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Condizione: Very Good. Molloy, Jack (illustratore). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Molloy, Jack (illustratore). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Molloy, Jack (illustratore). Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Condizione: VG. J. W. Alexander, W. H. Drake, E. J. Meeker, W. J. Baer, A. B. Davies, O. H. Bacher, W. Taber, H. D. Nichols, A. Brennan, W. G. Moore, and W. Lawrence (illustratore). 10pp extract, printed in double columns, illustrated with 9 drawings, salvaged from a damaged issue of The Century Illustrated Monthly Magazine, Volume XXXVIII, No. 3, July, 1889. Illustrations include an Irish child of the upper class, hand-mills in the Dublin Museum, a Finnish woman in old costume, a heavy-headed pin of inlaid bronze, an inlaid bronze brooch of the pagan epoch, a box of beaten gold, a view of Mother Graball's Bay, and a portrait of Father Maurus, the guest-master at Melleray. Housed in protective mylar report cover.

Soft cover. Condizione: VG. J. W. Alexander, W. H. Drake, E. J. Meeker, W. J. Baer, A. B. Davies, O. H. Bacher, W. Taber, H. D. Nichols, A. Brennan, W. G. Moore, and W. Lawrence (illustratore). 12pp extract, printed in double columns, illustrated with 13 drawings, first page-only was damaged and is here presented in reproduction, salvaged from a damaged issue of The Century Illustrated Monthly Magazine, Volume XXXVIII, No. 2, June, 1889. Illustrations include large and small horns of bronze for chase and war, a keeper of the legends of Ireland, a portrait of Turanian of Finland in the ancient dress, a beaten gold ornament supposed to be a a gorget or breast ornament of chiefs, gold ornaments supposed to be double buttons for cloaks, torques and chains for neck and waste made by twisting gold bars, two examples of armlets of beaten bronze, a statue of the so-called Harcules of the Vosges Mountains - a Keltic god overcoming a god of the Turanians, and a detail from the column of Antoninus at Rome of the kelt of the Roman period. Housed in protective mylar report cover.

102pp. sml 4to. Original creased wrapppers. Black and white illustrations; map. Ink name on title page. A very good copy.

Hardcover. Condizione: Very Good. 2017 Brill large format hardcover edition. Light reading wear else very good condition. 1. 'A place more venerable than all in Britain': The Archaeology of Anglo-Saxon Lindisfarne by David Petts; 2. The Irish Tradition in Northumbria after the Synod of Whitby by Clare Stancliffe; 3. Northumbrian Books in the Seventh and Eighth Centuries by Richard Gameson; 4. Reading the Lindisfarne Gospels: Text, Image, Context by Michelle P. Brown; The Eusebian Apparatus in the Lindisfarne Gospels: Aileran's Kanon evangeliorum as a Lens for its Appreciation by Thomas O'Loughlin; 5. Painting by Numbers: The Art of the Canon Tables by Heather Pulliam; 6. The Lindisfarne Gospels and the Performative Voice of Gospel Manuscripts by Carol Farr; 7. The Lindisfarne Gospels: The Art of Symmetry and the Symmetry of Art by Michael N. Brennan; 8. The Book of Durrow and the Lindisfarne Gospels by Nancy Netzer; 9. The Texts of the Lindisfarne Gospels by Richard Marsden; 10. Aldred's Red Gloss by Andrew Beeby, Richard Gameson, Catherine Nicholson, and Anthony W. Parker; 11. The Lindisfarne Gospels: Aldred's Gloss For God and St Cuthbert and All the Saints Together Who are in the Island by E.G. Stanley.

