Brown w talbot (29 risultati)

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Book is still in shrink wrap and never opened. A couple small rips in shrink wrap but doesn't affect book. Excellent new condition.

Hardcover. Condizione: Used - Like New. Condizione sovraccoperta: As New. In this volume, forty-two remarkable paintings collected by Robert Lehman and his father, Philip Lehman, are discussed at length in light of recent technical and art historical research. This is the eighth in a projected series of sixteen volumes that will catalogue the entire Robert Lehman Collection at the Metropolitan Museum. Among the works catalogued here are Petrus Christus's 'Goldsmith in His Shop' of 1449, which is justly famous as one of the first northern European paintings to depict everyday life, and Hans Memling's 'Portrait of a Young Man' (ca. 1475-80), in which the sitter is posed before a landscape, a formula that had lasting repercussions in Italian as well as Northern art. Also included is Memling's 'Annunciation, ' one of his finest and most original works. Well-known paintings by Simon Marmion, Jean Hey, Gerard David, Lucas Cranach the Elder and Younger, Hans Holbein, Gerard Terborch, Pieter de Hooch, Rembrandt, and El Greco all represent in their own way the best of the era and place in which they were created, as do masterful portraits by Francisco de Goya, George Romney, and Sir Henry Raeburn. All the paintings in the Robert Lehman Collection are reproduced in full color, supplemented by numerous comparative duotone illustrations. Very nice, clean, like-new copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.…

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ with minor shelf wear. 245pp.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+.

Soft cover. Condizione: Very Good. 1st Edition. First edition. 124 pages. Some fading to wraps. Edges have wear, chipping. Small tear at bottom spine edge. Spine starting to separate from binding. Else, very good. (D6).

Wraps. No Jacket. None Stated. 124 pp, pp are uncut, some chipping to edges, sheet with library catalogue slips laid-in front.

Condizione: Gut. 124 S., Originalbroschur, berieben und mit einigen Randläsuren, Seiten teilweise unaufgeschnitten, sonst innen sauber und gut erhalten, sehr seltene Originalausgabe von 1902 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 244.…

Hardcover. Condizione sovraccoperta: Very Good. First Edition. 245 pages. 8-7/8 by 11-3/8 inches. First edition (first printing). A very good copy in a very good dust jacket. Jacket has some scuffing and is warped to conform to the contours of the clothbound boards. Binding tight. Pages slightly warped. A nice copy. In this volume, forty-two remarkable paintings collected by Robert Lehman and his father, Philip Lehman, are discussed at length in light of recent technical and art historical research. This is the eighth in a projected series of sixteen volumes that will catalogue the entire Robert Lehman Collection at the Metropolitan Museum. Among the works catalogued here are Petrus Christus's Goldsmith in His Shop of 1449, which is justly famous as one of the first northern European paintings to depict everyday life, and Hans Memling's Portrait of a Young Man (ca. 1475-80), in which the sitter is posed before a landscape, a formula that had lasting repercussions in Italian as well as Northern art. Also included is Memling's Annunciation, one of his finest and most original works. Well-known paintings by Simon Marmion, Jean Hey, Gerard David, Lucas Cranach the Elder and Younger, Hans Holbein, Gerard Terborch, Pieter de Hooch, Rembrandt, and El Greco all represent in their own way the best of the era and place in which they were created, as do masterful portraits by Francisco de Goya, George Romney, and Sir Henry Raeburn. All the paintings in the Robert Lehman Collection are reproduced in full color, supplemented by numerous comparative duotone illustrations.…

