Callahan vicki (96 risultati)

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Near Fine. Edited by Cicki Callahan, Wayne State University Press, 2010 Fast & Free Delivery. Not an ex-library copy. Independent Seller. Satisfaction guaranteed.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good.

Paperback. Condizione: Very Good. Book has light scratches to cover. Otherwise, attractive, clean copy.

Paperback. Condizione: Fine.

Magazine. First edition. Very Good+ magazine with light stress marks at the spine and tiny dog ears to a couple of pages; a nice copy. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The September 1986 issue of American Photographer magazine with: a feature on Edward Weston; Vicki Goldberg on Eugene Richards and Dorothea Lynch's Exploding into Life; current trends in fashion photography; GQ's art director, Mary Shanahan; portfolios of work by Brian Hagiwara and Evelyn Roth; Rashid Lombard and covering South Africa's racial war; and much more. Edited by Sean Callahan. Staple-bound; 104 pages; color and b&w illustrations throughout; 8 x 10.75 inches.…

Condizione: New.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. New paperback with tiny ink mark on pages edge being listed as used. Unread copy.

paperback. Condizione: Good. . Satisfaction 100% guaranteed.

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: Good. Book in Good condition.

Condizione: New.

Paperback or Softback. Condizione: New. Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade. Book.

Paperback. Condizione: New. The crime serials by French filmmaker Louis Feuillade provide a unique point of departure for film studies, presenting modes rarely examined within early cinematic paradigms. Made during 1913 to 1920, the series of six films share not only a consistency of narrative structure and style but also a progressive revelation of the criminal threat - a dislocation of both cinematic and ideological subjectivity - as it shifts realms of social, cultural, and aesthetic disturbance. Feuillade's work raises significant questions of cinema authorship, film history, and film aesthetics, all of which are examined in Vicki Callahan's groundbreaking work Zones of Anxiety, the first study to address the crime serials of Louis Feuillade from a feminist perspective. Zones of Anxiety merges cultural history and feminist film theory, arguing for a different kind of film history, a ""poetic history"" that is shaped by the little-examined cinematic mode of ""uncertainty."" Often obscured by film technique and film historians, this quality of uncertainty endemic to the cinema comes in part from the formal structures of repetition and recursion found in Feuillade's serials. However, Callahan argues that uncertainty is also found in the ""poetic body"" of the actress Musidora, who is featured in two of the serials. It is the mobility of the Musidora figure - socially, culturally, sexually, and textually - that makes her a powerful image and also a place to view the historical blind spots of film studies and feminist studies with regard to questions of race, class, and sexuality. Callahan's substantial focus on archival research builds a foundation for a host of compelling arguments for a new feminist history of film. Other studies have touched on the issue of gender in early cinema, though until now neither Feuillade's work nor French silent film have been examined in light of feminist film theory and history. Zones of Anxiety opens up the possibility of alternate readings in film studies, illuminating our understanding of subjectivity and situating a spectatorship that acknowledges social and cultural differences.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780814328552.

Condizione: New. In English.

Condizione: New.

Paperback or Softback. Condizione: New. Reclaiming the Archive: Feminism and Film History. Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 328 pages. 9.00x6.00x10.00 inches. In Stock.

Paperback. Condizione: New. This title illustrates the rich relationship between film history and feminist theory. ""Reclaiming the Archive: Feminism and Film History"" brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches - including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis - by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined. Essays in ""Reclaiming the Archive"" investigate the different models available in feminist film history and how those feminist strategies might serve as paradigmatic for other sites of feminist intervention. Chapters have an international focus and range chronologically from early cinema to post-feminist texts, organized around the key areas of reception, stars, and authorship. There is a final section that examines the very definitions of feminism (post-feminism), cinema (transmedia), and archives (virtual and online) in place today. The essays in ""Reclaiming the Archives"" prove that a significant heritage of film studies lies in the study of feminism in film and feminist film theory. Scholars of film history and feminist studies will appreciate the breadth of work in this volume.…

Soft cover. Condizione: Good. Paperback, xi + 190 pages, b&w photos in text, NOT ex-library. A few straightened corner folds, else very good. Book is clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. Straight uncreased spine.