Buren g e van (11 risultati)

Paperback. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. A very good clean copy of ovesize book with little wear in rogh jacket that has tearing and creasing and sun faded spine but all there. Includes a small pamphlet and a large fold out wall chart loose in the front. States first edition, first printing on copyright page.…

Soft cover. Condizione: Very Good. 1st Edition. Soft cover. Quarto in pictorial wraps. [vii] 241pp. Profusely illustrated. Clean and unmarked. Sound binding. Some shelf wear to cover. Arrowheads and Projectile Points is a practical, illustrated guide to the identification and classification of chipped-stone projectile points, providing clear descriptions and comparative illustrations.…

Condizione: Very Good. Very Good condition. Acceptable dust jacket. (arrowheads, anthropology, native american studies).

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. This is a stated second printing in September, 1975 of the First Edition printed October,1974 in very good plus condition. Covers have light soiling . There is a small crease on the top corner of the back cover and larger crease on the bottom corner of the front cover. Otherwise, the book is clean, tight and unmarked. Profusely illustrated with drawings, maps, charts and photographs in black and white. 241 pages plus an extensive bibliography and index. Cover image is a "Large Obsidian Blade "found in Malheur, Oregon.…

Hardcover. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: New. New. In shrink wrap. Looks like an interesting title! 2.3.

4To Softcover. Condizione: Good. 1st ed. 2nd ptg. 241pp. Text is clean on unmarked pages. Spine is unbroken, textblock is square with bumped corners. Moderate+ overall shelf/timewear, coverwear, cover edgewear and creasing, light foxing and blush throughout, some spottage on textblock edges.

Condizione: Fair. Garden Grove, CA: Arrowhead Publishing Company, 1975. 4to hardcover. Red cloth boards. vii+241pp. Illustrated. Near Very Good book. No dust jacket. (Arrowheads, Native American weapons) Inquire if you need further information.

Paperback. Condizione: Good. No Jacket. First Edition. Cover is in good condition, save for minimal corner bumping, a large crease to front cover, rubbing, and light edge wear. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. This copy includes the original folding classification chart. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: 4to - over 9¾" - 12" tall. Thigpen, M. Clyde; McGuire, Frank J. (illustratore).…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…