brieger peter h (19 risultati)

Hardcover. Condizione: Good. No Stock Photos! We photograph every item. ex-library with usual markings; Volumes 1 and 2 of Art and Man: Ancient and Mediaeval / Renaissance and Baroque.

Soft Cover. Condizione: Very Good -. Trade paperback, later printing, vi + 234 pages including 234 illustrations, 16 in full colour; spine and covers creased and rubbed, blacked out name inside front cover, otherwise clean and unmarked. See also our listing for Art and Man Set of 3 Book One [1, I]: Ancient and Mediavel [Medievel]; Book Two [2, II]: Renaissance and Baroque; Book Three [3, III]: The Modern World.

Hard Cover. Condizione: Very Good. First Edition. Hardcover without dust jacket, vi + 210 pages including 158 illustrations, 9 in full colour; cover edges lightly rubbed, link signature/address, light pencil markings on approximately 20 pages, otherwise clean and unmarked. See also our listing for Art and Man Set of 3 Book One [1, I]: Ancient and Mediavel [Medievel]; Book Two [2, II]: Renaissance and Baroque; Book Three [3, III]: The Modern World.

Soft cover. Condizione: Good. Textbook on ancient art covers Greek, Roman and some Byzantine 210p. illus.(some col>) glossary index. (Some underlining, has a faint musty smell, but no sign of damp or damage). Book.

Soft Cover. Three oversized trade paperbacks; Book One: later printing, 210 pages including 158 illustrations, 9 in full colour; spine creased and rubbed, light pencil markings on approximately 15 pages, otherwise clean and unmarked, overall Very Good - condition;---Book Two: later printing, 218 pages including 188 illustrations, 16 in full colour; spine creased and rubbed, rubber stamped inside front cover, otherwise very clean and unmarked, overall Very Good - condition;---Book Three: later printing, 234 pages including 234 illustrations, 16 in full colour; spine and covers creased and rubbed, light pencil markings on approximately 60 pages, otherwise clean and unmarked, overall Good condition.

1st edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains quite well-preserved overall. Series: Oxford history of English art ; v. 4. Physical description: xvii, 299 pages, 96 pages of plates : illustrations ; 25 cm. Notes: Illus. incl. 97 plates, elevations and plans. Subjects: Geschichte 1200-1300; Art, Medieval England History; Architecture, Gothic England History; Art, Medieval; Art, English 14th century. 3 Kg.

1st edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains quite well-preserved overall. Series: Oxford history of English art ; v. 4. Physical description: xvii, 299 pages, 96 pages of plates : illustrations ; 25 cm. Notes: Illus. incl. 97 plates, elevations and plans. Subjects: Geschichte 1200-1300; Art, Medieval England History; Architecture, Gothic England History; Art, Medieval; Art, English 14th century. 1 Kg.

Hardback edition. Very good copy in the original gilt-blocked boards. Slight suggestion only of dust-dulling to the spine and panel edges. Scattered foxing throughout. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xvii, 299 pages, 96 pages of plates : illustrations ; 25 cm. Subjects; Art, Medieval England History. Art, Gothic England History. Art, Medieval England. Art, English 13th century. Architecture, Gothic England History. 3 Kg.

Hardback edition. Very good copy in the original gilt-blocked boards. Slight suggestion only of dust-dulling to the spine and panel edges. Scattered foxing throughout. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xvii, 299 pages, 96 pages of plates : illustrations ; 25 cm. Subjects; Art, Medieval England History. Art, Gothic England History. Art, Medieval England. Art, English 13th century. Architecture, Gothic England History. 1 Kg.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. 1st Edition. This is Volume 1 only (of two) - the text of the Divine Comedy. According to the blurb, the two volumes were originally planned to commemorate the seven-hundredth anniversary of Dante's birth in 1965. Its central feature is the catalogue, in Volume One, of 'all important more or less fully illustrated codices of Dante's poem.' This is followed by three essays by the authors already cited. Condition (dj): intact but faded in places with a number of closed tears. Condition (book): burnt orange cloth with gilt titles, set against a black background, is in a very sound state with only minor blemishes. Some marking of the top edge. Internally, there is mild tanning throughout, but the text remains clean and crisp; with the many b/w illustrations largely unaffected. pp. xx, 378. 4to Please note that, depending on destination, we may request a payment to cover any extra shipping & postage charges. Proceeds to Amnesty International. Abe2615.