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 245 pages; Series: The Robert Lehman collection, 2. Physical description: x, 245 p. : ill. (some col.), ports. ; 29 cm. Summary: In this volume, forty-two remarkable paintings collected by Robert Lehman and his father, Philip Lehman, are discussed at length in light of recent technical and art historical research. Among the works catalogued here are Petrus Christus' "Goldsmith in His Shop" of 1449, which is justly famous as one of the first northern European paintings to depict everyday life, and Hans Memling's "Portrait of a Young Man" (ca. 1475-80), in which the sitter is posed before a landscape, a formula that had lasting repercussions in Italian as well as Northern art. Also included is Memling's "Annunciation", one of his finest and most original works. Well-known paintings by Simon Marmion, Jean Hey, Gerard David, Lucas Cranach the Elder and Younger, Hans Holbein, Gerard Terborch, Pieter de Hooch, Rembrandt, and El Greco all represent in their own way the best of the era and place in which they were created, as do masterful portraits by Francisco de Goya, George Romney, and Sir Henry Raeburn. All the paintings in the Robert Lehman Collection are reproduced in full color, supplemented by numerous comparative duotone illustrations. Subjects: Lehman, Robert, 1892-1969 -- Art collections -- Catalogs. 2 Kg. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Robert Lehman collection, 2] 280 x 215 mm. x, 245 pp., 157 illustrations, 60 in colour. [ISBN: 978-0870998812] Clothbound. A fine bright copy free from ownership inscriptions in like dustwrapper.

First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 245 pages; Series: The Robert Lehman collection, 2. Physical description: x, 245 p. : ill. (some col.), ports. ; 29 cm. Summary: In this volume, forty-two remarkable paintings collected by Robert Lehman and his father, Philip Lehman, are discussed at length in light of recent technical and art historical research. Among the works catalogued here are Petrus Christus' "Goldsmith in His Shop" of 1449, which is justly famous as one of the first northern European paintings to depict everyday life, and Hans Memling's "Portrait of a Young Man" (ca. 1475-80), in which the sitter is posed before a landscape, a formula that had lasting repercussions in Italian as well as Northern art. Also included is Memling's "Annunciation", one of his finest and most original works. Well-known paintings by Simon Marmion, Jean Hey, Gerard David, Lucas Cranach the Elder and Younger, Hans Holbein, Gerard Terborch, Pieter de Hooch, Rembrandt, and El Greco all represent in their own way the best of the era and place in which they were created, as do masterful portraits by Francisco de Goya, George Romney, and Sir Henry Raeburn. All the paintings in the Robert Lehman Collection are reproduced in full color, supplemented by numerous comparative duotone illustrations. Subjects: Lehman, Robert, 1892-1969 -- Art collections -- Catalogs. 2 Kg. …

cm 22x29 pag. 257 ill. circa 100 b/n e col. France, Central Europe, The Netherlands, Spain and Great Britain inglese.

Unframed Print. Condizione: Very Good. A single sheet print, image area approx. 17 x 28 cms. A financial institution with classical styling and civic presence, serving local commerce. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.…

Unframed Print. Condizione: Very Good. A single sheet print, image area approx. 18 x 28 cms. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. …

Unframed Print. Condizione: Very Good. A single sheet print, image area approx. 18 x 28 cms. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the periods architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. …

Unframed Print. Condizione: Very Good. A single sheet print, image area approx. 18 x 28 cms. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the periods architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. …

Unframed Print. Condizione: Very Good. A single sheet print, image area approx. 17 x 28 cms. A financial building with classical ornament and civic presence, reflecting local commerce in Lincolnshire. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.…

Hardcover. dj. France, Central Europe, The Netherlands, Spain, and Great Britain. x, 245 pp. Dustjacket. Very good condition; small dent on botton edge of front cover.

Hardcover. Condizione: Very Good +. No Jacket. 1st Edition. Xx, 597 Pp. Red Cloth. First Printing, 1950. Light Usage. Signed By Kleinholz, Lochhead, Pierce, And Waterman. Ownership Signature Of A Pasadena Area Physician, A Specialist. Original Photographs Of A Removed Echinococcus Cyst, A Group Of Removed Systs, And Of A Young Boy With A Grotesquely Enlarge Testicle, Probably Also A Parasitic Cyst.…

