Canziani cecilia (42 risultati)

Wrappers. Condizione: Fine Condition. 200 pages. Texts in Italian and English. Paperback, bound in stiff illustrated paper covers. Still in the publisher's original shrinkwrap, so the binding is tight, the spine uncreased, the edges sharp, and interior presumably clean and free of markings. Published on the occasion of the exhibition held from November 19, 2016-February 3, 2017. Book. …

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. Hardcover. The sculptor Bettina Buck (1974-2017) called attention to herself with her performative sculptures, which she often presented vis-a-vis museal objects. Bucks preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient protagonists, who didnt have a final form but rather emphasized the actual process of finding form (as well as losing form). Buck herself said that her works were meant to simultaneously attract and alienate the viewer. In the exhibition space the objects should create a tremor, a vibration and a conversation with its surroundings. Finding Form presents Bucks complete sculptural works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. 1. The sculptor Bettina Buck (1974-2017) called attention to herself with her "performative sculptures", which she often presented vis-à-vis museal objects. Buck's preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient "protagonists", who didn't have a final form but rather emphasized the actual process of finding form (as well as losing form). Buck herself said that her works were meant to "simultaneously attract and alienate the viewer". In the exhibition space the objects should "create a tremor, a vibration and a conversation with its surroundings". Finding Form presents Bucks complete sculptural works.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In his work, Benedikt Hipp combines numerous media, including ceramics, painting, and video. Growing up in a traditional craft business producing votive offerings made of wax, serially produced representations of body parts were part of Hipp's everyday family life. He began exploring the human body himself at an early age. To this day, he continues to investigate the body as a fragment, a hybrid being, an emergent system, and a site of ritual and social action. At the heart of his work is the question of the perception and transformation of the human body, its vulnerability and transience. The book presents exhibitions and works from recent years with a special focus on the ceramics that Hipp produces in his two self-built high-temperature wood-fired kilns. The book's title is borrowed from the multimedia ceramic installation (2021-2025) that was on display at the Triennale Kleinplastik Fellbach in 2025.…

Paperback. Condizione: new. Paperback. In his work, Benedikt Hipp combines numerous media, including ceramics, painting, and video. Growing up in a traditional craft business producing votive offerings made of wax, serially produced representations of body parts were part of Hipp's everyday family life. He began exploring the human body himself at an early age. To this day, he continues to investigate the body as a fragment, a hybrid being, an emergent system, and a site of ritual and social action. At the heart of his work is the question of the perception and transformation of the human body, its vulnerability and transience. The book presents exhibitions and works from recent years with a special focus on the ceramics that Hipp produces in his two self-built high-temperature wood-fired kilns. The book's title is borrowed from the multimedia ceramic installation (2021-2025) that was on display at the Triennale Kleinplastik Fellbach in 2025. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. In his work, Benedikt Hipp combines numerous media, including ceramics, painting, and video. Growing up in a traditional craft business producing votive offerings made of wax, serially produced representations of body parts were part of Hipp's everyday family life. He began exploring the human body himself at an early age. To this day, he continues to investigate the body as a fragment, a hybrid being, an emergent system, and a site of ritual and social action. At the heart of his work is the question of the perception and transformation of the human body, its vulnerability and transience. The book presents exhibitions and works from recent years with a special focus on the ceramics that Hipp produces in his two self-built high-temperature wood-fired kilns. The book's title is borrowed from the multimedia ceramic installation (2021-2025) that was on display at the Triennale Kleinplastik Fellbach in 2025.…

Condizione: NEW.

Condizione: Brand New. 424 pages. Italian language. 6.65x1.06x9.21 inches. In Stock.

Paperback. Condizione: New.

Hardback. Condizione: New. 1. The sculptor Bettina Buck (1974-2017) called attention to herself with her "performative sculptures", which she often presented vis-à-vis museal objects. Buck's preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient "protagonists", who didn't have a final form but rather emphasized the actual process of finding form (as well as losing form). Buck herself said that her works were meant to "simultaneously attract and alienate the viewer". In the exhibition space the objects should "create a tremor, a vibration and a conversation with its surroundings". Finding Form presents Bucks complete sculptural works.…

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 216 pages. 8.66x0.79x11.42 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Brand New. 304 pages. 11.26x8.51x11.50 inches. In Stock.

Condizione: Buono (Good). I ed. Catalogo dell' 8^ Premio Furla per l'arte contemporanea promosso dalla Fondazione Querini Stampalia, Santa Maria Formosa, sestiere Castello 5252, Venezia. Curatore e ideatore del Premio/ Created and curated by Chiara Bertola.I lavorli artisti finalisti Alis/Filliol, Francesco Arena, Rossella Biscotti, Matteo Rubbi, Marinella Senatore sono stati esposti al Palazzo Pepoli di Bologna dal 29.1.2011 al 6.2.2011. Testi in italiano/inglese (traduzioni/ transltion: Johanna Bishop, Stefano Cernuschi). In-8, pp. 160, brossura illustrata (primo piatto, a colori: Christian Boltanski per/ for the 8. Premio Furla 2011 da/ from "La vie c'est gai, La vie c'est triste", 1974, Marian Goodman Gallery, New York-Paris - ultimo piatto: riproduzione a colori e in b/n di un lavoro per ogni artista premiatio). Illustrazioni a colori e in b/n. Con doppio segnalibro in fettuccia nero. Design: Studio Mousse, Marco Fasolini, Fausto Giliberti, Elena Mora, Francesco Valtolina. Stato buono-ottimo. Indice/ Contents: Pleure qui peut, rit qui veut; Chiara Bertola - Introduzione/ Introduction - Regolamento/ Regulation - Alis/Filliol (Una conversazione su Alis/Filliol/ A Conversation about Alis/Filliol; Simone Menegoi-Marianne Lanàvere) - Francesco Arena (1253 km sul bianco di una pagina/ 153 Km on a White Page; Vincenzo de Bellis-Philippe Pirotte) - Rossella Biscotti ("Everything is somehow related to eveything else, yet the whole is terrifyngly unstable"; Cecilia Canziani-Vincent Honoré) - Matteo Rubbi (Attorno alle dinamiche artistiche di Matteo Rubbi/ On the way home with Matteo Rubbi; Lorenzo Bruni-Carson Chan) - Marinella Senatore (Tracciare cerchi. Attivare la pratica artistica attraverso la partecipazione (e non viceversa/ Tracing Circles: Enabling Artistic Praxis throught Participation (Not the Other Way Around); Alfredo Cramerotti, Emily Pethick) - Studio Visits. Book. …