Hardcover. Condizione: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Pages are bright and clear. Spines have light discolouration. Hardcover. English. See images for condition. About the book >.>.> This two-volume work was originally planned to commemorate the seven-hundredth anniversary of Dante's birth, in 1965. Its central feature is the catalogue, in Volume One, of all im-portant more or less fully illustrated codices of Dante's poem. To com-plement the catalogue there are some eleven hundred miniatures from a much more extensive body of materi-al, and these form the contents of Volume Two. Professor Brieger has arranged the subject matter of the catalogue, and Professor Meiss pro-vides the discussions of styles and dates. The monochrome plates of miniatures are arranged by cantos, and within each canto they are in chronological order. A preliminary section gives opening pages of the cantiche, diagrams, topographical schemes, and scenes of presentation of a manuscript. A section of colour plates, in sixteen pages, is arranged chronologically. Preceding the catalogue there are three essays: on literary and critical themes, by Pr.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Two Volumes Qto., First editions published in 1970, and not in 1969 as printed within the book. Volume 1. The text, xx, 378 pages, plus the illustrations containing 130 figures. Volume 2, The plates xxii, 539 pages, plus 33 pages of black and white plates, followed by 16 pages of colour plates. Both volumes are clean and bright, Near Fine copies in Very Good dust jackets that have a little light wear. Images are available on request.

Hard Cover. Condizione: Very Good. No Jacket. First Edition 2nd Printing. BOOK: Previous Owner Markings (School Stamp on Front Fixed Endpaper); Corners, Spine Bumped; Light Shelf Rub to Boards; Edges Lightly Soiled; Slight Yellowing Due to Age. DUST JACKET: Missing. CONSULTANTS: William Withrow, B.A., (Director, The Art Gallery of Toronto); K. English, B.A. (Associate Professor of Art, Althouse College of Education, University of Western Ontario); A. Louise Griffith, M.A., (Head of the English Department, Midland Avenue Collegiate Institute, Scarborough). CONTENTS: Introduction 1. The Leadership of Florence 2. The High Renaissance 3. Venetian Painting in the Renaissance 4. Netherlandish and German Painting in the 15th and 16th Centuries 5. Late Renaissance or Mannerist Art in Western Europe (1540-1600) 6. Early Baroque in Roman Catholic Countries 7. Later Baroque in Roman Catholic Countries 8. Baroque in Protestant Europe 9. The Eighteenth Century; Colour Plates; Plans; Glossary; Index; List of Illustrations. SERIES: Art and Man, Book II, is the second of a series of three books on the history of art published by Holt, Rinehart and Winston of Canada Limited. EXCERPT: INTRODUCTION The period in the history of art covered in this book is still the best known and most admired by the majority of people and especially by those who are critical of modern art. It abounds in names of famous artists and their works seem to portray the "real" world, in all its various aspects, with beauty and dignity. Many people find that Renaissance and Baroque art are more "natural" and "true to life" than that of the preceding or following centuries with the exception of that of Greece and Rome. But they forget that art is never a mirror or a copy of nature. It is the result of a creative act of an artist who uses what he sees in his environment and selects from it material to form an image in his mind which best expresses his thoughts and feelings . . . Size: 4to - over 9¾" - 12" tall.

Rilegato. Condizione: in ottime condizioni. English. Hardcovers. Books in excellent conditions., Ill. bn: Illustrated throughout in b/w, Ill. colori: --, Peso: 2270 gr.

Single Issue Magazine. Condizione: Good. Illustrated by Martin, Mungo (cover) (illustratore). First Edition. Pages 41-82 Illustrated in colour and black and white. Features: An artist reflects on trees in spring; The search for vitality in Ontario; A climate for the arts; A Re-Union of Painting and Architecture; Albert H. Robinson; The Story Behind Our Cover; Paris Honours Alfred Pellan; Dutch Painting - The Golden Age; H.O. McCurry, Servant of the Arts; Do Canadians want Modern Furniture?; and more. Printed on glossy stock. Moderate wear. Unmarked. A sound vintage copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art Magazine, Spring 1955 - Albert H. Robinson trees in spring; The search for vitality in Ontario; A climate for the arts; A Re-Union of Painting and Architecture; Albert H. Robinson; The Story Behind Our Cover; Paris Honours Alfred Pellan; Dut.

Hardcover. Dark grey slipcase with mounted text on front and back; off-white DJ with black and red lettering; light brown cloth over boards with gilt lettering on the spine; two volumes; 378, 539 pp.; richly illustrated. Volume 1 is text. Volume 2 is the plate volume. These volumes are very heavy, at approximately 16 pounds, and may require extra postage. Good (Slipcase is heavily worn/scuffed/smudged/toned; boards and textblocks are edgeworn/scuffed/smudged/toned/foxed; interior has occasional toning (primarily to endpapers); bindings are solid.) Good- (DJs have moderate edgewear, with Vol. 1 DJ torn a bit at the rear bottom; DJ of Vol. 2 is torn a bit near top spine.).

hardcover. Condizione: Good. Ex-library hardcover. This is a 2 volume set, text and plates. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Facsimile: 64 col pls with gold; full vellum, gilt, ends of spine rubbed; black cloth slip-case, sl worn & marked. No 118 of 600 copies. Text: 56pp, illus; red cloth, gilt; cvrs little bumped & marked. APOCALYPSE - Trinity.

470x330mm, 14pages, exemplaire de l'étude: broché et 14 pages. Reliure maroquin par Zaehnsdorf Ltd pour le fac-similé, enluminures, lettrines. Sous emboitage. Exemplaire numéroté n.° 469 / 600. Etat neuf. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.