Hardcover. Condizione: As new. Condizione sovraccoperta: as new. First Impression. Demy folio, [27.75cm/11inches], full gilt-embossed British ensign-red cloth with mylar-protected dust jacket, pp. x, 245 , indexed. Illustrated with b-w halftones, colour plates &ct. Please feel free to ask for particulars and/or additional photographs. . Robert Owen Lehman, Sr. (1891 1969) was an American banker, longtime head of the Lehman Brothers investment bank, and a race-horse owner, art collector, and philanthropist. For six decades, Lehman built upon an art collection that his father began at their 7 West 54th Street house in 1911. Lehman devoted a great deal of time and energy as a long-time member of the Board of Trustees of the Metropolitan Museum of Art, and finally becoming the first chairman of the board at the Metropolitan in the 1960s. The importance of his collection became such that in 1957, nearly three hundred works were used for a solo exhibition at the Louvre Museum's Musée de l'Orangerie in the Tuileries Gardens in Paris. At that time, his was the only private American collection to be given that honor. In 1968 he received an honorary Doctor of Humane Letters from Yale University for having "enhanced the civic life, the culture, and the artistic development of our civilization." After his death in 1969, the Robert Lehman Foundation donated close to 3,000 works of art to the Metropolitan Museum of Art, including Henri Matisse, Francisco Goya, Henri de Toulouse-Lautrec, Édouard Vuillard, Auguste Rodin, André Dunoyer de Segonzac, Maurice de Vlaminck, and Suzanne Valadon.[4] Housed in the Robert Lehman Wing, which opened to the public in 1975, the museum has called it "one of the most extraordinary private art collections ever assembled in the United States."To this day, his Foundation remains active, operating the Robert Lehman Art Lecture Fund and sponsoring exhibitions in museums, both around the U.S. and worldwide. Other philanthropic activities include support for PBS television programming. The Robert Lehman Art Center at Brooks School in North Andover, Massachusetts, is named in his honor.…

Condizione: New. Satisfaction Guaranteed or your money back.

VIII, 124 S. OBr. Umschl. Angeschmutzt, etwas angerissen u. m. Sign. Unaufgeschn. Sprache: Englisch.

Brown board cover. Condizione: Good. First Edition. G : in good condition. Boards lightly rubbed and dust soiled. Plates bright with slight edge darkening. 490mm x 360mm (19" x 14"). xxii, 52pp; 64pp. 145 plates and 180 illustrations in the text. Part I includes a list of subscribers. Pages loose as issued. N.B.: Heavy set - extra shipping needed for overseas.…

hardcover. Condizione: very good(-). 6 cloth-backed printed board elephant portfolios (well-worn, rubbed and stained), containing 145 full-page plates loose as issued, with 180 illustrations in the text. Some of the loose pages have soiling on the margins. The photographs themselves appear to be free from marks. Volume 1: Part 1, 22 plates plates 1-22. Part 2 Plates 23-44, Part 3 plates 45-66. Part 4, plates 67-87. Part 5 plates 88-116, Part 6 plates 117-145. Each portfolio has several pages of text, some slightly chipped on the margins. London: Batsford, 1894. First Edition. A very good(-) copy of this uncommon set .…

Hardcover. Condizione: Good. Cloth back, portfolio boards. Published in six parts between 1890-1894. The whole comprises 145 black and white plates, the majority photographic, the rest being the authors' drawings. all plates are 14 in x 10 in on fine paper 19 in by 14 in. Text comprises 64 pp. and there are other preliminaries including a preface, lists of subscribers etc. All contents are laid in loose in the portfolio boards. Spines rubbed to head and foot, but the plates are all clean and bright apart from a little dust-soiling at the extremities of the borders. The whole is VERY heavy and will thus incur additional carriage charges which will be substantial overseas.…

