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Editore: University of Toronto Press, 1982
ISBN 10: 0802065198ISBN 13: 9780802065193
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.65.
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Nuovo - A partire da EUR 28,79
Usato - A partire da EUR 2,05
Scopri anche Brossura
Editore: London : E. Benn, 1967
Da: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. Takes the reader through a study of typography that starts with the individual letter and proceeds through the word, the line, and the mass of text along with their application to the typography of books, advertising, magazines, and information data. Due to age and/or environmental conditions, the pages of this book have darkened. The price has been clipped from the jacket. Solid binding. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.
Editore: University of Toronto Press, 1967
ISBN 10: 0802014267ISBN 13: 9780802014269
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.3.
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Nuovo - A partire da EUR 96,74
Usato - A partire da EUR 16,94
Editore: West Virginia Pulp and Paper, New York, 1965
Da: Classic Books and Ephemera, IOBA, Lansdowne, PA, U.S.A.
Membro dell'associazione: IOBA
Paperback. Condizione: Very Good. 32 p.: illustrations; 23 cm. Paperback, stapled. "Written and designed by Carl Dair" -- inside back cover. Demonstrates the use of various fonts to inscrease legibility in different situations. With: Alphacast, a laminated card to help estimate how much space a typewritten manuscript will occupy when set in any given size and style of type. In Very Good Condition: front cover slightly soiled along upper edge; otherwise, clean and bright.
Editore: West Virginia Pulp and Paper, New York, 1964
Da: Classic Books and Ephemera, IOBA, Lansdowne, PA, U.S.A.
Membro dell'associazione: IOBA
Paperback. Condizione: Very Good -. 28 p.: illustrations; 23 cm. Paperback, stapled. "Written and designed by Carl Dair" -- p. 28. Presents a short history of typography and demonstrates the uses of various fonts. In Very Good- Condition: lower corners of front and back covers scraped; otherwise, clean and bright.
Editore: University of Toronto Press, 1967
Da: Tacoma Book Center, Tacoma, WA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Dustjacket included. Later Edition. ISBN . B01M1Y4T23 Hardback. 1977 reprint edition. Book is a tight sound unmarked copy in Very Good condition. Dustjacket is in Very Good condition with slight edgewear. The dustjacket has been placed in a Brodart protective cover by us to protect it and it looks much better than described. . This does not affect the dustjacket in any way, as all taping is done on the outside of the protector. No Signature.
Editore: West Virginia Pulp and Paper Company, New York, 1964
Da: Entropy Books, Ferndale, MI, U.S.A.
Libro
Soft cover. Condizione: Fine. Stiff printed wrappers, slender 8vo., 28 pages, fully illustrated. Number 1 in the series. Comment card bound in. A fine copy.
Condizione: Good. Original boards, dust jacket, printed in black and red, illustrations, large 8vo. From the collection of Kees Broos (name in pencil on first free endpaper).; Small tears dust jacket repaired.
Editore: University of Toronto Press, Toronto, Canada, 1969
Da: JB's Book Vault, Buffalo, WY, U.S.A.
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Reprint. Book is in VG condition with light rubbing to edges, light bumping to spine ends, pencil marking to FFE else a bright and solid copy. Dust jacket is in G condition with light rubbing to edges, 1" chip from front cover, small closed tear to top edge/front cover, light scuffing to covers, insects have nibbled the fore edges of fly leaves else still bright and intact. ARN W.04.
Editore: Pellegrini & Cudahy, New York, 1952
Da: Plain Tales Books, Arlington Hts, IL, U.S.A.
Membro dell'associazione: MWABA
Libro Prima edizione
Spiral-bound Stiff Paper Cover. Condizione: Good. 1st Edition. Illustrated. Heavy wear to extremities. !'2" loss at head of spine. Interior is unmarked. Previous owner's small bookplate of verso of front cover. Previous owner's signature on half-title page.
Editore: University of Toronto Press, Toronto, 1967
Da: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
cloth, dust jacket. square 8vo. cloth, dust jacket. xii, 164 pages. Second edition, much revised. Profusely illustrated. Fine in a near fine jacket.
Editore: The E. B. Eddy Company, Hull, Canada, 1954
Da: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Soft cover. Condizione: Very Good. Green covers. Pamphlet. Stapled spine. Light edge wear, else a very good copy.
Editore: The E.B. Eddy Company, n.p., 1956
Da: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
paper wrappers. 8vo. paper wrappers. unpaginated. Being a collection of random notes & observations on the art & practice of Typography as set down by Carl Cair for The E.B. Eddy Company. A very scarce pamphlet. Near fine condition. Contains many color illustrations of typography and design.