Paperback / Pamphlet. Condizione: Good +. Seventeenth Edition. [17th Edition]. 64 pp. 15 cm. Saddle-stapled in pink (faded from red?) printed wraps. IWW's circular emblem printed on the front. Frontis portrait of Joe Hill on page [2]; this edition features twelve of his songs. Staples (binding) are beginning to rust. Sporadic staining and dust soiling to covers. Minor signs of age-toning, internally clean. The IWW's famous "Little Red Songbook" which was originally published in 1909 and has never gone out of print. Fifty-two songs are printed here (pages 5-64) in this Seventeenth Edition from 1922. Some tune designations are given. Some short lyrical explanations are given. Musical notation is not printed. Includes an index of song titles at the front (pages [3-4]). IWW's "Preamble" is printed on the front inside cover. "We Are Going to Find Out" (six paragraphs of text raising awareness and support for imprisoned Wobblies) by the IWW's General Defense Committee is printed on the rear inside cover. An advertisement for future versions of the songbook, with the promise of printed musical notation to be included, is printed on the rear cover. IWW's address of "1001 W. MADISON ST. CHICAGO, ILL" is printed on the front cover, title page [1], and rear cover, which was the IWW's General Headquarters from July 1917 - March 1925. About The Little Red Songbook, Historian Philip Taft noted. "By far the most popular work produced by the Industrial Workers of the World, the Song Book has gone through many editions. In fact, some of its "Songs," especially one by Joe Hill, are known by many who are scarcely acquainted with the I.W.W. itself. [.] What first attracted me to the I.W.W. was its songs and the gusto with which its members sang them." Contains the following songs (in the order printed): The Rebel Girl; The Internationale; We Will Sing One Song; Workers of the World, Awaken!; One Big Industrial Union; The Red Flag; The Workers of the World Are Now Awaking [sic Awakening]; Harvest War Song; Workers of the World; John Golden and the Lawrence Strike; Scissor Bill; Dump the Bosses off Your Back; All Hell Can't Stop Us!; Up from Your Knees; The Tramp; Whadda Ya Want to Break Your Back for the Boss For?; The White Slave; The Big Question; Solidarity Forever!; The Dollar Alarm Clock; We Have Fed You All for a Thousand Years; I'm Too Old to Be a Scab; Mr. Block; The Industrial Workers of the World; The Workers' Marseillaise; "Remember"; Industrial Unionism Speaks to the Toilers of the Sea; The Preacher and the Slave; "The Popular Wobbly"; "Renunciation"; Don't Take My Papa Away from Me; When You Wear That Button; My Wandering Boy; The Everett County Jail; I Wanna Free Miss Liberty; May Day Song; They'll Soon Ring Out; Onward, "One Big Union"; Count Your WorkersCount Them!; Fifty Thousand Lumberjacks; Tie 'Em Up!; Joe Hill's Last Will; The Mysteries of a Hobo's Life; Workers' Memorial Song; Farewell, Frank!; The Commonwealth of Toil; A Worker's Plea; Organize!; There Is Power in a Union; Harvest Land; Hold the Fort; and Workingmen, Unite!

Paperback / Pamphlet. Condizione: Very Good +. Seventeenth Edition. [17th Edition]. 64 pp. 15 cm. Saddle-stapled in red printed wraps. IWW's circular emblem printed on the front. Frontis portrait of Joe Hill on page [2]; this edition features twelve of his songs. A previous owner's 3" x 5" index/notecard is laid-in with a paragraph of cursive text written in black ink. A nice, clean copy with just a bit of wear to the covers. The IWW's famous "Little Red Songbook" which was originally published in 1909 and has never gone out of print. Fifty-two songs are printed here (pages 5-64) in this Seventeenth Edition from 1922. Some tune designations are given. Some short lyrical explanations are given. Musical notation is not printed. Includes an index of song titles at the front (pages [3-4]). IWW's "Preamble" is printed on the front inside cover. "We Are Going to Find Out" (six paragraphs of text raising awareness and support for imprisoned Wobblies) by the IWW's General Defense Committee is printed on the rear inside cover. An advertisement for future versions of the songbook, with the promise of printed musical notation to be included, is printed on the rear cover. IWW's address of "1001 W. MADISON ST. CHICAGO, ILL" is printed on the front cover, title page [1], and rear cover, which was the IWW's General Headquarters from July 1917 - March 1925. About The Little Red Songbook, Historian Philip Taft noted. "By far the most popular work produced by the Industrial Workers of the World, the Song Book has gone through many editions. In fact, some of its "Songs," especially one by Joe Hill, are known by many who are scarcely acquainted with the I.W.W. itself. [.] What first attracted me to the I.W.W. was its songs and the gusto with which its members sang them." Contains the following songs (in the order printed): The Rebel Girl; The Internationale; We Will Sing One Song; Workers of the World, Awaken!; One Big Industrial Union; The Red Flag; The Workers of the World Are Now Awaking [sic Awakening]; Harvest War Song; Workers of the World; John Golden and the Lawrence Strike; Scissor Bill; Dump the Bosses off Your Back; All Hell Can't Stop Us!; Up from Your Knees; The Tramp; Whadda Ya Want to Break Your Back for the Boss For?; The White Slave; The Big Question; Solidarity Forever!; The Dollar Alarm Clock; We Have Fed You All for a Thousand Years; I'm Too Old to Be a Scab; Mr. Block; The Industrial Workers of the World; The Workers' Marseillaise; "Remember"; Industrial Unionism Speaks to the Toilers of the Sea; The Preacher and the Slave; "The Popular Wobbly"; "Renunciation"; Don't Take My Papa Away from Me; When You Wear That Button; My Wandering Boy; The Everett County Jail; I Wanna Free Miss Liberty; May Day Song; They'll Soon Ring Out; Onward, "One Big Union"; Count Your WorkersCount Them!; Fifty Thousand Lumberjacks; Tie 'Em Up!; Joe Hill's Last Will; The Mysteries of a Hobo's Life; Workers' Memorial Song; Farewell, Frank!; The Commonwealth of Toil; A Worker's Plea; Organize!; There Is Power in a Union; Harvest Land; Hold the Fort; and Workingmen, Unite!