Hardcover. Condizione: Fair. Two volume set. The format is approximately 14 inches by 18.5 inches. With One Hundred Forty-Five Plates, and One Hundred Eighty Illustrations in the Text. Footnotes. Chronological list of subjects illustrated. Index to illustrations and descriptive text. Ink notation on half-title page of Volume I. This copy has sustained some moisture impacts at the bottom. All pages are separate and there has only been limited impact on the pages (text or illustrations). The Preface is dated 1890. There appears to have been an issuance of this material in 1891 in six portfolios, but not in this bound volume form. This work was apparently initially sold via Subscription. Folio, [two volumes], xxii, 52pp, [66 plates]; 64pp, [79 plates]. Books measure 14 x 18.5 . Publisher's very worn and soiled binding is three quarter brown morocco, raised bands, title in gilt on spines. Top edge gilt. Text blocks solid. A complete set with 145 photogravure plates. Among the subject of illustrations are Exeter Cathedral, Burghley House, Merton College, and Kenilworth Castle. One of the most important considerations in the undertaking was the qualify of the photographic illustrations. The art of fitly illustrating architecture by means of the camera has not been wildly acquired, and we hold ourselves fortunate in having secured the services of Mr. Charles Latham. Charles Latham (15 May 1847 27 October 1912) was staff photographer of the magazine Country Life in the early years of the 20th century. His first work for Batsford was with the architect John Alfred Gotch on his book Architecture of the Renaissance in England. John Alfred Gotch (28 September 1852, Kettering, Northamptonshire 17 January 1942, Kettering, Northamptonshire was a noted English architect and architectural historian. John Gotch attended Kettering Grammar School and later studied at the University of Zürich and at King's College London. In 1879 Gotch set up a private architectural practice in Kettering which developed into Gotch & Saunders by entering into partnership with Charles Saunders in 1887. They were later joined by Henry Ralph Surridge and they jointly retired in 1938. The practice still exists as Gotch, Saunders & Surridge LLP, or GSSArchitecture. In Kettering, Gotch was responsible for the design and construction of shoe factories, warehouses, houses, shops, offices, banks, hospitals, schools, public houses, sports venues, entertainment venues and a temperance hall. The Practice was also responsible for the design of several First World War memorials, and the alteration and expansion of numerous historic country houses, for example, Madingley Hall, now the Institute of Continuing Education, part of the University of Cambridge. Following the end of the War, Gotch's practice designed and built over 140 branches of Midland Bank and, in association with Edwin Lutyens, Gotch designed the interior of the Bank's former headquarters in Poultry, London which is considered an Art Deco icon. As well as designing many buildings Gotch had an interest in Elizabethan and Jacobean architecture. He was the author of nine books in this field, as well as editor of a book on the history of the Royal Institute of British Architects (RIBA). Apart from his renown as an architectural historian, he also achieved eminence as a public figure and representative of the architectural profession. He was president of the Architectural Association in 1886-1887, vice-president of the Royal Institute of British Architects (RIBA) in 1914-1919, and president of RIBA in 1923-1925: the first provincial architect to be appointed president since the formation of the institute in 1834. In addition, he was vice-president of the Society of Antiquaries, a founder member of the Royal Fine Art Commission, a Trustee of the Soane Museum, and president of the Northamptonshire Association of Architects in 1911-1922. In 1924 he received an honorary M.A. degree from the University of Oxford. John Alfred Gotch was appointed the first Charter Mayor of Kettering in 1938. In 2018 a blue plaque in honor of the architect, often cited as 'the man who built Kettering', was unveiled on the former Midland Bank building that he designed in Kettering High Street. RIBA has an archive of Gotch's sketchbooks, topographical drawings and manuscripts whilst further correspondence is held by Northamptonshire Record Office. Historic England hold a series of negatives taken by Gotch and photographs, donated by him, are also held in the Conway Library whose archive of architectural images is in the process of being digitized as part of the wider Courtauld Connects project. Walter Talbot Brown and born in Birmingham, Warwickshire, England on 10 July 1852 and was articled to Edmund Francis Law (1810?-1882) in Northampton, England from 1869 to 1874. He was a Pugin Student in 1877. He worked as an assistant to John George Dunn (?-1833) in Birmingham, and to Edmund Sharpe (1809-1877). Brown commenced independent practice in Wellingborough, Northamptonshire in c.1876 and was in partnership with James William Fisher (1857-1936) as Talbot Brown & Fisher from 1880 to 1931. He was elected an Associate of the Royal Institute of British Architects (ARIBA) in 1880 and a Fellow of the Royal Institute of British Architects (FRIBA) in 1894. Presumed First Edition, First printing thus. Charles Latham (Photographer) (illustratore).…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1895 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 387 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 387 Language: English.…

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1923. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 74, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 74 74.…

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1895. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 384, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 384 384.…