brownlee peter editor (7 risultati)

Paperback. Condizione: Brand New. pck pap/ps edition. 307 pages. 9.75x7.00x1.25 inches. In Stock.

Hardcover. Condizione: NF/NF. Slate cloth/boards; copper lettering. Color-pictorial dj with white lettering. 223 pp. with several color illustrations. Insightful essays that offer a wide-ranging examination of a 19th-century American masterpiece: Samuel F. B. Morse's (17911872) Gallery of the Louvre (183133) is one of the most significant, and enigmatic,works of early 19th-century American art. It isalso one of the last works Morse painted before turninghis attention to the invention of the telegraph andMorse code. A signature painting in the collection of the Terra Foundation for American Art, Gallery of the Louvre underwent an extensive conservation treatment in 201011 and was the focus of three symposia held at the Yale University Art Gallery (April 2011), the National Gallery of Art (April 2012), and the Pennsylvania Academy of the Fine Arts (April 2013). This collection of essays, carefully drawn from the proceedings of these scholarly sessions, brings together the fresh insights of academics, curators, and conservators, who focus on the painting's visual components and its cultural contexts. The book accompanies a multi-year tour of the painting to prominent museums across the country. - from the publisher's web site.

Paperback. Condizione: Good. 82 pages. Cover worn. Name on title page.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Brand New. 320 pages. 11.25x9.50x1.00 inches. In Stock.

Hardcover. Condizione: Brand New. 2015 edition. 180 pages. 9.25x6.25x0.75 inches. In Stock.

Chicago Terra Foundation for American Art 2009 Hardcover, 176pp., 24x30.5cm., richly illustr. in col., in very good condition. ISBN 9780932171566. Frustrated by the art world's elitism and the snobbish exclusivity of the academy's juries, eight American painters united in 1908 to upend the established norms and stage their own exhibition of modernist art. Led by the charismatic Robert Henri, they came to be known as "The Eight," and their two-week show at New York's Macbeth Galleries drew a multitude of visitors, who crowded into the galleries to critique the much-publicized work of these "revolutionary" artists. Their paintings of urban scenes marked a significant departure from the prevailing style?which emphasized physical and natural beauty?and met with critical success. The established chronicle maintains that The Eight were rendered dysfunctional and artistically irrelevant after European modernism arrived in the United States at the 1913 Armory Show. The Eight and American Modernisms revises this account and reevaluates these respected artists' careers, including their late works. Accompanying a traveling exhibition, this lushly illustrated volume challenges the accepted wisdom about the evolution of the modernist style. In addition to Henri, "The Eight" included William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.