Editore: Coach House Press, Toronto. 2015., 2015
Da: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
4to, 127pp, black and white and colour illustrations. A near fine hardback copy in cloth boards. Includes CD.
Editore: The E. B. Eddy Company, Hull and Ottawa, 1956
Da: abibliodocs, Montréal, QC, Canada
Softcover. Condizione: Very good condition. Unpaginated with folding pages. Internaly fresh. Very slight wear to the top of the spine. Otherwise in very good condition +. Couverture souple. - As this item is light, we will reduce shipping costs. Comme ce document est léger nous réduirons les frais de port. To know the exact amount, contact us. Pour connaître le montant exact, nous contacter. Size: 23 cm.
Editore: Gallery Moos Ltd. December, 1967, Toronto, Ontario, Canada, 1967
Da: Black's Fine Books & Manuscripts, Toronto, ON, Canada
Prima edizione
Stapled Wraps. First Edition, First Printing. Unpaginated. [pp. 28]. Small square 8vo. Textured, and illustrated stapled card covers with lovely glassine endpapers. Replete with photographic reproductions of Danby's works. No detectable flaws, contents remain bright, clean, and unmarked; fine. Rare in commerce. Corresponds to OCLC #62999979. Not in Peel, BAC/LAC. Published on the occasion of the Ken Danby Exhibition, December 1967 at Gallery Moos, Toronto.
Editore: West Virginia Pulp and Paper Company, New York, 1964
Da: Entropy Books, Ferndale, MI, U.S.A.
Libro
Soft cover. Condizione: Near Fine. Three volumes. Stiff printed wrappers, slender 8vo., 28, 28 and 32 pages, fully illustrated. Numbers 1, 2 and 3 in the series. Written and designed by Carl Dair. One comment card bound in. Bare trace of edgewear, else fine copies.
Editore: New York, West Virginia Pulp and Paper, 1965
Da: antiquariat peter petrej - Bibliopolium AG, Zürich, ZH, Svizzera
8°, 14 Bl., Geheft., Tadell. 600 gr. Schlagworte: Buchwesen - Buchdruck, Typo.
Editore: Coach House Press with Sheridan College and Oak Knoll Press, Toronto and New Castle, Delaware, 2015
Da: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
Prima edizione
9 x 11.25. hardcover cloth with wrap-around paper cover label, DVD in pocket in back. 130 pages numbered from the half title. With an introduction by William Ross and notes by Rod McDonald. "These letters document the immense skill that was required to take a letter from a drawing to a piece of type." - Jon Bath, SHARP News, Vol. 25, No. 2 First edition, limited to 500 copies. Illustrated in color. Carl Dair (1912-1967) received a year grant from the Royal Society of Canada to apprentice at the famous Enschede type foundry in 1956 under the supervision of Paul Radisch. He wrote back frequently to his friends in Canada telling them of the places he went and the people he saw throughout Europe. These letters were saved and are known as his "Epistles to the Torontonians." This book reproduces these letters in manuscript form and allows us to see intimate details and comments on the famous typographers of the time - men like Jan Tschichold, Hermann Zapf, Maximilian Vox, Paul Radisch and many others. He provides an inside look at the end of a typographic period. The letters are followed by the articles Dair wrote for typographic journals on the subject of type and especially his development of the first truly Canadian typeface, Cartier. Of very special interest to the reader is the DVD in the back which is a remastering of a film that Dair took in 1956 showing Radisch producing type in the Enschede foundry, introduced by Rod McDonald and narrated by Matthew Carter. Radisch retired shortly after this film was produced thus ending an era in metal type production. hardcover cloth with wrap-around paper cover label, DVD in pocket in back.
Editore: Cape & Company Limited, Toronto, 1966
Da: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
hardcover cloth. large 4to. hardcover cloth. (7) pages. Printed in a limited edition of 250 numbered copies. A fine copy. With an inscribed business card by Carl Dair, with "To Bob Leslie, with deepest respect! Carl Dair". This is the first Text Type created for the 26 letter alphabet in Canada.
