caroline blinder (34 risultati)

Paperback. Condizione: new. Paperback. Focuses on the intersections between text and photography in the twentieth-century American photo-textThis critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. In looking at books designed as collaborative efforts between writers and photographers and by photographer/writers adding their own narrative text, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts. Ranging from documentary studies in the 1930s to post-war examinations of the American landscape, urban and rural, from Dorothea Lange's photographs of dispossessed migrants in American Exodus (1939), Weegee's small time hoodlums on the streets of New York in Naked City (1945), to Robert Frank's Cold War landscapes, this survey constitutes an invaluable entry into how we read the politics of twentieth-century American photography.Key FeaturesExplores through a series of case studies some of the seminal photo-texts of the 1930s, 40s and 50s from documentary realism of the Depression years to post-war studies of the American landscapeExamines photo-texts by Doris Ulmann, Walker Evans, James Agee, Dorothea Lange, Margaret Bourke White, Wright Morris, Paul Strand, Roy DeCarava and Robert FrankEnables students and scholars of both American photography and literature to rethink the intersections between writing and photography in political as well as aesthetic termsSituates the various case studies with reference to the political, social and economic developments of the periodRe-establishes the book form as particularly crucial for an understanding of American Documentary photography This critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Focuses on the intersections between text and photography in the twentieth-century American photo-textThis critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. In looking at books designed as collaborative efforts between writers and photographers and by photographer/writers adding their own narrative text, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts. Ranging from documentary studies in the 1930s to post-war examinations of the American landscape, urban and rural, from Dorothea Lange's photographs of dispossessed migrants in American Exodus (1939), Weegee's small time hoodlums on the streets of New York in Naked City (1945), to Robert Frank's Cold War landscapes, this survey constitutes an invaluable entry into how we read the politics of twentieth-century American photography.Key FeaturesExplores through a series of case studies some of the seminal photo-texts of the 1930s, 40s and 50s from documentary realism of the Depression years to post-war studies of the American landscapeExamines photo-texts by Doris Ulmann, Walker Evans, James Agee, Dorothea Lange, Margaret Bourke White, Wright Morris, Paul Strand, Roy DeCarava and Robert FrankEnables students and scholars of both American photography and literature to rethink the intersections between writing and photography in political as well as aesthetic termsSituates the various case studies with reference to the political, social and economic developments of the period Re-establishes the book form as particularly crucial for an understanding of American Documentary photography.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 249 pages. 8.25x5.50x0.75 inches. In Stock.

Condizione: new.

Condizione: New. pp.

Condizione: New. pp.

paperback. Condizione: New.

Condizione: New. . . 2019. Paperback. . . . .

Condizione: New. pp.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. . . 2019. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Coinciding with the increasing intersections between visual and literary studies, this timely reappraisal of Let Us Now Praise Famous Men sheds light on the book's unclassifiable status as part imaginative fiction, documentary effort, ethnographic study, and modernist prose. Editor(s): Blinder, Caroline. Num Pages: 202 pages, biography. BIC Classification: DSBH. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2010. 1st ed. 2010. Paperback. . . . .

Condizione: New. Coinciding with the increasing intersections between visual and literary studies, this timely reappraisal of Let Us Now Praise Famous Men sheds light on the book's unclassifiable status as part imaginative fiction, documentary effort, ethnographic study, and modernist prose. Editor(s): Blinder, Caroline. Num Pages: 202 pages, biography. BIC Classification: 1KBB; 2AB; DSBH. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 217 x 139 x 15. Weight in Grams: 336. . 2010. 2010th Edition. hardcover. . . . .

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 191 pages. 8.25x5.75x0.75 inches. In Stock.

Condizione: New. An Introduction focusing on the intersections between text and photography in the 20th Century American Photo-Text 1930-1960.InhaltsverzeichnisrnrnAcknowledgments List of Illustrations Introduction: The American Phototext n.

Paperback. Condizione: new. Paperback. Focuses on the intersections between text and photography in the twentieth-century American photo-textThis critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. In looking at books designed as collaborative efforts between writers and photographers and by photographer/writers adding their own narrative text, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts. Ranging from documentary studies in the 1930s to post-war examinations of the American landscape, urban and rural, from Dorothea Lange's photographs of dispossessed migrants in American Exodus (1939), Weegee's small time hoodlums on the streets of New York in Naked City (1945), to Robert Frank's Cold War landscapes, this survey constitutes an invaluable entry into how we read the politics of twentieth-century American photography.Key FeaturesExplores through a series of case studies some of the seminal photo-texts of the 1930s, 40s and 50s from documentary realism of the Depression years to post-war studies of the American landscapeExamines photo-texts by Doris Ulmann, Walker Evans, James Agee, Dorothea Lange, Margaret Bourke White, Wright Morris, Paul Strand, Roy DeCarava and Robert FrankEnables students and scholars of both American photography and literature to rethink the intersections between writing and photography in political as well as aesthetic termsSituates the various case studies with reference to the political, social and economic developments of the periodRe-establishes the book form as particularly crucial for an understanding of American Documentary photography This critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. Coinciding with the increasing intersections between visual and literary studies, this timely reappraisal of Let Us Now Praise Famous Men sheds light on the book's unclassifiable status as part imaginative fiction, documentary effort, ethnographic study, and modernist prose. Editor(s): Blinder, Caroline. Num Pages: 202 pages, biography. BIC Classification: DSBH. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2010. 1st ed. 2010. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New. Coinciding with the increasing intersections between visual and literary studies, this timely reappraisal of Let Us Now Praise Famous Men sheds light on the book's unclassifiable status as part imaginative fiction, documentary effort, ethnographic study, and modernist prose. Editor(s): Blinder, Caroline. Num Pages: 202 pages, biography. BIC Classification: 1KBB; 2AB; DSBH. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 217 x 139 x 15. Weight in Grams: 336. . 2010. 2010th Edition. hardcover. . . . . Books ship from the US and Ireland.

Paperback. Condizione: New. Focuses on the intersections between text and photography in the twentieth-century American photo-textThis critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. In looking at books designed as collaborative efforts between writers and photographers and by photographer/writers adding their own narrative text, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts. Ranging from documentary studies in the 1930s to post-war examinations of the American landscape, urban and rural, from Dorothea Lange's photographs of dispossessed migrants in American Exodus (1939), Weegee's small time hoodlums on the streets of New York in Naked City (1945), to Robert Frank's Cold War landscapes, this survey constitutes an invaluable entry into how we read the politics of twentieth-century American photography.Key FeaturesExplores through a series of case studies some of the seminal photo-texts of the 1930s, 40s and 50s from documentary realism of the Depression years to post-war studies of the American landscapeExamines photo-texts by Doris Ulmann, Walker Evans, James Agee, Dorothea Lange, Margaret Bourke White, Wright Morris, Paul Strand, Roy DeCarava and Robert FrankEnables students and scholars of both American photography and literature to rethink the intersections between writing and photography in political as well as aesthetic termsSituates the various case studies with reference to the political, social and economic developments of the period Re-establishes the book form as particularly crucial for an understanding of American Documentary photography.

Taschenbuch. Condizione: Neu. Neuware - This critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. In looking at books designed as collaborative efforts between writers and photographers and by photographer/writers adding their own narrative text, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts.

Condizione: Brand New. Brand New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.