Hardcover. Condizione: Very Good. No Jacket. Binding sound, text clean, light shelf wear. 80 pages, illustrated. English / German text. No jacket. Book.
Soft cover. Condizione: Near Fine. Softcover, 108 pgs. 6.5 x 8.5 in. Includes essays on Kenneth Anger, Stan Brakhage, Jim Davis, Jean-Luc Godard, Hans Richter, and others. Near fine+, with trace wear.
Editore: Lyons Wier Gallery, Chicago, 1998
Da: Plain Tales Books, Arlington Hts, IL, U.S.A.
Membro dell'associazione: MWABA
Prima edizione
Soft cover. Condizione: Near Fine. 1st Edition. Illustrated. 16 page catalog from the 1998 Chicago exhibition.
Editore: Anthology Film Archives, 1992
Da: Paradou Books, Richmond, VA, U.S.A.
Rivista / Giornale
Soft cover. Condizione: Near Fine. 48 pgs. Includes an interview with, and poems by, Harry SMith, contributions from Jack Smith, Von Sternberg's last interview, Larry Jordan's Sophie's Place, the last days of Jack Smith, and more. Trace wear, nearly new.
EUR 47,05
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Paperback or Softback. Condizione: New. Seeking Brakhage. Book.
Editore: Oskar Friedl Gallery, 1996
Da: Le Bookiniste, ABAA-ILAB-IOBA, Hopewell, NJ, U.S.A.
Prima edizione
Soft cover. Condizione: Near Fine. 1st Edition. Scarce exhibition catalogue dedicated to works on paper by the Zhou Brothers (Shanzuo Zhoushi and Dahuang Zhoushi), Chinese painters living in Chicago. The catalogue features 26 plates, mostly in black-and-white. The exhibition took place at the Oskar Friedl Gallery in Chicago.This catalogue is scarce. OCLC shows only 5 institutional holdings, 4 in the U.S. and 1 in France. PHYSICAL DETAILS: Quarto (11 x 6 1/4 inches; 280 x 160 mm), 30 pages, in illustrated, perfect-bound wrappers (soft cover). CONDITION: One-inch tear at bottom of front panel near spine and some light edge wear but internally clean, bright, and unmarked. About Near Fine.
EUR 51,78
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 54,42
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Editore: Oskar Friedl Gallery, Chicago, 1996
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Paperback. Condizione: VG. Color-illustrated wraps with red and black lettering. 30 pp. BW and color illustrations. Catalog of an exhibition held at Oskar Friedl Gallery, Chicago, in 1996.
EUR 58,18
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Editore: Chicago: Oskar Friedl Gallery, [1995], 1995
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 8vo. 16 pp. Soft cover. Very Good. Illustrated paper wraps. Staple binding. Color and B&W plates throughout. From the Collection of the Art Historian Peter Selz.
EUR 68,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Editore: Film Culture New York, NY, 1992
Da: Specific Object / David Platzker, New York, NY, U.S.A.
48 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1992 issue of Film Culture, edited by Jonas Mekas. Contents include: "Pastario or Atlas of Italian Pastas," by Peter Kubelka; "Hollis Frampton at Anthology Film Archives - November 2nd, 1974;" "Parker Tyler's Own Scandal," by Charles Boultenhouse; "Free Association Interview with Jack Smith - April 23rd, 1964," by David Brooks; "American Intelligence Report on Leni Riefenstahl - May 30th, 1945;" "Natural Industry: A Review of Pat O'Neill's 'Water and Power,'" by Fred Camper and "Books Received." Cover photo: Hollis Frampton at Anthology Film Archives, 1974, photo by Tome Haar. Good. Dusting and light soiling of covers with rubbing and bumping of edges. Contents clean and unmarked.
EUR 60,64
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
EUR 57,81
Quantità: 10 disponibili
Aggiungi al carrelloPF. Condizione: New.
EUR 59,54
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 59,66
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Editore: Film Culture, 1970
Da: Bendowa Books, Holyoke, MA, U.S.A.
Prima edizione
Soft cover. Condizione: Near Fine. 1st Edition. First Edition, 1970. 88 pages. Double issue. Stapled Wrappers, measuring 8.5 x 11 inches. Near Fine. A clean bright copy. Includes a piece on Kenneth Anger & the Tenth Independent Film Award / Hollis Frampton interview by Michael Snow / The Cosmic Cinema of Jordan Belson by Gene Youngblood / Two Films by Ron Rice by Fred Camper / Yoko Ono on Yoko Ono / and contributions by Stan Vanderbeek, Max Kozloff and many others.
EUR 59,68
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
EUR 68,30
Quantità: Più di 20 disponibili
Aggiungi al carrelloKartoniert / Broschiert. Condizione: New.
EUR 63,72
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Da: Majestic Books, Hounslow, Regno Unito
EUR 23,75
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. Print on Demand.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 22,75
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. PRINT ON DEMAND.
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. Print on Demand.
Editore: Allentown Art Museum, 2000
Da: Apport Used Books, Emmaus, PA, U.S.A.
Soft cover. Condizione: Very Good. Unpaginated exhibition booklet. 4to, stapled in wraps. Full color. Some wear to wraps and stress at fold. Scarce.
Da: Antiquariaat Berger & De Vries, Groningen, Paesi Bassi
EUR 175,00
Quantità: 1 disponibili
Aggiungi al carrelloCloth-covered cardboard slipcase, 29,5 x 22,5 x 3 cms., containing 2 items: 1. book, cloth-covered boards, 28,5 x 22 cms., 79, (1) pp. throughout illustrated in color, exhibit history, selected bibliography, bilingual; 2. cloth-covered cardboard file with tipped-in colophon-sheet at bottom containing an oil + pigment painting on cardboard, 27,5 x 20,5 cms., showing text in pencil at the reverse:' Rainer Gross 97-98, "Vierssen", Öl + Pigmente auf Papier, Ausschnitte, 13/24". ISBN 3931135373.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 66,87
Quantità: Più di 20 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 60,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 78,94
Quantità: 1 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The most perceptive critical writing on one of the most important American artists of the late 20th century, the essays of Fred Camper on the work of the filmmaker Stan Brakhage has here finally been gathered into a single volume. For six decades Camper's intensely observant criticism was scattered over a multitude of hard-to-find periodicals, archived in program notes for retrospectives at museums, or accompanied various digital releases of Brakhage films. This book now brings together for the first time Camper's own selection of his most significant essays, written over a lifetime of close viewing of Brakhage films. 'Nobody knows the films of Stan Brakhage better than Fred Camper, and nobody cares more for them, or is more meticulous in writing about them. .I first noticed him in 1965 when he followed Brakhage and me out of a screening in New Haven back to the filmmaker's guestroom at Yale University. He was a constant presence at Brakhage screenings in New York. Later, he was a graduate student and teaching assistant at the Cinema Studies Department of New York University when I taught there in the 1970s. The School of the Art Institute of Chicago hired him away before he wrote his Ph.D. dissertation (to be on Brakhage, which he never completed). .his undaunted enthusiasm radiates. His intention is clear, and his argument illuminating. He loves the films he writes about, and he tells us why, precisely.' - from the introduction by P. Adams Sitney.