cadra peterson mcdaniel (29 risultati)

Condizione: New.

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballet's planned 1959 American tour to awe audiences with Soviet choreographers' great accomplishments and Soviet performers' superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballet's 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets' competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshoi's repertoire and the Soviet leadership's objectives and interpretation of the tour's success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshoi's success provides insight into how each side conceptualized the role of the arts in society and in political transformation. American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere demonstrates the ballet's role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics.

Condizione: As New. Unread book in perfect condition.

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Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. reprint edition. 257 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condizione: New. American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballet's planned 1959 American tour to awe audiences with Soviet choreographers' great accomplishments and Soviet performers' superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballet's 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets' competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshoi's repertoire and the Soviet leadership's objectives and interpretation of the tour's success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshoi's success provides insight into how each side conceptualized the role of the arts in society and in political transformation. American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere demonstrates the ballet's role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: new. Paperback. AmericanSoviet Cultural Diplomacy: The Bolshoi Ballets American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballets planned 1959 American tour to awe audiences with Soviet choreographers great accomplishments and Soviet performers superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballets 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshois repertoire and the Soviet leaderships objectives and interpretation of the tours success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshois success provides insight into how each side conceptualized the role of the arts in society and in political transformation. AmericanSoviet Cultural Diplomacy: The Bolshoi Ballets American Premiere demonstrates the ballets role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics. This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a kind of "artful warfare"; a valuable weapon in winning the Cold War. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: new. Paperback. AmericanSoviet Cultural Diplomacy: The Bolshoi Ballets American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballets planned 1959 American tour to awe audiences with Soviet choreographers great accomplishments and Soviet performers superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballets 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshois repertoire and the Soviet leaderships objectives and interpretation of the tours success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshois success provides insight into how each side conceptualized the role of the arts in society and in political transformation. AmericanSoviet Cultural Diplomacy: The Bolshoi Ballets American Premiere demonstrates the ballets role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics. This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a kind of "artful warfare"; a valuable weapon in winning the Cold War. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a kind of 'artful warfare'; a valuable weapon in winning the Cold War.

Paperback. Condizione: new. Paperback. This document describes the book Soviet-American Cultural Diplomacy: The American Debut of the Bolshoi Theater by Cadra Peterson McDaniel. The book is a study of the 1959 Bolshoi Ballet tour in the US as a tool of Soviet foreign policy. It examines how the repertoire was formed, combining communist ideas and reinterpreted classics, and how the tour was perceived on both sides of the Iron Curtain. The work highlights that cultural exchange became a form of "elegant warfare" and emphasizes the continued relevance of art's role in Cold War politics. Cadra Peterson McDaniel is an Associate Professor of History and Coordinator of the Master of Arts in History at Texas A&M University-Central Texas, specializing in Russian foreign policy and culture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. ENG:This document describes the book Soviet-American Cultural Diplomacy: The American Debut of the Bolshoi Theater by Cadra Peterson McDaniel. The book is a study of the 1959 Bolshoi Ballet tour in the US as a tool of Soviet foreign policy. It examines how the repertoire was formed, combining communist ideas and reinterpreted classics, and how the tour was perceived on both sides of the Iron Curtain. The work highlights that cultural exchange became a form of "elegant warfare" and emphasizes the continued relevance of art's role in Cold War politics. Cadra Peterson McDaniel is an Associate Professor of History and Coordinator of the Master of Arts in History at Texas A&M University-Central Texas, specializing in Russian foreign policy and culture.RUS:Sovetsko-amerikanskaya kulturnaya diplomatiya. Amerikanskiy debyut Bolshogo teatra pervoe masshtabnoe issledovanie gastroley Bolshogo baleta v SSHA v 1959 godu kak instrumenta vneshney politiki SSSR. Posle podpisaniya soglasheniya o kulturnom obmene Sovetskiy Soyuz stremilsya proizvesti vpechatlenie na amerikanskuyu publiku moshchyu svoey khoreografii i ispolnitelskogo masterstva, prevrativ stsenu v arenu kulturnogo sopernichestva.Kadra Peterson Makdeniel issleduet, kak formirovalsya repertuar, sochetavshiy kommunisticheskie idei i pererabotannuyu klassiku, i kak turne bylo vosprinyato s obeikh storon zheleznogo zanavesa. Rabota pokazyvaet, chto kulturnyy obmen stal formoy izyashchnoy voyny i podcherkivaet: rol iskusstva v politike vremen kholodnoy voyny ostaetsya aktualnoy i v nashi dni. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. This document describes the book Soviet-American Cultural Diplomacy: The American Debut of the Bolshoi Theater by Cadra Peterson McDaniel. The book is a study of the 1959 Bolshoi Ballet tour in the US as a tool of Soviet foreign policy. It examines how the repertoire was formed, combining communist ideas and reinterpreted classics, and how the tour was perceived on both sides of the Iron Curtain. The work highlights that cultural exchange became a form of "elegant warfare" and emphasizes the continued relevance of art's role in Cold War politics. Cadra Peterson McDaniel is an Associate Professor of History and Coordinator of the Master of Arts in History at Texas A&M University-Central Texas, specializing in Russian foreign policy and culture. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This document describes the book Soviet-American Cultural Diplomacy: The American Debut of the Bolshoi Theater by Cadra Peterson McDaniel. The book is a study of the 1959 Bolshoi Ballet tour in the US as a tool of Soviet foreign policy. It examines how the repertoire was formed, combining communist ideas and reinterpreted classics, and how the tour was perceived on both sides of the Iron Curtain. The work highlights that cultural exchange became a form of 'elegant warfare' and emphasizes the continued relevance of art's role in Cold War politics. Cadra Peterson McDaniel is an Associate Professor of History and Coordinator of the Master of Arts in History at Texas A&M University-Central Texas, specializing in Russian foreign policy and culture.

Taschenbuch. Condizione: Neu. American-Soviet Cultural Diplomacy | The Bolshoi Ballet's American Premiere | Cadra Peterson McDaniel | Taschenbuch | Contemporary Western Rusistika | Russisch | 2026 | BiblioRossica | EAN 9798897837458 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. American-Soviet Cultural Diplomacy | The Bolshoi Ballet's American Premiere | Cadra Peterson McDaniel | Buch | Russisch | 2025 | BiblioRossica | EAN 9798887199580 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - ENG:This document describes the book Soviet-American Cultural Diplomacy: The American Debut of the Bolshoi Theater by Cadra Peterson McDaniel. The book is a study of the 1959 Bolshoi Ballet tour in the US as a tool of Soviet foreign policy. It examines how the repertoire was formed, combining communist ideas and reinterpreted classics, and how the tour was perceived on both sides of the Iron Curtain. The work highlights that cultural exchange became a form of 'elegant warfare' and emphasizes the continued relevance of art's role in Cold War politics. Cadra Peterson McDaniel is an Associate Professor of History and Coordinator of the Master of Arts in History at Texas A&M University-Central Texas, specializing in Russian foreign policy and culture.RUS:«????????-???????????? ?????????? ?????????? ???????????? ????? ???????? ??????» ?????? ?????????? ???????????? ????????? ???????? ?????? ? ??? ? 1959 ???? ??? ??????????? ??????? ???????? ???? ????? ?????????? ?????????? ? ?????????? ?????? ????????? ???? ????????? ?????????? ??????????? ?? ???????????? ??????? ????? ????? ????&#108.