Hardcover. Condizione: Brand New. 304 pages. 11.26x8.51x11.50 inches. In Stock.

Softcover. peach wraps w/ brown printing. 56 pgs w/ bw & sepia-toned illustrations, plates. Text in Italian and English. Illustrated throughout. VG+ (light wear, rubbing to wraps. remains tightly bound; likely unread).

Paperback. Condizione: new. Paperback. In his work, Benedikt Hipp combines numerous media, including ceramics, painting, and video. Growing up in a traditional craft business producing votive offerings made of wax, serially produced representations of body parts were part of Hipp's everyday family life. He began exploring the human body himself at an early age. To this day, he continues to investigate the body as a fragment, a hybrid being, an emergent system, and a site of ritual and social action. At the heart of his work is the question of the perception and transformation of the human body, its vulnerability and transience. The book presents exhibitions and works from recent years with a special focus on the ceramics that Hipp produces in his two self-built high-temperature wood-fired kilns. The book's title is borrowed from the multimedia ceramic installation (2021-2025) that was on display at the Triennale Kleinplastik Fellbach in 2025. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: NEW.

Buch. Condizione: Neu. Neuware - The German sculptor Bettina Buck (1974-2018) called attention to herself with her 'performative sculptures,' which she often presented vis-à-vis museal objects. Buck's preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient 'protagonists,' who didn't have a final form but rather emphasized the actual process of finding form (as well as losing form). In a provocative action in 2014, Buck dragged an oversized foam bloc through a museum collection and let it rest next to famous artworks, which gained a new dynamic in this interplay. Buck herself said once that her works were meant to 'simultaneously attract and alienate the viewer.' In the exhibition space the objects should 'create a tremor, a vibration and a conversation with its surroundings.'Finding Form, a posthumous monograph presents Bucks complete sculptural works on over 300 pages and contains texts by Phyllida Barlow, Paolo Icaro, Cecilia Canziani, and Andrea Maria Popelka. The book was conceived and published by the artist's estate, Bureau Bettina Buck. Bettina Buck will be featured in 2026 with a work in Chiara Camoni's presentation at the Italian Pavilion of the Venice Biennale.; Die deutsche Bildhauerin Bettina Buck (1974-2018) erregte Aufsehen mir ihren performativen Skulpturen, die oft im Gegenüber mit musealen Objekten präsentiert wurden. Bucks bevorzugte Materialien stammten aus dem Baumarkt: nicht zur Dauerhaftigkeit bestimmte Werkstoffe wie Wellpappe, Kachelfliesen, Schaumstoff, oder Plastikfolie. Mit diesen kreierte sie eine Art wandelbare und vergängliche 'Protagonisten', die keine endgültige Form besaßen, sondern eher auf den Prozess der Formfindung selbst (wie auch den Verlust von Form) hinwiesen. In einer provokanten Aktion in 2014 zog Buck einen übergroßen Schaumstoffblock durch eine Museumssammlung und ließ ihn neben bekannten Kunstwerken verweilen, die in diesem Zusammenspiel eine neue Dynamik gewannen. Buck selbst sagte einmal, dass ihre Werke 'den Betrachter sowohl anziehen als auch verstören' müssten. Im Ausstellungsraum sollten die Objekte 'ein Beben und eine Vibration auslösen, sowie ein Zwiegespräch mit ihrer Umgebung.''Finding Form', eine posthume Monografie, präsentiert auf über 300 Seiten Bucks komplettes bildhauerisches Werk und enthält Texte von Phyllida Barlow, Paolo Icaro, Cecilia Canziani, Andrea Maria Popelka. Das Buch wurde erstellt und herausgegeben vom Nachlass der Künstlerin, Bureau Bettina Buck.Bettina Buck ist 2026 mit einer Arbeit in der Präsentation von Chiara Camoni im Italienischen Pavillion der Biennale di Venezia vertreten.…

Hardback. Condizione: New. 1. The sculptor Bettina Buck (1974-2017) called attention to herself with her "performative sculptures", which she often presented vis-à-vis museal objects. Buck's preferred materials came from the hardware store: corrugated cardboard, ceramic tiles, pressed foam, or plastic foil, which are all not meant to last. Out of these materials she created a kind of changeable and transient "protagonists", who didn't have a final form but rather emphasized the actual process of finding form (as well as losing form). Buck herself said that her works were meant to "simultaneously attract and alienate the viewer". In the exhibition space the objects should "create a tremor, a vibration and a conversation with its surroundings". Finding Form presents Bucks complete sculptural works.…

Condizione: New.