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SingleIssueMagazine. Condizione: Very Good. Vol. 1, no. 6. Edited by Robert A. W. Lowndes. Cover art is uncredited. Includes "The Stockade (On Bret Harte)"; "Hell Hogan's Funeral" by Clee Woods; "Wolf" by Palmer Hoyt; "Lonesome Stakes a Claim" (novelet) by Robert J. Pearsall; "The Luck of Roaring Camp" by Bret Harte; "The Lady or the Trigger" by Charles Tenney Jackson; "The Parson of Oxbow Bend" (novelet) by Roy W. Hinds; "The Peace Pipe"; "Readers' Reference Coupn". Tanning; A in pencil on cover; small tears at upper front edge, and lower rear cover edge; a little creasing and rubbing. Book.

Paperback. Condizione: Interior is excellent. Minimal wear to cover. x library.

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Hardcover. Condizione: new. Hardcover. The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions foranyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to "return" something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandatescan be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of "giving back" or returning an archive to its "homeland." Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of culturalheritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts.The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic andhistorical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives,depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege,intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration. The Oxford Handbook of Musical Repatriation critically explores issues surrounding musical repatriation, chiefly of recordings from archives. Based on dynamic and richly layered stories and critical questions arising from archival and repatriation work, this Handbook's thirty-eight chapters address the subjective issues involved in musical repatriation, and its wider cultural significance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions for anyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to 'return' something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandates can be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of 'giving back' or returning an archive to its 'homeland.' Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of cultural heritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts. The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic and historical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives, depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege, intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorrnrnFrank Gunderson is Associate Professor of Ethnomusicology at Florida State University. His research interests include African and African diasporan history, musical labor, sonic repatriation, biographical approaches, human.

Buch. Condizione: Neu. Oxford Handbook of Musical Repatriation | Frank Gunderson (u. a.) | Buch | Buch Gebunden | Englisch | 2019 | OXFORD UNIV PR | EAN 9780190659806 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.