Da: Shelley and Son Books (IOBA), Hendersonville, NC, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. This work is part of the Opus series (Architecture in individual presentations). White cloth boards blind-stamped with title on front and titled in gray on spine. Previous owner's bookplate. Illustrated throughout with color photography and line drawings. Bookmark laid in. 64 pp. Photographic dust jacket. Book and dust jacket both in fine condition. Nice copy. Full refund if not satisfied.
EUR 15,54
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Condizione: New.
EUR 29,34
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: As New. Unread book in perfect condition.
Da: Southampton Books, Sag Harbor, NY, U.S.A.
Prima edizione
Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. First Edition. First Edition, First Printing. Published by Wasmuth, 1994. Quarto. White cloth boards stamped in silver. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with light shelf wear and some scuff marks on back. 64 pages. ISBN: 3803027144. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
EUR 33,16
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: New. Text in English and Italian. In a letter from London, dated 9 November 1815, Antonio Canova wrote: ".Here I am in London, dear and best friend, a wonderful city.I have seen the marbles arriving from Greece. Of the basreliefs we had some ideas from engravings, but of the full colossal figures, in which an artist can display his whole power and science, we have known nothing.The figures of Phidias are all real and living flesh, that is to say are beautiful nature itself." With his admiring words for the famous Elgin Marbles Canova, one of the last great artists embodying the grandiose heritage of the classical world, gave at the same time an appropriate description of his own artistic aims. It was his half-brother who decided to assemble most of Canova's plaster originals and to place them in a museum he had built in the garden of his brother's home in Possagno, a small village north of Venice, where the artist saw the light of day on 1 November 1757. This basilica-like building erected in 1836 now holds the great majority of Canova's compositions.To commemorate the bicentenary of his birth, the Venetian authorities decided to have an extension added to the overcrowded basilica, and they commissioned the Venetian architect Carlo Scarpa for this delicate task. Scarpa composed a small, but highly articulated building that is in a strong contrast to the Neo-Classical, monumental basilica. The subtly designed sequence of spaces is unique even among Scarpa's so many extraordinary museum interiors as the architect was here in the rare position to compose the spaces as well as the placings of the exhibits. The placing of the sources of natural light which infuses the plaster surfaces with the softness of real life is in itself a rare achievement and it took an equally rare photographer to record such symphonies in white in all their magic.
Lingua: Inglese
Editore: Edition Axel Menges, Fellbach, 2003
ISBN 10: 3930698226 ISBN 13: 9783930698226
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. Text in English and Italian. In a letter from London, dated 9 November 1815, Antonio Canova wrote: ".Here I am in London, dear and best friend, a wonderful city.I have seen the marbles arriving from Greece. Of the basreliefs we had some ideas from engravings, but of the full colossal figures, in which an artist can display his whole power and science, we have known nothing.The figures of Phidias are all real and living flesh, that is to say are beautiful nature itself." With his admiring words for the famous Elgin Marbles Canova, one of the last great artists embodying the grandiose heritage of the classical world, gave at the same time an appropriate description of his own artistic aims. It was his half-brother who decided to assemble most of Canova's plaster originals and to place them in a museum he had built in the garden of his brother's home in Possagno, a small village north of Venice, where the artist saw the light of day on 1 November 1757. This basilica-like building erected in 1836 now holds the great majority of Canova's compositions.To commemorate the bicentenary of his birth, the Venetian authorities decided to have an extension added to the overcrowded basilica, and they commissioned the Venetian architect Carlo Scarpa for this delicate task.Scarpa composed a small, but highly articulated building that is in a strong contrast to the Neo-Classical, monumental basilica. The subtly designed sequence of spaces is unique even among Scarpa's so many extraordinary museum interiors as the architect was here in the rare position to compose the spaces as well as the placings of the exhibits. The placing of the sources of natural light which infuses the plaster surfaces with the softness of real life is in itself a rare achievement and it took an equally rare photographer to record such symphonies in white in all their magic. As an extension to the basilica-like museum, built in 1836 for Canova's plaster originals, Carlo Scarpa composed a small, but highly articulated building. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 31,97
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 60 50 Illus.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 23,83
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Edition Axel Menges 2003-04-20, 2003
ISBN 10: 3930698226 ISBN 13: 9783930698226
Da: Chiron Media, Wallingford, Regno Unito
EUR 24,61
Quantità: 4 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 31,59
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. . 2002. Hardcover. . . . .
EUR 37,46
Quantità: 3 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 29,86
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. In English.
Lingua: Inglese
Editore: Ernst Wasmuth Verlag, Tubingen/Berlin, 1994
ISBN 10: 3803027144 ISBN 13: 9783803027146
Da: William Glynn, Reydon, Regno Unito
Prima edizione
EUR 15,12
Quantità: 1 disponibili
Aggiungi al carrelloWhite Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 64 pages, colour & b/w illustrations, chronology, bibliography. Some related cuttings, reviews laid in. Minor wear, unmarked, sl. rubbing to dustjacket. [755] Size: 305mm. x 290mm.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 27,83
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 30,79
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 60 pages. 12.25x11.50x0.50 inches. In Stock.
Condizione: New. . 2002. Hardcover. . . . . Books ship from the US and Ireland.
Da: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Regno Unito
EUR 19,78
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New.
Editore: Wasmuth, 1994
Da: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
Condizione: Fine in dj. 4to, cloth. 64 pp, 62 illustration27600 Louisville, KY. Speed Art Museum in the Collection of the Speed Art Museum.
EUR 42,31
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 60.
EUR 31,43
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Book and dust jacket are in fine condition.
EUR 39,98
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 60 pages. 12.25x11.50x0.50 inches. In Stock.
Condizione: New. pp. 60.
Da: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Regno Unito
EUR 26,87
Quantità: 5 disponibili
Aggiungi al carrelloCondizione: As New.
Editore: Wasmuth., Berlin., 1997
Da: BookMine, Fair Oaks, CA, U.S.A.
Hardcover. Second, revised edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar). 64 pps.
Hardcover. Condizione: Used - Like New. The book presents four of the most important contemporary museums of the world. Easch essay details the unique design concepts of each museum, illustrated with interior and exterior details. Small tear on spine.
Editore: London : Trewin Copplestone Pub., 1973, 1973
Da: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 144 p. : ill. (some col.) ; 29 cm. ; LC: NA7105; Dewey: 728.3 ; OCLC: 221750953 ; blue cloth in color pictorial dustjacket ; Contents: Machines for living in -- Homes in a landscape -- Towns, cities and space -- At the big house -- Homes fit for gentlemen -- The residence of Princes -- Ritual and refinement -- Homes in the New World ; sunning to spine ; scratch on dustjacket, else VG. Book.
EUR 15,20
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 63 pp. A VG fresh copy with no creases and no previous ownership markings.
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!