sehr guter Zustand. This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. Sprache: Englisch Gewicht in Gramm: 1508.…

Gebundene Ausgabe. Condizione: Sehr gut. Auflage: 01. 320 Seiten, in sehr gutem Zustand, KU-3775 9789053495001 Sprache: Englisch Gewicht in Gramm: 1550.

Soft Cover. Condizione: Fine.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. White and color pictorial wraps; white spine with black lettering. 413 pp. Hundreds of BW illustrations. Text in French. Supplement au catalogue des tableaux flamands et hollandais. Good with worn somewhat tattered dj.

Condizione: COME NUOVO. Drago Ed. cm.23x33, pp.124, ill.a col. brossura con copertina figurata a colori. Accademia di Francia a Roma - Villa Medici. Ediz. italiana e francese.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Text in French, some wear to edges and corners of dustjacket, edges and corners a little creased and worn, some light wear to covers and spine, internally in good condition, pages crisp and clear.

Condizione: NUOVO. Drago Arts & Communication 2 voll. cm.23X32, pp.122, brossura con copp.figg.a col. Roma, Accademia di Francia, 7 aprile - 5 giugno 2011. In collaborazione con il Musée des Beaux-Arts de Bordeaux. 2 voll.