Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Whitney Museum of American Art, 2012
ISBN 10: 0300178670 ISBN 13: 9780300178678
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Editore: Daniel Veach, Atlanta, GA, 2006
Da: biblioboy, North Providence, RI, U.S.A.
Prima edizione
Paperback. Condizione: Good. First Edition. 2006. First Edition. Softcover. Magazine. White printed wrappers [about 6" x 9"], 120 pages. Otherwise Near Fine copy with the last two pages of ads removed. clph.
Lingua: Inglese
Editore: Whitney Museum of American Art, 2011
ISBN 10: 0300178670 ISBN 13: 9780300178678
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 152 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Condizione: New.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 24,51
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.
Condizione: As New. Unread book in perfect condition.
Da: Plurabelle Books Ltd, Cambridge, Regno Unito
Membro dell'associazione: GIAQ
Copia autografata
EUR 19,08
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. 151p paperback, black & white cover, very good condition, little to no wear, binding tight, pages clear and bright, a very good copy of uncommon title; this copy has a personal note from the author on the endpaper Language: English.
EUR 23,89
Quantità: 2 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.
EUR 25,44
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. 2021. Paperback. . . . . .
EUR 25,87
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 199 pages. 8.50x5.50x0.75 inches. In Stock.
EUR 21,45
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New.
EUR 20,90
Quantità: 9 disponibili
Aggiungi al carrelloCondizione: NEW.
Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.
EUR 20,90
Quantità: 9 disponibili
Aggiungi al carrelloBrossura. Condizione: new. Milano, 2021; br., pp. 200, ill. Libro.
EUR 25,46
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Institute of Contemporary Art, Philadelphia, 2012
ISBN 10: 088454124X ISBN 13: 9780884541240
Da: Gebrauchtbücherlogistik H.J. Lauterbach, Gummersbach, NRW, Germania
EUR 19,48
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Gut. Broschiert mit Schutzumschlag 150 S. :. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen; Schutzumschlag hat oben einen kleinen Riß; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.
EUR 22,61
Quantità: 9 disponibili
Aggiungi al carrelloCondizione: new.
Paperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.
EUR 29,16
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. KlappentextComposers, artists and writers from Alvin Lucier and Charles Curtis to Claudia La Rocco and James Fei discuss the lineages and politics of Minimalist musicFocusing on phase shifting in music (i.e. .
EUR 17,89
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. New Book, Direct from Publisher.
Lingua: Inglese
Editore: Mousse Publishing Apr 2022, 2022
ISBN 10: 8867494465 ISBN 13: 9788867494460
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 34,73
Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Composers, artists and writers from Alvin Lucier and Charles Curtis to Claudia La Rocco and James Fei discuss the lineages and politics of Minimalist music.
EUR 21,81
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. This book is an extension of conversations began at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on "phase shifting" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds-composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists-who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them. Edited by Jennifer Burris and Ida SoulardArtists: Alvin Lucier and Éliane Radigue with Charles Curtis; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey LoweTexts by James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.
Lingua: Inglese
Editore: Duke University Press Books/VMFA, 2021
ISBN 10: 1934351199 ISBN 13: 9781934351192
Da: Outer Print, Richmond, VA, U.S.A.
Prima edizione
Hardcover. Condizione: New. 1st Edition. Fine hardcover in illustrated baords. No dust jacket, as issued. First Edition, First Printing. Overall a bright and attractive copy. Numerous color photographs. 282 pp.
Condizione: New.
EUR 140,19
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
EUR 141,81
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.