bumpo kawamura (8 risultati)

Soft cover. Condizione: New. 1st Edition. Published in connection with an exhibition held at the University Gallery Leeds, 2004. Description: 56 pages : illustrations (some colour) ; 30 cm.

SOFTCOVER. Condizione: As New. 1st Edition. Extra Large 4to. in colour printed stiff card covers, 56pp on thick art paper, colour plates, b/w illustrations in text, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

No Binding. Condizione: Good. Kawamura Bumpo (illustratore). Sumi-e style woodblock print by Kawamura Bumpo, being a page from a previously bound book. Dated by Gallery Kobutoya to Bunka 10, to correspond with the year 1813, but uncertain. Attributed to the publisher Eirakuya Toshiro of Nagoya, Japan but attribution uncertain. Likely one page of a two-page spread. Depicted are numerous persons from everyday life, variously standing or seated or recumbent, pursuing leisure activities or napping. Two men playing a hand game, two men playing a board game, people reading, woman washing her hair, woman looking at herself in a mirror, etc. There is a touch of whimsy to the depictions, comical cartoon-like illustration typical of the artist. Black ink with medium blue ink wash on beige mulberry [?] paper, tipped in to a tissue paper mat, not laid down. Image: 18.5 x 12 cm., 7.25 x 4.75 inches; mat: 30.5 x 21 cm., 12 x 8.25 inches. Moderate soiling/fingering with noticeable black smudging in lower left corner as to image of a person with pen in hand at a tray-desk. Else a good impression, with the black ink lines mostly fairly crisp. Overall Good to Good Plus condition. Weight: 0.2 oz. Kawamura Bumpo, sometimes rendered as Bunpo, [1779-1821], was a master of the Shijo school. He was born in Yamashiro Province, in modern day Kyoto Prefecture. The artist was known for his quotidian scenes of ordinary life and work as well as for his landscapes. Fellow artist Tanomura Chikuden once praised Bumpo's fluid lines and ability to draw human figures, while his landscape paintings are known for their use of heavy brush strokes and thick contours. This print sold at one time by Gallery Kabutoya in San Francisco, now out of business. Suitable for framing.

No Binding. Condizione: Good Plus. Kawamura Bumpo (illustratore). Sumi-e style woodblock print by Kawamura Bumpo, being a page from a previously bound book. Dated by Gallery Kobutoya to Bunka 10, to correspond with the year 1813, but uncertain. Attributed to the publisher Eirakuya Toshiro of Nagoya, Japan but attribution uncertain. Likely one page of a two-page spread. Depicted are numerous persons from everyday life, variously standing or seated, and some plying their trades. There is a touch of whimsy to the depictions, comical cartoon-like illustration typical of the artist. Black ink on beige mulberry [?] paper, tipped in to a tissue paper mat, not laid down. Image: 23 x 13.5 cm., 9 x 5.5 inches; mat: 30.5 x 21 cm., 12 x 8.25 inches. Moderate browning at extreme top and bottom of sheet, not into image. No apparent thumbing to corners. A good impression, with a few of the lines faint or broken but most of the lines solid. Overall Good Plus to Very Good Minus condition. Weight: 0.1 oz. Kawamura Bumpo, sometimes rendered as Bunpo, [1779-1821], was a master of the Shijo school. He was born in Yamashiro Province, in modern day Kyoto Prefecture. The artist was known for his quotidian scenes of ordinary life and work as well as for his landscapes. Fellow artist Tanomura Chikuden once praised Bumpo's fluid lines and ability to draw human figures, while his landscape paintings are known for their use of heavy brush strokes and thick contours. This print sold at one time by Gallery Kabutoya in San Francisco, now out of business. Suitable for framing. As a point of interest, the same print may have been reprinted in the early Taisho period in Shoshoku jinbutsu gafu ["Album of people of various professions"].

No Binding. Condizione: Very Good. Kawamura Bumpo (illustratore). Sumi-e style woodblock print by Kawamura Bumpo, being a page from a previously bound book. Dated by Gallery Kobutoya to Bunka 10, to correspond with the year 1813, but year uncertain. Attributed to the publisher Eirakuya Toshiro of Nagoya, Japan but attribution uncertain. Depicted are two old men, one propped up by a younger person, the second old man apparently having had too much sake to drink, with a jug lying askew on the ground nearby. There is a touch of whimsy to the depictions. Black ink with blue-gray wash on beige mulberry [?] paper, tipped in to a cinnamon-colored back sheet and thence to a tissue paper mat, not laid down. Image: 21 x 15 cm., 8.25 x 5.75 inches; mat: 30.5 x 21 cm., 12 x 8.25 inches. Uniformly clean, with moderate age-fading. A very good impression, with unbroken lines. Overall Very Good condition. Weight: 0.2 oz. Kawamura Bumpo, sometimes rendered as Bunpo, [1779-1821], was a master of the Shijo school. He was born in Yamashiro Province, in modern day Kyoto Prefecture. The artist was known for his quotidian scenes of ordinary life and work as well as for his landscapes. Fellow artist Tanomura Chikuden once praised Bumpo's fluid lines and ability to draw human figures, while his landscape paintings are known for their use of heavy brush strokes and thick contours. This print possibly from one of the various albums, Bumpo Gafu [An Album of Drawings by Bumpo]. This print sold at one time by Gallery Kabutoya in San Francisco, now out of business. Suitable for framing.

Condizione: Very good. First series, one volume. Fine copy with the original embossed geometric blue covers in good condition and also the title label, as described by Mitchell, page 227. Bumpo lived from 1779 to 1821 in Kyoto. Mitchell writes 'Skilled at landscape and figures, his fame was equal to that of Ganku and he occupied a position in relation to Ganku similar to that of Rosetsu in relation to Okyo'. Holloway describes and reproduces him amply. This fine album with its bold line and outline shows across double pages both peaceful and complex compositions, generally using pale color, sometimes semi comic or more often simply pastoral, and occasionally devoting the composition to a sprig of plum blossom or a bird on a twig of willow. The colors are quietly and subtly handled, the range very wide. Hillier has a lot to say about Bumpo in his Chapter 11, page 232 onwards, and reproduces rather inadequately several examples from this book.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 72. A perfect gift for your loved ones. Reprinted from 1820 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Japanese Pages: 72.

Condizione: Very good. Three volumes. The first series had appeared in two volumes in 1779, but as usual the works are completely separate and independent. The first series of the Kanga Shinan had been illustrated by Kanyosai, not by Bumpo. This is much more than a painting manual of course. It includes studies of tree forms, house building, leaves; many pages of figures closely observed, not merely demonstrating ways to draw them, and taking part in all kinds of activities from calligraphy to painting to garden pruning or, more familiarly, leaning on a garden broom doing nothing, and kite-flying - almost such scenes as Hokusai showed in the Mangwa. Then we have a splendid series of the Hangchow lake scenery with the most delicate of color tints for outline and background; and a volume of strongly drawn scenes of mountain, shrine, wood, rock, cultivation and temple. Color is always used delicately in these books as light hint of tint rather than brilliant prominence. Original pale yellow and pale green covers, title labels. Mitchell, page 335; Holloway, figure 121 (final figure of his book).