breuer weil david (31 risultati)

Hardcover. Condizione: New. 79pp. Colour illustrations.

1st edn. 8vo. Original pictorial boards (Fine), no dustwrapper. Pp. 78, illus with coloured drawings and pictorial endpapers (no inscriptions).

Hardcover without dustjacket as issued, 80 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Fine. Oblong qto., unpaginated, approx 50 pages, colour illustrated. Unused, a Fine copy.

Rilegato. Condizione: new. Pistoia, 2020; ril., pp. 80, ill., cm 15x21. Drawing is like breathing, the most natural form of making a work of art and the beginning of any painting or sculpture. A sketchbook is an extra limb, always there and a way of automatic thinking. Sitting in front of a sheet of paper with a pencil is a meditation. Drawing can be more than a quick sketch or study. You can spend a great deal of time over each drawing, devoting hour upon hour and working up the sheet until it is a profound expression, and this is a type of meditation that allows unconscious images to materialise. Drawing with charcoal or lead is the most ancient art - it connects us to the cave paintings where the first expressions known to us from early man depict hands, animals and other people. That instinct remains and comes to the fore in times of crisis and change, like the present moment.These drawings are the visual embodiment of thought. They are filled with symbols, dreams, philosophies, fears and ideas. They are landscapes of the mind at a very particular and unique time. Sometimes you can turn fear, threat and tragedy into art. I had resisted gold because I considered it too decorative for much of my life. But here the gold is uncanny, intense, like the unusually radiant weather that was in England during most of the lockdown, quite unprecedented for this time of year, as if a different reality had descended on the world. Illuminating drawings with gold leaf is a complex and precise process. You have to draw the forms and plan the gold background, leaving outlines, painting in the ground in resin and then gently lay the gold leaf on the resin, any gust of wind blows the leaf away. You must let it dry and brush off all the excess gold in the open air - all the fragmented pieces of gold blow away, filling the garden, plants and trees with tiny gold speckles. I spend hour upon hour at the table with the pencil and sheet of gilded paper. I tend to gild the sheets first thing in the morning, giving my days a routine. In the afternoons and evenings, I work with the pencil. Pencil is the most beautiful medium, creating tone and emotion. When the whole of England began to shut down, shops, museums, restaurants, synagogues, churches and every venue closed, we were left to confront ourselves, and our families. The normal expressions of material and spiritual life changed overnight. Our spirituality went inwards. At this point the most ancient of media, making marks on a surface, took over. How do you express your innermost thoughts on sheets of paper? I am thinking of medieval manuscripts with their gold grounds that suggested otherworldliness. Manuscripts made during the fourteenth Century, an age of apocalypse and plague.I first had symptoms of Covid-19 on March 20, 2020, two weeks after a trip to Maastricht. That very day, March 20, I started this series of Golden Drawings with One. Perhaps my feeling physically different had an impact on my work: these drawings have an otherworldly feeling to them, a sense of entering a different reality as if drugged by something that has never been experienced before. During the first six days I did six drawings, one each day. By the sixth day I was very frightened that the disease would deteriorate and that I would have to be taken away. Keeping drawing gave me a link, kept my head above water. Drawing became a lifesaver.David Breuer-Weil. Libro.

Hardcover. Condizione: Near New. 1st Edition. 96, numerous colour illustrations throughout to illustrate a series of essays with a catalogue with small images of paintings exhbited. Publisher's pictorial card. Size: 4to - over 9¾" - 12".

Cloth. Condizione: Good. With many colour & b/w illustrations.

Hardcover. Condizione: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. See images. Fantastic book. About the book >.>.> Drawing is like breathing, the most natural form of making a work of art and the beginning of any painting or sculpture. A sketchbook is an extra limb, always there and a way of automatic thinking. Sitting in front of a sheet of paper with a pencil is a meditation. Drawing can be more than a quick skench or study. You can spend a great deal of time over each drawing, devoting hour upon hour and working up the sheet until it is a profound expression, and this is a type of meditation that allows unconscious images to materialise. Drawing with charcoal or lead is the most ancient art-it connects us to the cave paintings where the first expressions known to us from early man depict hands, animals and other people. That instinct remains and comes to the fore in times of co and change, like the present moment. These drawings are the visual embodiment of thought. They are filled with symbols, dreams, philosophies, fears and ideas. They are landscapes of the mind at a very particular and unique time. Sometimes you can turn fear, these and tragedy into art.

Hardcover without dustjacket as issued, 144 pages; very good condition; except a few nicks and small tears to top edge of front board; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hard Cover. Condizione: Very Good +. Condizione sovraccoperta: Very Good +. First Hardback Edition. 310 x 310mm. pp. 400 (approx). English text. First hardback edition of 'David Breuer-Weil: Radical Visionary'. Colour illustrations. Bound in original black boards. Housed in pictorial dust jacket. Still in publishers original cellophane. A few flaps, scuffs and small holes in cellophane cover, otherwise in unused condition. See images. Heavy book at 3.3kg. Extra postage.

Condizione: New. pp. 400 463 Illus. (409 Col.).

Paperback. Condizione: Near Fine. Approx. 66 pages. Illustrated mostly in color. 4to.

Exhibition catalog, 11 x 9.5, pict wraps, 80 pp, covers a bit edge-worn, contents nice. With essays by Ben Hanly, John Russel Taylor, and Simon Blomfield.

