Campbell eddie illustrator (14 risultati)

Comic Book (saddle-stitched). Condizione: Very Good. First Edition. Unread, unopened store stock. Moderate edgewear from customer handling. Pages unblemished. Campbell, Eddie (illustrator) (illustratore).

Hardcover. Condizione: Brand New. 158 pages. 9.25x6.75x1.00 inches. In Stock. Campbell, Eddie (illustratore).

Hardcover. Condizione: Very Good. 1st Edition. 73 pages, 8vo. No DJ. SIGNED by Neil Gaiman and Eddie Campbell on title page. First Printing, with intact number line ending in the number 1. Minor shelfwear.: light scuffing along edges, title along spine is worn and faded. Tightly bound, no marks. Volume is in Very Good-plus condition. Campbell, Eddie (illustratore). Signed by Author(s). …

Hardcover. First Edition Thus. Octavo, 73 pages. In Very Good condition. Bound in publisher's quarter green cloth and illustrated paper boards with silver lettering to spine. Mild general shelf wear. Signed flat by Gaiman on title page. Shelved in Graphic Novels. 1401395. Shelved Dupont Bookstore. Eddie Campbell (illustratore). …

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title. Eddie Campbell (illustratore).

Hardcover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. Signed. 160 pages. Published in 2018. Retrospective collection of short stories, brilliantly illustrated. One of the most beautiful literary-cum-art books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. A brilliant production by Audrey Niffenegger and Eddie Campbell: Regular-sized volume format. Pictorial hard boards with red cloth overboards and titles on the cover and spine, as issued. Stories by Audrey Niffenegger. Herself an artist, she also collaborated on some of the illustrations. Art by Eddie Campbell. Printed on pristine-white, thick coated stock paper to the highest standards. Without DJ, as issued. Presents Audrey Niffenegger's and Eddie Campbell's "Bizarre Romance". Irrefutable proof, because it is needed, that the art of the illustration is a full-fledged genre that has been unjustly relegated to second-class status. One could even go so far as to say that, in the end, the illustrated book (at least in Eddie Campbell's hands) is visually, a superior achievement compared to the typical graphic novel/comics. That's because Campbell deploys a singular visual style to capture the tone and substance of each of Niffenegger's thirteen stories. There is no "unifying" style that binds them all because part of what he, as an artist/illustrator, must do - and does so well - is to evoke a near-infinite range of visual styles, choices, and nuances in order to serve each specific text. In contrast, the graphic novel is necessarily a finite - and often deliberately crude - visual style that must readily be identified with the graphic artist. "Explores the idiosyncratic nature of relationships in a variety of genres from fractured fairy tales to historical fiction to paper dolls. The debut collection by two of the most important storytellers of our time" (Publisher's blurb). Who, happily, are the ideal artistic team for the subject of romance, bizarre and otherwise, because they are husband-and-wife in real life. An absolute "must-have" title for Audrey Niffenegger and Eddie Campbell collectors. This copy is very prominently and beautifully signed and dated (shortly after publication) in black pen-marker on the flyleaf (their preferred page) by the authors: "Audrey Niffenegger [heart] Eddie Campbell June 9, 2018". It is signed directly on the page itself, not on a tipped-in page. The signatures were obtained during their special appearance at the 2018 Printer's Row Book Fair Lit Fest. This title is a contemporary classic. As far as we know, this is the only such signed and post-publication dated copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Two of the most brilliant artists and writers of our time. A fine copy. (SEE ALSO OTHER AUDREY NIFFENEGGER TITLES IN OUR CATALOG) ISBN 1419728539. Campbell, Eddie (illustratore). Signed by Author. …

Hardcover. Condizione: Brand New. 576 pages. 10.50x8.00x1.32 inches. In Stock. Campbell, Eddie (illustratore).

Hardcover. Condizione: Like New. William Morrow (Harper Collins); New York, 2014. Hardcover. Limited Edition. Book is limited to 3,000 numbered and signed copies. This book is number 2,497. Signed by author and illustrator directly on limitation prelim. A Near Fine, grey cloth binding with silver lettering on front board and spine and color paper illustration on front board, binding firm, interior and extremities tidy, book appears unread, minimal handling marks, without Dust Wrapper. In a Near Fine, sturdy, black cloth clam shell, Slipcase with mild handling marks. Also includes MP3-CD still in plastic cover and not played. A nice, clean and unmarked copy. 8vo[octavo or approx. 8 x 8 inches]. 74pp., color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book. Campbell, Eddie (illustratore). Signed by Author.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title. Campbell, Eddie (illustratore).

