Editore: The Science Fiction Foundation, Dagenham, Essex, 1982
Da: Raymond Tait, Beccles, SUFFO, Regno Unito
Prima edizione
EUR 17,86
Quantità: 1 disponibili
Aggiungi al carrelloOriginal Wraps. Condizione: Very Good. First Edition. Contains an editorial by Pringle, a special Philip K. Dick section wth articles by Aldiss, Nicholls, Strick, Wingrove and Burden. The Profession of Science Fiction 30: The Way it Was by Williamson, Pamela Sargent by Elliot, SF in China by Yunji, letters from Goddard, Clute, Jenkins and Schlobin and the reviews include The Transmigration of Timothy Archer by Dick, Friday by Heinlein, The Man Who had No Idea and Burn This by Thomas M. Disch and The Sword of the Lictor by Gene Wolfe. There is a trace of a price in pencil on the first page and the spine has some fading but otherwise clean and unamrked. Postage charge will be reduced by £1.50 when the order is processed.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
Editore: Rosamund Felsen Gallery Los Angeles, CA, 1990
Da: Specific Object / David Platzker, New York, NY, U.S.A.
20 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held August 4 - 31, 1990. Curated and with an essay by Ralph Rugoff. Artists include Chris Burden, Jessica Diamond, David Hammons, Georg Herold, Mike Kelley, John Miller, Cady Noland, Raymond Pettibon, Jeffrey Vallance, William Wegman, and Erwin Wurm. Includes exhibition checklist. Very Good. 2.5 cm. of bumping to bottom right corner of publication with 9 mm. dog-ear to bottom left corner of verso. Additional rubbing of covers. Contents clean and unmarked.
Softcover, staple-bound journal; 32 pages; very good condition; except pen marks to cover; no internal marks. Includes pageworks by Bruce Nauman, Chris Burden, Guy De Cointet and others.
Editore: Choke Publications Los Angeles, CA, 1976
Da: Specific Object / David Platzker, New York, NY, U.S.A.
32 pp.; 17.1 x 25.4 cm.; staple bound; black-and-white; edition size 2000; unsigned and unnumbered; offset-printed; Fall 1976 premiere issue of Choke, edited by Barbara Burden and Jeffrey Gubbins. Contents include: "Editorial;" "Studio as Fortress," by Michael McMillen; "Figueroa Flowers," by George Herms; "Sharp Wits & Hot Tongues," by Tom Wudl; "Consolidated B-24 'Liberator,'" by Margaret Nielsen; "Empty Sky," by Scott Grieger; "Diamond Mind," by Bruce Nauman; "Habitable Environments," by Edward Wortz; "B-Car," by Chris Burden; "Thick Foliage," by Guy de Cointet and "Goodbye to the Bicentennial," by Billy Adler. Very Good / Fine. Light edge-wear with light overall soiling of covers. 4 mm. of bumping to right side edge of publication. Contents clean and unmarked.
Editore: High Performance Los Angeles, CA, 1980
Da: Specific Object / David Platzker, New York, NY, U.S.A.
69 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. Staff Brandl, Roar Schaad, Ramsey Najm, The Waitresses, Richard Turner, Denise Chanel Vallon, Paul Best, Jeffrey Mark Burdett, Nancy Evans, Pam Minor, Bob Davis, Renata Petroni, Jeanne Quinn, Daniel Lerner, Darryl Turner, Barbara Margolies, Claire Fergusson, Nancy Riegelman, Rod Force;" "Cafe E*pit'o*me: Director's Notes," by Jerry Benjamin and "Incomplete Requiem for W.C. Fields," by Al Hansen. Front Cover: Per/for/mance festival posters, Florence. Back Cover: Paul McCarthy. Very Good / Fine. Light rubbing of coves and creasing of verso. Covers and contents clean and unmarked.
Editore: The Clocktower / The Institute for Art and Urban Resources New York, NY, 1975
Da: Specific Object / David Platzker, New York, NY, U.S.A.
[1] pp.; 44.4 x 65.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. Allegedly the image prompted the withdrawal and destruction of the exhibition catalogue and this poster for the show prior to its distribution. Artists included Laurie Anderson, Jared Bark, Bill Beckley, George Brecht, Trisha Brown, Chris Burden, Scott Burton, Tosh Carrillo, Enrique Castro-Cid, John Chamberlain, Angus Chamberlain, Cara Croninger, Brad Davis, Jean Depuy, Steve Gianakos, Charles Ginnever, Michael Goldberg, Peter Gourfain, James Grashaw, Marty Greenbaum, Red Grooms, Bob Grosvenor, Susan Hall, Susan Hartnett, Peter Hutchinson, Patrick Israel, Robert Israel, Kurt Kranz, Robert Kushner, Jeffrey Lew, Les Levine, Kim MacConnel, Christa Maiwald, Gordon Matta-Clark, Richard Mock, Ree Morton, Forrest Myers, Max Neuhaus, Richard Nonas, Claes Oldenburg, Dennis Oppenheim, Robert Owings, Gary Perkins, Howardina Pindell, Lucio Pozzi, Italo Scanga, Willoughby Sharp, Thomas Schmidt, Alan Shields, Charles Simonds, Marjorie Strider, George Sugarman, Don Sunseri, Mark di Suvero, Richard Tuttle, Richard Van Buren, Robert Watts, William Wegman, Susan Weil, Lawrence Weiner, Charles Wiley, William Wiley, Hannah Wilke and Joe Zucker. Fair / Poor. Light creasing and yellowing across poster with a 10.2 cm. dog-ear to top right corner and 4.8 cm. dog-ear to top left corner. Multiple tears to bottom left corner ranging from 2 mm. to 5.4 cm. with 1.5 cm. and 2 cm. areas of loss. 3 cm. area of loss to top left corner with additional tearing along poster edge and a 8 mm. and 1.5 cm. tear to center of poster. Curl to poster. Otherwise clean and unmarked.