Ca 1674 (37 risultati)

Hardback or Cased Book. Condizione: New. A.de La Motraye's Travels Through Europe, Asia, and Into Part of Africa.: Containing a Great Variety of Geographical, Topographical, and Political. Book.

Loose Leaf. Condizione: New. Reproduction. Original title: Genovefa d'Urphe German: Genovefa d'Urphe French: Genovefa d'Urphe Spanish: Genovefa d'Urphe High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Ioannes Snellincx German: Ioannes Snellincx French: Ioannes Snellincx Spanish: Ioannes Snellincx High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Henricus Liberti German: Henricus Liberti French: Henricus Liberti Spanish: Henricus Liberti High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Quintinus Simons German: Quintinus Simons French: Quintinus Simons Spanish: Quintino Simons High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Ferdinandus Austriacus German: Ferdinandus Österreichkus French: Ferdinandus Austriacus Spanish: Ferdinandus Austriacus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condizione: New. Reproduction. Original title: Petrus de Iode Iunior German: Petrus de Iode Iunior French: Petrus de Iode Iunior Spanish: Petrus de Iode Iunior High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condizione: New. Reproduction. Original title: Genovefa d'Urphe German: Genovefa d'Urphe French: Genovefa d'Urphe Spanish: Genovefa d'Urphe High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Erycius Puteanus German: Erycius Puteanus French: Erycius Puteanus Spanish: Erycius Puteanus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Ioannes Snellincx German: Ioannes Snellincx French: Ioannes Snellincx Spanish: Ioannes Snellincx High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Cornelius Poelenbourch German: Cornelius Poelenbourch French: Cornelius Poelenbourch Spanish: Cornelius Poelenbourch High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condizione: New. Reproduction. Original title: Paulus Halmalius German: Paulus Halmalius French: Paulus Halmalius Spanish: Paulus Halmalius High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Albuert Dux German: Albuert Dux French: Albuert Dux Spanish: Albuert Dux High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Erycius Puteanus German: Erycius Puteanus French: Erycius Puteanus Spanish: Erycius Puteanus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Iacobus Iordaens German: Iacobus Iordaens French: Iacobus Iordaens Spanish: Iacobus Iordaens High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Genovefa d'Urphe German: Genovefa d'Urphe French: Genovefa d'Urphe Spanish: Genovefa d'Urphe High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Paulus Halmalius German: Paulus Halmalius French: Paulus Halmalius Spanish: Paulus Halmalius High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Diodorus Tuldenus German: Diodorus Tuldenus French: Diodore Tuldénus Spanish: Diodoro Tuldenus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Iacobus Iordaens German: Iacobus Iordaens French: Iacobus Iordaens Spanish: Iacobus Iordaens High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Ioannes T'Serclaes German: Ioannes T'Serclaes French: Ioannes T'Serclaes Spanish: Ioannes T'Serclaes High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Ioannes T'Serclaes German: Ioannes T'Serclaes French: Ioannes T'Serclaes Spanish: Ioannes T'Serclaes High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Paperback. Condizione: New.