Paperback. Condizione: Brand New. 160 pages. 10.50x5.50x0.25 inches. In Stock.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. Limited Edition. FROM HELL: The Compleat Scripts by Alan Moore (Limited) Slipcase Signed A sharp tight unread copy with very slight bumping to bottom corner. Slipcase in Very Good condition with moderate wear - square and shiny but for a bumped lower rear corner, a rubbed corner tip, and some surface wear. A sharp bright dust jacket with a tiny crease to bottom corner. Not price clipped. "Book One". Limited Edition. One of the 1000 copies numbered and signed by Alan Moore, Eddie Campbell, and Stephen R. Bissette. This is # 459/1000. It is the authoritative text. Black cloth with silver lettering to spine and cover, in dust jacket with original printed prices on front flap: "Limited Edition $95. Deluxe, Lettered Edition $450". Housed in a black Slipcase. Eddie Campbell(Illustrator) Stephen R. Bissette(Afterword) (illustratore). BOOK.…

Oversize paperback original. Condizione: NF/Fine (unread) copy. First edition (& 1st printing). 640 pages; ''for the first time ever, the groundbreaking autobiographical comics of master cartoonist Eddie Campbell are collected in a single volume''. SIGNED BY EDDIE CAMPBELL. Signed.

Hardcover. Condizione: Very good. Hardcover. #1410 of 3000cc signed by Gaiman and Campbell. Publisher's black cloth, stamped in silver with an inset on the front board, housed in a black cloth clamshell case with a front pocket containing a CD. Signed.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. The format is approximately 5.375 inches by 8.25 inches. vii, [1], 153, [7] Signed by the author on the title page. The dust jacket has some wear, soiling and a scuff at the lower spine. Sticker residue inside the front cover. Ramsey Campbell (born 4 January 1946) is an English horror fiction writer, editor and critic who has been writing for well over fifty years. He is the author of over 30 novels and hundreds of short stories, many of them winners of literary awards. Three of his novels have been adapted into films. Since he first came to prominence in the mid-1960s, critics have cited Campbell as one of the leading writers in his field: T.E.D. Klein has written that "Campbell reigns supreme in the field today", and Robert Hadji has described him as "perhaps the finest living exponent of the British weird fiction tradition", while S. T. Joshi stated, "future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood." In a 2021 appreciation of his collected works, The Washington Post said: "Taken together, they constitute one of the monumental accomplishments of modern popular fiction." He finished the collection that would become Demons by Daylight in 1968, but it would not see print until 1973. Meanwhile, from 1969 to 1973, he continued to write short stories in which he gradually developed his own voice and themes. Campbell worked in the Liverpool Public Libraries as a library assistant (196673) and was acting librarian in charge (197173). By 1973, Campbell became a fulltime writer, encouraged by the issuance by Arkham House of his second collection, Demons by Daylight (as by Ramsey Campbell). That collection had been due for publication in 1971, but was held back two years by the death of August Derleth. Demons by Daylight includes The Franklyn Paragraphs, which uses Lovecraft's documentary narrative technique without slipping into parody of his writing style. Other tales, such as The End of a Summer's Day and Concussion, show the emergence of Campbell's highly distinctive mature style. Demons by Daylight is a collection of stories by English author Ramsey Campbell. Released in 1973, it was the author's second short story collection, after The Inhabitant of the Lake and Less Welcome Tenants. It was published in an edition totaling 3,472 copies and with dust jacket art by Eddie Jones, commissioned by Campbell. Campbell has acknowledged that the stories in the book were written primarily under the stylistic influence of Vladimir Nabokov. Campbell was attempting to move away from his dependence on the influence of H.P. Lovecraft, and the style of these stories is radically different from the Cthulhu Mythos tales found in his first collection. The book's first appearance induced T. E. D. Klein to write an extensive and highly positive review, "Ramsey Campbell: An Appreciation" in Nyctalops magazine. Demons by Daylight contains the following stories, grouped into three sections: Nightmares--"Potential"; "The End of a Summer's Day"; "At First Sight"; Errol Undercliffe: a tribute--"The Franklyn Paragraphs"; "The Interloper" (as by Errol Undercliffe); Relationships--"The Sentinels"; "The Guy"; "The Old Horns"; "The Lost"; "The Stocking"; "The Second Staircase"; "Concussion"; "The Enchanted Fruit"; and "Made in Goatswood". Edward John Jones (18 January 1935 15 October 1999) was a British science fiction illustrator. He illustrated numerous science fiction book and magazine covers, some under the pseudonym S. Fantoni, and provided interior illustrations for books and magazines. Jones was active in the field from 1953 to 1985, and reprints of his artwork continued to appear on book covers until his death in 1999. Eddie Jones was born 18 January 1935 in Bootle, Lancashire, in the United Kingdom. In 1969, he became the art editor for Vision of Tomorrow, a short-lived British SF magazine. Although probably best known for his Star Trek covers for Bantam Books and almos. Eddie Jones (Illustrator) and Pam Witcombe (Author (illustratore).…