brillenburg wurth (125 risultati)

Soft cover. Condizione: Very Good. Softcover Paperback with only minor reading wear; book is clean, unmarked. In stock. Ships from MN, USA.

Condizione: New. 2012. paperback. . . . . . Books ship from the US and Ireland.

Published 1960, this is later printing 1975. Series: Modern Thinkers. Translated from Dutch. -- Softcover, 41 pages. Condition: very good (owner name).

Hardcover. Condizione: Good. Hardcover. No DJ. Pages are unmarked. Covers show minor shelf wear. Binding tight, hinges strong. Light shelving foxing spots/dust-dulling on page edges. Previous owner's name/inscription on end paper. (Hardcover. Geen DJ. Pagina's zijn onbeschreven. Omslag vertoont lichte slijtage. Stevige binding, scharnieren stevig. Lichte roestvlekjes/stofvlekken op de randen van de pagina's. Naam/inscriptie van de vorige eigenaar op het schutblad.); 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condizione: Good. Hardcover. No DJ. Pages clean and unmarked. Covers show minor shelf wear. Binding tight, hinges strong. Light shelving foxing spots/dust-dulling on page edges. Front end paper torn. (Hardcover. Geen DJ. Pagina's schoon en onbeschreven. Omslag vertoont lichte slijtage. Stevige binding, scharnieren sterk. Lichte roestvlekjes/stofvorming op de randen van de pagina's. Papier op de voorkant gescheurd.); 100% Satisfaction Guaranteed! Ships same or next business day!

Condizione: New. 2012. paperback. . . . . .

Unknown binding. Condizione: Good. Hardcover. No DJ. Pages are clean and unmarked. Covers show light edge wear with rubbing/light scuffing. Binding is tight, hinges strong. Previous owner's name on end paper.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condizione: Good. Hardcover. No DJ. Pages are clean and unmarked. Bump on some page bottoms. Covers show light edge wear. Binding is tight, hinges strong. (Hardcover. Geen DJ. Pagina's zijn schoon en ongemarkeerd. Bump op sommige paginabodems. Covers vertonen lichte rand slijtage. De binding is strak, scharniert sterk; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Condizione: Good. Nice shape; Modern Thinkers; 41 pages.

Hardcover. Condizione: Very Good. Hardcover. No DJ. Pages clean and unmarked. Covers show minor shelf wear. Binding tight, hinges strong. (Hardcover. Geen DJ. Pagina's schoon en ongemarkeerd. De omslagen vertonen lichte slijtage op de planken. Binding strak, scharnieren sterk.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condizione: Good. Hardcover. No DJ. Text contains very minor marking. Covers show minor shelf wear. Binding is tight, hinges strong. Previous owner's name on end paper. Previous owners bookplate on inside front cover. (Gebundene Ausgabe. Kein DJ. Der Text enthält eine sehr kleine Markierung. Abdeckungen zeigen geringe Lagerspuren. Bindung ist eng, Scharniere stark. Name des Vorbesitzers auf End-Papier. Vorbesitzer-Bookplate auf der Innenseite der vorderen Abdeckung; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condizione: An ex-library book with usual. No Jacket. No date given. A cream colored hardcover with clean text, solid binding and very fine, unworn covers.

41p. Large format softcover pamphlet. Ex-seminary library copy. Old paper label on cover, name stamped on title page, otherwise a clean, tight book in very good condition. Translated by David H. Freeman. Part of the International Library of Philosophy and Theology, Modern Thinkers series.

Hardcover with Dust Jacket. Condizione: VG+ in a VG+ DJ.

Soft cover. Condizione: Very Good. 1st Edition. With a couple of under lines, otherwise a fine first edition paperback copy, 224 pages, with ample notes and an extensive bibliography, gray-black spine.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. First Printing. 224pp., including extensive notes, bibliography, and index. Light shelfwear, else a Very Good copy (no markings to the text) in a Very Good jacket with light wear. // Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality.

Paperback. Condizione: Very Good. 1975 Paperback. (1960 Copyright). Ex-Personal Library. Text is clean, Binding is strong. Pale gray & dark blue paper cover, very slighly soiled, lower front corner is lightly rubbed, minor fading or age-darkening. 41 pages. Translated by David H Freeman.

Condizione: New.

Paperback. Condizione: New. Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an epic of self-transcendence. By contrast, Lyotard sought to substitute open immanence for Kantian transcendence, yet he failed to deconstruct the Kantian epic. The book performs this deconstruction by juxtaposing eighteenth- and nineteenth-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music. Critically assessing Edmund Burke, James Usher, E.T.A. Hoffmann, Novalis, Friedrich Hölderlin, Arthur Schopenhauer, Richard Wagner, and Friedrich Nietzsche, this book re-presents the sublime as a feeling that defers resolution and hangs suspended between pain and pleasure. Musically Sublime rewrites the mathematical sublime as différance, while it redresses the dynamical sublime as trauma: unending, undetermined, unresolved. Whereas most musicological studies in this area have focused on traces of the Kantian sublime in Handel, Haydn, and Beethoven, this book calls on the nineteenth-century theorist Arthur Seidl to analyze the sublime of, rather than in, music. It does so by invoking Seidl's concept of formwidrigkeit ("form-contrariness") in juxtaposition with Romantic piano music, (post)modernist musical minimalisms, and Lyotard's postmodern sublime. It presents a sublime of matter, rather than form-performative rather than representational. In doing so, Musically Sublime shows that the binary distinction Lyotard posits between the postmodern and romantic sublime is finally untenable.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. Nummer op kaft voorzijde.

Condizione: New.

36 p. Paperback.

115 p. Softcover.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Slight wear.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Since the earlier twentieth century, literary genres have traveled across magnetic, wireless, and electronic planes. Literature may now be anything from acoustic poetry and oral performance to verbal-visual constellations in print and on screen, cinematic narratives, or electronic textualities that range from hypertext to Flash. New technologies have left their imprint on literature as a paper-based medium, and vice versa. This volume explores the interactions between literature and screenbased media over the past three decades. How has literature turned to screen, how have screens undone the tyranny of the page as a medium of literature, and how have screens affected the page in literary writing? This volume answers these questions by uniquely integrating perspectives from digital literary studies, on the one hand, and film and literature studies, on the other. "Page" and "screen" are familiar catchwords in both digital literary studies and film and literature studies. The contributors reassess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium in fact reinvigorates the book and the page as literary media, rather than signaling their impending death. While previous studies in this field have been restricted to the digitization of literature alone, this volume shows the continuing relevance of film as a cultural medium for contemporary literature. Its integrative approach allows readers to situate current shifts within the literary field in a wider, long-term perspective.

Condizione: New.