Music for London Entertainment: Series C, vol.2. Size: Folio. xxii pp., 64 ff., 8pp. + facsimile libretto. Publisher's brown cloth (faded), gilt. As new. Facsimile. Folio. xxii pp., 64 ff., 8pp. + facsimile libretto.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: Good. Two parts in one volume, folio (333x220 mm). XI, [5], 211, [1 blank], 16 pp. and one engraved folding table. *-**4 A-Cc4 Dd2 A-B4. Title printed in red and black with an engraved illustration. Full-page author's portrait engraved by Paulus Pontius after Gertruda van Veen and overall 103 large engraved illustrations (ca. 180x150 mm, 60 in the first part and 43 in the second) by Pierre Daret after Otto Vaenius in the text. Contemporary mottled calf, spine with six raised band and gilt ornaments and title (joints weak, slightly rubbed and worn, top and bottom of the spine damaged). Some light browning and foxing, outer margin of the portrait and outer and lower margin of the plate slightly trimmed, tear restored to the lower margin of the plate, all in all a good, genuine copy. Lavishly illustrated edition in French, the first printed in Brussels, of Otto Vaenius's Quinti Horatii Flacci Emblemata, one of the most successful emblem books of the 17th century first published Latin and Dutch in Antwerp in 1607, alongside Le Roy Sieur de Gomberville's La doctrine des Moeurs. Gomberville's work was first printed in Paris in 1646 with new illustrations created by the engraver Pierre Daret, who had enlarged and retouched Vaenius's emblems. The Brussels editor Foppens used Daret's plates for his edition, crediting Vaenius as the author while retaining Gomberville's instructive comments. The combination of Vaenius's educational emblems based on Horace's poetry and Gomberville's moral doctrine based on Stoic philosophy, gave new impetus to Vaenius's emblems more than sixty years after their first appearance. Vaenius work was published in more than 25 editions in various languages. It ?is rightly considered a work of primary importance for seventeenth-century Horace reception, and for the development of emblematics: Veen ?translated' the works of the Roman poet into catchy, innovative, and artistically demanding images, engravings of high technical quality, to be used for philosophical and moral meditation. He equipped each engraving with a number of text fragments that he selected from Horace and other ancient, primarily Latin, authors. His work not only opened up new dimensions for the genre of emblematics that arose in the sixteenth century, but also for ethical didactics and for the way illustrated books contributed to the transmission of knowledge. [the work] was extraordinarily successful? (K.A.E. Enenkel, The Invention of the Emblem Book and the Transmission of Knowledge, Leiden, 2018, p. 365). ?L'Emblemata Horatiana d'Otto van Veen a exercé une influence considérable sur les cours européennes du XVIe siècle, tant par sa diffusion que par son intégration dans l'éducation des élites aristocratiques. Conçu comme un recueil d'emblèmes moraux inspirés des maximes d'Horace, l'ouvrage s'inscrit dans la tradition des miroirs des princes, destinés à inculquer aux jeunes souverains et nobles les vertus indispensables au bon gouvernement. Son appropriation par Marin Le Roy de Gomberville en 1646, sous le titre Doctrine des M?urs, tirée de la philosophie des Stoïques, en est une illustration éloquente. Dédiée à Anne d'Autriche et destinée à l'éducation du jeune Louis XIV, cette réédition témoigne du rôle pédagogique de l'ouvrage dans la formation des futurs monarques. Loin d'être un simple traité moraliste, l'Emblemata Horatiana s'impose comme un outil de légitimation politique, visant à inculquer aux élites des principes stoïciens et humanistes en parfaite adéquation avec les exigences du pouvoir. Son influence dépasse d'ailleurs la seule cour française: il trouve un écho dans les cercles humanistes et politiques européens, où la formation des princes repose sur l'appropriation des enseignements antiques et sur l'idéal du souverain éclairé. La présence attestée de recueils d'emblèmes dans les bibliothèques royales et princières, ainsi que l'intérêt manifeste de souverains tels que James VI d'Écosse pour la littérature emblématique, suggèrent qu.…

Publisher's cloth. Handel Sources: Materials for the Study of Handel's Borrowing. Size: Nine volumes. Folio and oblong folio.