Editore: Toronto, ON: McClelleand & Stewart ( M&S ), 2008, 1st edition, First Printing, Toronto, Ontario, 2008
ISBN 10: 0771065078ISBN 13: 9780771065071
Libro Prima edizione Copia autografata
Hard Cover. Condizione: Near Fine (see desciption). Condizione sovraccoperta: Near Fine (see description). Photo Cover (illustratore). First Edition. ------------( 1st printing of the First Edition ) ---hardcover, a Near Fine example, in a Near Fine dustjacket, looks new, 171 + 6 pages, photos throughout, ---this copy has been signed and inscribed by Peter Munk "To Garry with thanks and respect Peter Munk", Garry might be Garry Shutlak who is mentioned in the acknowledgements (cannot say for 100% sure though), ---"A fully illustrated, stylish look back at the story behind a Canadian design icon. ---For a decade, in the 1960s, Clairtone Sound Corporation captured the spirit of the times: sophisticated, cosmopolitan, liberated. From its modern oiled-walnut and teak stereos to its minimalist logos and promotional materials, Clairtone produced a powerful and enduring body of design work. ---Founded in 1958 by two young Canadians, Peter Munk and David Gilmour, Clairtone quickly became known for its iconic designs and masterful advertising campaigns. Its acclaimed Project G stereo, with its space-age styling, epitomized the Swinging Sixties. Famously, Hugh Hefner owned a Project G. So did Frank Sinatra. Oscar Peterson affirmed that his music sounded as good on a G as it did live. In 1967, suggesting how deeply Clairtone s G series had come to be identified with popular culture, the G2 appeared in The Graduate with Dustin Hoffman and Anne Bancroft. ---With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography, The Art of Clairtone is a candid and in-depth look at the company s skyrocketing success - and sensational collapse. Through the recollections of those who knew Clairtone best, from its founders to its designers, engineers, and salesmen, and with comments from Karim Rashid, Douglas Coupland, Tyler Brûlé, and Bruce Mau, among others, this elegant book, published on the 50th anniversary of Clairtone s launch"---, any image directly beside this listing is the actual book and not a generic photo /// SIGNED (see description) ---GUARANTEED to be AVAILABLE/// ---sizes are approximate (generally within 1/8 inch)--- Size: 10.25w x 9 Inches. Signed (see description). NOT Price Clipped.
Editore: Society for Art Publications, Ottawa, 1953
Da: RareNonFiction, IOBA, Ladysmith, BC, Canada
Membro dell'associazione: IOBA
Prima edizione
Paperback. Condizione: Good. Illustrated by Dair, Carl (cover) (illustratore). First Edition. 92 pages. Illustrated in colour and black and white. Features: The Massey Collection of English Painting; The Rights of the Artist in his Work; Mosaics and Murals in Mexico; Some New Canadian Painters and Their Debt to Hans Hofmann; New Murals in Canada; What's Wrong with Art Exhibitions in Canada?; The Winnipeg Art Gallery; New Acquisitions by Galleries and Museums in Canada; The Arts Centre of Greater Victoria; and more. Printed on glossy stock. Average wear. Openings along coverfold. Unmarked. A worthy vintage copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art Magazine, Winter 1953 - Some New Canadian Painters and Their Debt to HAns Hofmann The Massey Collection of English Painting; The Rights of the Artist in his Work; Mosaics and Murals in Mexico; Some New Canadian Painters and Their Debt to Han.
Editore: Cape & Compay Limited, Toronto, 1966
Da: Old Favorites Bookshop LTD (since 1954), Stouffville, ON, Canada
Libro
Hardcover. Condizione: Very Good Condition. #82 of an Edition of 250 Copies. Unpaginated. 7pp printed text. Printed in a limited edition of 250 copies #82 by courtesy of Cape & Company Limited. Grey cloth binding. Business0.499 card tipped in on inside front cover with the complements of William Carson. Cape & Company Limited. Text in french and english. Grey cloth binding Bords are warped. Content is clean, bright and sound. No faults.
Editore: Heavenly Monkey, Vancouver, BC, 2003
Da: Bromer Booksellers, Inc., ABAA, Boston, MA, U.S.A.
Octavo. (11)pp. One of 75 copies. A loving reproduction, printed in blue from polymer plates, of a letter from the late Carl Dair lauding the paper mills of Amalfi to Will Carter of Rampant Lions Press. With Introduction and Afterword by Robert Reid. Bound in blue paper wrappers. Fine.
Editore: Heavenly Monkey, Vancouver, BC, 2003
Da: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
Copia autografata
Soft cover. Condizione: Near Fine. Tall 8vo. Sewn into blue wraps of paper made by Reg Lissel at the Heavenly Monkey Press studio. The text paper is Lana Antique. Reproducing Dair's letter using polymer plates on dampened hand-made paper from the Amatruda mill in Amalfi. Edition limited to 75 copies, this one out of series and marked "Press Copy." Inscribed by Robert R. Reid to Canadian graphic artist Keith Branscombe.