carlus dyer (27 risultati)

paperback. Condizione: Good. Stuart, Muriel (illustratore). Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations!

Paperback. Condizione: Good. No Jacket. Stuart, Muriel (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. Stuart, Muriel (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Stuart, Muriel (illustratore). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Stuart, Muriel (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. Stuart, Muriel (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Stuart, Muriel (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Stuart, Muriel (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Stuart, Muriel (illustratore). The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

paperback. Condizione: Very Good. Stuart, Muriel (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. Stuart, Muriel (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Fine. Stuart, Muriel (illustratore).

Carlus Dyer (illustratore). 1982 20th Printing Hardcover copy with no Dust Jacket. Cover has edge wear, interior pages are in excellent condition. Images are included.

Hardcover. Condizione: Good. No Jacket. Carlus Dyer (illustratore). Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Carlus Dyer (illustratore). Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Carlus Dyer (illustratore). 23rd printing. text clean and unmarked. binding tight. boards have light wear. edges of pages have light wear. mylar-covered dust jacket has light chipping, small tears and otherwise light wear. .

paperback. Condizione: Acceptable. Softcover copy with binding torn and pages disbound. Text remains intact. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized.

Softbound. Shades of olive green stapled wraps, French flaps, [32 pp.], 49 bw plates. Issued in conjunction with a 1975 exhibition of a wide variety of artists and artwork. With an essay by Carlus Dyer and a foreword by Larry Aldrich. "Our exhibition theme . is a respone to the challenge of diversity," writes director Carlus Dyer. "In current art there is the necessary consideration of apparent opposites. We believe that encouragement of a change of view is essential for newer and different ways of looking at things. Perhaps the suggestion of a way for more contemplative approaches is appropriate, in a time of need for the active reassessment of values of matters at hand. The challenges of the fluctuating scene of the world of contemporary art continue to be an absorbing drama. The values expressed by the artists are probative of our human sensibility. It is ever the task of the museum, critic, and the knowledgeable viewer to complete the circuit. . [This] is an open invitation for all who see it to join in our own adventure, the curatorial excitement in assembling and mounting the show. On our own part we can share with each artist the particular unqiueness of each work -- in the manner of a moveable feast" VG- (ink library stamps on title page, wear at edges of cover).

Softcover. Yellow-green stapled wraps; Unpaginated, approx. 30 pp.; Approx. 50 bw figures. Introduction by Carlus Dyer; Features works by forty-eight artists, who at the time were "new"; Includes works by Joellen Bard, Eve Ingalls, Marge Rothschild, Irving Sabo, Ann Titus, Judy Waterman, Ernest Shaw, Edward Kasper, and many others. Good (Ex-lib., sticker on back cover and at bottom of spine, inkstamping inside both covers, remnants of a pocket and security tag inside back cover).

hardcover. Condizione: ACCEPTABLE. Condizione sovraccoperta: NONE. PLEASE NOTE: THIS IS NOT AN INSCRIBED COPY; 243 mostly clean, unmarked, tight pages with several small stains and light tanning around edges; front hinge is cracked at title page; cover is sturdy with wear around edges and corners, darkened spine, fraying at ends of spine, and mild scratches and dings; no dj; very worn program from The Ballet Theatre performance at the Met. Opera House in 1953 laid in.

Condizione: New. Stuart, Muriel (illustratore). Satisfaction Guaranteed or your money back.

paperback. Condizione: New. Stuart, Muriel (illustratore). In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Acceptable. Carlus Dyer (illustratore). Ex-library. Hardback/Hardcover. Well read copy with some spine wear but still useable, colouring of page edges due to age. Quick dispatch from UK seller.