Condizione: Ottimo (Fine). 1085 Breuer-Weil, David Breuer-Weil, David. David Breuer-Weil : radical visionary. Milano Skira, 2011. , Skira 2011 english, in quarto 398 386451085Autore principaleBreuer-Weil, DavidTitoloDavid Breuer-Weil : radical visionaryPubblicazioneMilano : Skira, 2011Descrizione fisica398 p. : ill. ; 31x31 cmcartonato con sovracc.Ottimo. Book.

Condizione: Ottimo (Fine). 1085 Breuer-Weil, David Breuer-Weil, David. David Breuer-Weil : radical visionary. Milano Skira, 2011. , Skira 2011 english, in quarto 398 96421085Autore principaleBreuer-Weil, DavidTitoloDavid Breuer-Weil : radical visionaryPubblicazioneMilano : Skira, 2011Descrizione fisica398 p. : ill. ; 31x31 cmcartonato con sovracc.Ottimo. Book.

Condizione: Good. [Exhibition catalogue]. 4to. 62 pp. Stiff black illustrated wraps with white lettering. As new. Full-page color plates, including frontis. Color pictorial end papers. Includes an interview between the artist David Breuer-Weil and Monica Bohm-Duchen. Includes an artist biography, as well as bibliography and list of past exhibitions. Catalogue created to accompany the exhibition "David Breuer-Weil: A Private Sales Exhibition", organized by Christie's London and held from June through July 2017 at the Economist Plaza, Cavendish Square and Portman Square--all in London, England.

28 x 25 cm 80 pp with colour illustrations throughout. Wrappers, with Gagosian Gallery sticker to front cover. Very good.

SOFTCOVER. Condizione: Fine. 1st Edition. Square Quarto size (4to) Exhibition catalogue in colour printed stiff card covers, 16pp, plates in colour and b/w. Private view invitation card loosely inserted . [CONDITION: an almost AS NEW unmarked copy (very slight crease to spine margin on rear cover) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condizione: Fine. Oblong octavo, Unpaginated, approx 40 pages, illustrated. A Fine copy.

SOFTCOVER. Condizione: Fine. 1st Edition. Square Quarto size (4to) Exhibition catalogue in colour printed stiff card covers, 16pp, plates in colour and b/w. Private view invitation card loosely inserted . [CONDITION: An almost AS NEW unmarked copy (slight crease to cover spine margins) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condizione: New. pp. 400.

Paperback. Condizione: Fine. First Edition. Wraps. 4to. Colour glossy illustrated wraps. pp 80. Copiously illustrated in colour throughout. Art. Exhibition catalogue. Fine.

Paperback. Condizione: Fine. First Edition. Wraps. 4to. Colour glossy illustrated wraps. pp 88. Copiously illustrated in colour throughout. Art. Exhibition catalogue. Very good indeed.

SOFTCOVER. Condizione: New. 1st Edition. 4to in colour printed stiff card covers, 66pp colour plates, etc. 7 new works each illustrated in full colour and described in detail . [CONDITION: NEW copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Hardcover with printed boards, no dust jacket, in very good condition. A few small, light blemishes to pastedowns and endpapers, otherwise as unread. LW. Used.

SOFTCOVER. Condizione: As New. 1st Edition. Small landscape 4to in illustrated glossy boards, 48pp on thick art paper, mainly reproductions of the artists drawings . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Condizione: Fine. 1st Edition. Extra Large 4to. in colour printed and die-cut stiff glossy card covers, 88pp on thick glossy art paper, colour plates, etc. This catalogue also includes material published to accompany Breuer-Weil's exhibition ' The Project - A Selection of Preparatory Drawings and Small Scale Paintings' at the Boundary Gallery, London January 19 - February 8 2001 . [CONDITION: A well preserved FINE clean and tight unmarked copy (few spots of slight shelf rub to cover edges) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Condizione: As New. 1st Edition. Extra Large 4to. in colour printed and die-cut stiff glossy card covers, 88pp on thick glossy art paper, colour plates, etc. This catalogue also includes material published to accompany Breuer-Weil's exhibition ' The Project - A Selection of Preparatory Drawings and Small Scale Paintings' at the Boundary Gallery, London January 19 - February 8 2001 . [CONDITION: NEW unmarked copy (tiny slight crease to top corner tip of front cover) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition, First Printing. 364 p. : ill. en coul. ; 31 cm. Folio. Hardcover. Publisher's original robin's egg blue cloth over boards, white lettering to spine. Book Condition: spine end lightly soiled at the tail, an almost imperceptible toning to razor thin top edge of pages, else fine. Dust Jacket Condition: very light wear else fine. A very sharp copy of a luxuriantly produced volume. Scarce title dedicated to documenting the fantastic art collection (CAP Collection) of a collector who apparently has no desire to be known, only to know. He or she is never named; and once dealt with in the preface is never mentioned again. With a thoughtful, detailed introduction by the artist David Breuer-Weil that endeavors to explain what makes this collection and this collector special. This survey features works by 49 different artists, over half of which are works on paper. The production values of the book are lavish, with a sophisticated layout and exhaustive documentation. Scarce. Worldcat shows five institutional holdings, two in Switzerland, two in the U.S. and one in Canada. Artists represented in the collection include.