british crafts (10 risultati)

Paperback. Spine bit discoloured, some minor traces of use, a good copy. Text in English. Please see description or ask for photos.

Wraps. Very good. faint ghost of erased pencil name on cover, else like new.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 1980 Soft Cover 157pp. Interior clean. Wraps have some rubbing and wear.

Softcover. Black wraps with color illustration on front cover, white lettering, 157 pp, profusely illustrated in bw. "Miniatuurtextiel 80" from the Provincial Museum Sterckshof, Deurne-Antwerpen, 4 april-10 mei 1981. VG- (overall shelfwear to wraps, light foxing to front end papers, pages are otherwise clean).

Paperback. Condizione: Very Good+. 1st Edition; 1st Printing. B&W Illustrations; This is an oblong paperback book with heavy cardstock covers and a string binding. The book is in Very Good+ condition and was issued without a dust jacket. There is some creasing to the top front corner of the book cover. The text pages are clean and bright. "The object of the First International Exhibition of Miniature Textiles is to show that the vitality we have come to expect from large textiles could be communicated in the small. The exhibitors were invited to produce work up to 20cm in any direction which is a dimension believed to impose a discipline of scale and space and so encourage the artist to construct a true miniature textile rather than a large textile made small." (from the book).

No Binding. Condizione: Very Good. Graham Oldroyd, Sue John, Richards Slee, Katherine Virgils. (illustratore). 1st Edition. Folding SHEET. Folded into three to form four sections. An exhibition catalogue of work by Richards Slee and Katherine Virgils. Other potters include Graham Oldroyd, Sue John. Produced when the Crafts Centre was in Earlham Street, Covent Garden, London. Size folded out 21 x 58 cm (8.25 x 23 inches).

Soft cover. Condizione: Very Good. The Fourth International Exhibition of Miniature Textiles 1980 showcases a curated collection of intricate textile artworks presented during the 1980 exhibition. British Crafts Centre features diverse textile techniques and innovative designs from this period. From the library of John Russell Taylor.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

oblong 8vo. pp. 52. text in English & German. illus. (some colour). wrs. First Edition. Exhibition Catalogue.

Octavo / Quarto / Folio. Hardcover Folder with loosely inserted material like letters and photographs, envelopes, signed and inscribed books and rare pamphlets with designs etc. Very good condition with only minor signs of wear. Fantstic Archive and lots of unpublished material of one of the more eminent Cabinet, Furniture and Chair - Designers which resulted from inspiration by William Morris' Kelmscott - School. Percy A. Wells Chairs are still in regular demand today and sell for stunning prices (3000 £ etc.). Please see here a detailed description of the Archive, which we display with permission of the composer of the Bibliography, Dr.Christian White from Christian White Rare Books and which we have embellished only by listing everything in more detail: Percy A. Wells [with] May Morris; Ambrose Heal etc. The Batsford-published author and arts and crafts designer Percy Wells's retained collection of drawings, a notebook, letters, photographs, and articles. Wells (1867-1956), a cabinet maker and disciple of William Morris, lectured, taught and wrote extensively during the later phase of the Arts and Crafts movement in Britain. His typescript autobiography is included in the archive which follows him through an apprenticeship in London's City Road with early practice as a cabinet maker before working alongside William Lethaby at the Central School and subsequently leading the cabinet department at the Shoreditch Technical Institution in London. His two most significant works, both published by Batsford, were "Modern Cabinet Work" (1909) which brought him to a wider audience and "Furniture for Small Houses" (1924) but as revealed by this archive, his work went much wider. Included in the archive is the following material: I. PHOTOGRAPHS A fantastic collection of gelatin photographs of furniture, many used as illustrations in Wells' books and labelled as such to verso. Contained within an envelope labelled in a later hand: 'Furniture designed by Percy Wells. (Including Shoreditch).' Small sheaf of personal photographs including images of Wells in old age gardening in Dulwich. Two photographs of a house exterior project in New Barnet, with Wells' handwritten explanations overleaf of 'treatment of Wall with trellis and boxes' and additional larger furniture photographs. 60 (sixty) silver gelatine photographs of Furniture designed by Percy A. Wells, many with his signature or monogram and titled verso 1 (one) silver gelatine print of a Livingroom setting with Furniture by Percy A. Wells (Photograph by Monger and Marchant) 1 (one) silver gelatine print of a Bedroom setting with Furniture by Percy A. Wells (Photograph by Monger and Marchant) 2 (two vintage Albumen print photographs showing a courtyard - design by Percy A. Wells: a. Concrete Yard with border of flowers and Trellis of Flowers and Shelter designed by Percy A. Wells (Annotated and signed verso) b. Yard - with Treatment of Wall with trellis and Boxes and Outdoor Shelter designed by Percy A. Wells (Annotated and signed verso) 4 (four) wonderful silver gelatine portrait photographs of Percy A. Wells 3 (three) negatives of vintage photographs showing cupboards and one chair designed by Percy A. Wells 1 (one) fantastic Group Photo of British Furniture Makers, signed by most of those depicted, showing C.C.Beetles and others II. PERCY WELLS' TYPESCRIPT AUTOBIOGRAPHY: Containing 22-page (A4) Typescript Autobiography titled 'Fifty Years in the Furniture Trade' by Percy Wells, 1934 (according to a handwritten note by Wells, it was published on three instalments inside the publication: "The Cabinet Maker" (in the year 1934). The short autobiography describes Wells' poor background, his apprenticeship in the City Road as a cabinet maker; mentored by Stephen Webb and W. R. Lethaby and then teaching-work at Central School and Shoreditch Technical Institute. The Typescript - Autobiography is included in a Folder (Numbered "9") which also includes: a. Typescript Autobiography b. Page from "The Cabinet Maker", June 11th, 1933 in which it is announced that Percy Wells has retired from his position as head of the department of cabinet-making at L.C.C. Shoreditch Technical Institute. A photograph shows a Chair and writing - desk, made and presented to Percy Wells by night students of the Institute (Photo by Bloomsbury Trade School). "The Writing Desk is veneered with Walnut.the whole of the front pigeon-holes in fine Cuba Mahogany.Students responsible under their instructors for various features [of the desk]: Abbott, Beetles, Nash and Starling conytributed the carcase and veneered work; Elder the interior fitment; Hilliard and Wheeler the carving, Marritt the chair frame and Miller the Upholstery.". c. Account in local paper (Shoreditch) of Percy Wells' retirement in December 1932 d. Personal Note with photograph of Wells, mentioning his authorship for Pamphlets for the National Association of Boys Clubs. III. PERCY WELLS' SKETCHBOOK c1900-1920: Small quarto, c. 200 pages, bound in quarter-roan over textured black boards; back strip largely missing; binding remains intact. Inscribed in ink to first blank 'Percy A Wells' with pencil addition '31 Hindmans Rd East Dulwich SE'. Starting with the endpapers Wells has used almost every page for drawings, some vignette sized, many full page. There are for example variations on William Morris titled in handwriting: 'Border Designs - Corners from W. Morris's Books, a series of heraldic shield-fillings, credited to William Morris and a full page attempt at what seems to be a graphic tribute to Morris with the names of 'Dante Rossetti', 'Madox Brown', 'Burne Jones' contained within a column in the right margin and the slogan 'ARTS - CRAFTS - POETRY - BEAUTY - BROTHERHOOD' at the foot of the page. Much of the sketchbook is dedicated to drawings for furniture and other design such as tiles, architectural details, often connected to Wells' emergent book projects, thus 'Fences and Gates. Screens Chapt ?' There are s.