Soft cover. Condizione: Very Good. 1st Edition. 24 Pp. Descriptions Of All 55 Works With Biographies Of The Artists. Soft Cover. Covers With Browning And Dust, But Almost No Wear, And Contents Fine. Scarce; Worldcat Locates Only One Institutional Holding, At Syracuse. Emily Genauer (1911 - 2002) Was An American Art Critic For The New York World, The New York Herald Tribune, And Newsday. She Won The Pulitzer Prize For Criticism In 1974. She Was Born On Staten Island In 1911, To A Delicatessen-Owning Father Who Was An Amateur Sculptor. After Studying At Hunter College And Columbia University's Graduate School Of Journalism, She Went To Work As A Writer For The New York World, Eventually Becoming A Critic In The 1930S. After She Married Frederick Gash, She Retained Her Maiden Name As Her Byline. She Was Instrumental In Introducing Modern Artists To Her Readers, Championing Marc Chagall, Diego Rivera And Pablo Picasso. She Quit The Newspaper (Which Had Become The New York World-Telegram After A Merger) In 1949, During The Cold War, When World-Telegram President Roy W. Howard Complained That She Was Promoting Left-Wing Artists. Genauer Joined The New York Herald Tribune, Where She Was The Art Critic Through 1967. She Then Went To Work For Newsday, Which Syndicated Her Work. Genauer Also Wrote Books And Served On The National Council On The Humanities From 1966 To 1970.

Hardcover. Condizione: Good. Carlus Dyer (illustratore). Ex-library book, usual markings. Hardback with dust cover. Clean text, sound binding. Quick dispatch from UK seller.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 245 Pp. A Much-Enlarged Edition Of Armitage's 1936 Book, Which Was The First English Language Book About Stravinsky, With Much New Material Added. Black Cloth Printed In Yellow. End Sheets By Carlos Dyer And Edward S. Stevens Jr. Designs And Drawings By Merle Armitage And Executed By Al Ewers. Portrait Photographs By Edward Weston, John Vachon, Fred Plaut, Arnold Newman; Portraits Of Stravinsky By Klee, Pablo Picasso, Russell Cowles, J E Blanche, Marc Chagall, Pasquale Giovanni Napolitano; Drawings By Carlus Dyer And E S Stevens. Inscribed From Merle Armitage, His Wife And His Daughter To Dorothy (Brett). "Editor And Book Designer Merle Armitage Wrote A Book About This Time In New Mexico. Taos Quartet In Three Movements Was Originally To Appear In Flair Magazine, But The Magazine Folded Before Its Publication. This Short Work Describes The Tumultuous Relationship Of D. H. Lawrence, His Wife Frieda, Dorothy Brett And Mabel Dodge Sterne, A Wealthy Patron Of The Arts. Armitage Took It Upon Himself To Print 16 Hardcover Copies Of This Work For His Friends. Richard Pousette-Dart Executed The Drawings For Taos Quartet That Was Published In 1950." (Wikipedia). A Near Fine Example With Just A Trace Of Rubbing At Corners. Dj Complete, Not Price Clipped, No Fading, Slight Browning And Faint Splash Marks On Spine Panel, 1/4" Closed Tear At Center Of Top Edge Of Spine. Inscribed by Author(s).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: poor. First edition. Firts edition (stated). Oblong oversized hardcover in paper covered boards over light gray cloth spine. WARMLY INSCRIBED ON THE FRONT FREE ENDPAPER, " To my darling Joan-/ My love and interest in her future career. Always/Muriel Stuart/ '52". xii+ 243 pp. with index; 118 line drawing plates demonstrating various ballet techniques. Preface by George Ballanchine. Very good, some edge wear to the boards. Tattered dust jacket laid in. A classci in its field. a guide to the basic techniques and terminology of the ballet. From the personal library of the late general manager of the New York City Opera Daniel Rule, with his ownership signature on the front pastedown and again , as was his habit, on page 99. Muriel Stuart (1901-1991) was an English-born ballerina who danced with Anna Pavlova and later was the leading teacher at the American School of Ballet. Stuart first auditioned for Pavola when she was 8 years old and joined Pavlova's troupe at age 13, dancing with her until 1926.