Editore: Aperture,Philadelphia Museum of Art, 1970
Da: Ally Press Center, St. Paul, MN, U.S.A.
Prima edizione
Hardcover. Condizione: Fair. No Jacket. 1st Edition. A paperback copy that has been rebound in library boards. 8.5 X 9.5 inches. Unpaged. Black and white photography throughout. Slight mustiness.
Editore: Aperture / Philadelphia Museum of Art, Philadelphia, 1970
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Small Square Quarto. Softcover. B&w wraps. [93] pages illustrations (some color) 26 cm. Catalogue of an exhibition presented by the Alfred Stieglitz Center of the Philadelphia Museum of Art, Dec. 12, 1970-Feb. 7, 1971./ Also published as Aperture, v. 15, no. 4./ Includes bibliographical references (pages 89-91). G. Ex-art library. Minimally marked as such. Yellowing and rubbing to wraps and edge wear.
Data di pubblicazione: 1973
Da: Edward T. Pollack, ABAA, Portland, ME, U.S.A.
Uelsmann, Jerry (illustratore). (Uelsmann, Jerry). JERRY N. UELSMANN by Peter C. Bunnel. Aperture, NY, 1973 (Revised enlrged edition). Sq. 4to., cloth, DJ, photos by Uelsmann, "fables" by Russell Edson. F/F.
Editore: New York: Doubleday & Co., Inc., 1971, 1971
Da: °ART...on paper - 20th Century Art Books, Lugano, Svizzera
Membro dell'associazione: ILAB
Prima edizione
EUR 62,20
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Sm.4° - 185pp - b/w photo-reproductions. Max Waldman (1919-1981) American photographer. First edition, text and photographs by Max Waldman, introduction by Clive Barnes and a preface by Peter Bunnell. Original boards and dust jacket (Glenda Jackson). In very good condition.
Editore: C. I. Bucher, Lucerne
Da: Antiquariat UEBUE, Zürich, Svizzera
Rivista / Giornale
EUR 226,17
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. Condizione: Sehr gut. Sonderausgabe. W : 22 x 29 cm, 57 Seiten, 40 s/w Foto- Reproduktionen, special numbered Edition A 42 - Die 40 Reproduktionen auf einem ungewöhnlichen, nicht identifizierten Papier sind einzeln nur auf die rechten Seiten aufgeklebt. Ansonsten ist der Band mit dem gleichnamigen camera -Heft zwar weitgehend identisch; hier fehlen jedoch Impressum und Anzeigen. Die Druckqualität ist außergewöhnlich gut und dürfte die von Camera Work erreichen. Um Verwechslungen mit den Original-Photogravüren zu vermeiden, druckte Porter z.B. The Steerage von Stieglitz in einem leicht unterschiedlichen Format (hier: 19.6x16cm).