Couverture rigide. Condizione: Très bon. Edition originale. M. de la Salle de l'Etang (ca 1700 à Reims - Paris 1765) | M. Jethro Thull (1674-1741) (réfutation de) Manuel d'Agriculture pour le Laboureur, pour le Propriétaire et pour le Gouvernement : contenant les vrais et seuls moyens de faire prospérer l'Agriculture, tant en France que dans les autres états où l'on cultive ; avec la Réfutation de la Nouvelle Méthode de M. Thull. Par M. de la Salle de l'Etang, seigneur de Muyr, Tinqueux, et ancien Député de la Ville de Rheims (Reims) à Paris. A Paris, chez Lottin l'aîné, libraire et imprimeur, Desain junior, libraire, 1764 [de l'imprimerie de Lottin l'Aîné, libraire et imprimeur de Monseigneur le Duc de Berry]. 1 fort volume in-8 (20,5 x 13,5 cm) de (6)-XVIII-(2)-608 (i. e. 584) pages. Frontispice gravé à l'eau-forte par Prevost d'après le dessin de C. N. Cochin fils (1764). Reliure strictement de l'époque plein veau blond glacé, dos à nerfs richement orné avec pièce d'armes au centre des caissons, gardes armes dorées au centre des plats avec pièces d'armes dans les angles, plats encadrés d'un triple filet doré, roulette dorée en encadrement intérieur des plats, doublures et gardes de papier marbré, tranches dorées. Légères marques sans gravité sur le veau des plats (voir photos), un coin avec manque sur la coupe (très peu visible). Reliure fraîche et intérieur très frais imprimé sur grand papier vergé (papier fort) à grandes marges (le texte est imposé au format in-12). Papier très blanc et très belle typographie (caractères neufs ?). Edition originale. Exemplaire imprimé sur grand papier. "La Salle considère que les principes traditionnels de la culture, labours et engrais, n'ont pas besoin de modifications. L'assolement et la structure agraire, cependant, devront évoluer de façon à permettre l'inclusion de prairies artificielles de sainfoin, sur l'établissement graduelles desquelles l'auteur fonde tout son système d'amélioration. Il dresse à cet effet un plan détaillé d'application théorique des prairies sur un domaine exploité selon les nouveaux principes. De La Salle de l'Étang est non seulement l'un des premiers à systématiser l'utilisation des prairies artificielles, mais il est également original quand il démontre comment cette transformation du cycle cultural s'accompagnera nécessairement de changements profonds dans les structures physiques et juridiques de la vie rurale. Ainsi ces prairies artificielles pour lesquelles Duhamel avait commencé à plaider timidement en 1750, apparaissent dès lors non plus comme un des aspects secondaires mais bien comme l'un des pivots essentiels de la culture" (André J. Bourde, Agronomie et agronomes en France au XVIIIe siècle, 1967, 1967). Très bel exemplaire en grand papier finement relié pour Jean-Gilles du Coëtlosquet, homme d'Église, évêque de Limoges puis précepteur des petits-fils de Louis XV (Louis XVI, Louis XVIII et Charles X).…

Publisher's cloth. Handel Sources: Materials for the Study of Handel's Borrowing. Size: Eight volumes. Folio and oblong folio. xxvii, 392; xxii, 296; xxxiii, 337; xxi Eight volumes. Folio and oblong folio. xxvii, 392; xxii, 296; xxxiii, 337; xxi.

Hardcover. Condizione: Very Good. No Jacket. 2nd Edition. Folio. Two parts in one. Greek & Latin. [6 ff.], 183 pp., [1 blank], [28 pp. index]; [5 ff.], 174, [15 pp. index], [1 addenda], [1 leaf publisher ads]. Engraved frontis. by M. Burghers. Engraved vignette of the Sheldon Theatre on first title. Woodcut vignette to second title. A nice crisp copy in contemporary calf, rebacked preserving spine label. Scuffing to calf, corners worn. From the library of Thomas Cushing Aylwin [1816-71], lawyer, politician, and hight court justice of Lower Canada, signed & dated in his hand. Second and best edition edited by John Potter, Bishop of Canterbury [1674?-1747]. The first was published in 1697. The Greek text is accompanied by Tzetze's commentaries, Scaliger's Latin translation, and the annotations of Meursius and Canter, as well as those of Potter himself. "These are beautiful editions, and much fuller than either of the preceding: the latter is the Edit. opt. and dedicated to John George Graevius, from whom Potter received the Basil edition of 1546, collated with an ancient vellum Ms., and by the assistance of which he was enabled to correct and enlarge the commentaries of Tzetzes in no less than two hundred places. The edition of 1702 contains a much more copious index of authors.". (Dibdin) "An everlasting monument of the learning of the illustrious editor." (Harwood). Brunet III 1248. Dibdin (4th edn). II pp. 209-10. Graesse iV 309. Signed. …

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.