caroompas carole (10 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. Unblemished catalog for an exhibition of Caroompas' paintings, held at Otis Gallery, November 1997 - January 1998.

Soft Cover. Condizione: Fine. First Edition; First Printing. 24 full page color plates plus numerous text illustrations. With essays by Anne Ayres and M. A. Greenstein. Published on the occasion of the exhibition at the Otis Gallery, Los Angeles, CA, November 8, 1997 - January 24, 1998. ; Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; 9.75 X 8.5 X 0.25 inches; 64 pages.

Soft Cover. Condizione: As New. First Edition; First Printing. Single sheet of heavy card stock folded three times to make an 8 page exhibition catalog with 2 duotone plates and a text by the artist. Published on the occasion of the exhibition at Los Angeles Contemporary Exhibitions, Los Angeles, November 10 - December 24,1989. ; Tight, clean and crisp. In excellent condition. As New.

32 pp.; 21.5 x 17.7 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Art Gallery, California State University, Northridge, Los Angeles, February 14 - March 18, 1983. Introduction by Peter Clothier. Text by Louise Lewis. Includes exhibition checklist, exhibition history, and selected bibliography. Good / Very Good. 2 mm. indentation to verso which carries through to pages. light rubbing and dust soiling of covers and wear to corners. Contents clean and unmarked.

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine.

First Edition. Softcover. First Edition. Laid in with the catalog is a postcard invitation for the show. Published in conjunction with an exhibition held from March 14 through April 15, 1977 at the California Institute of the Arts. Near Fine in saddle-stapled wrappers.

72 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1981 issue of Journal. Edited by Michael Delgado, Jerry Dreva, and Marianne Zlotnick. Contents include: "L.A. Demystified," by Peter Schjeldahl; "Schjeldahl Demystified," by Peter Plagens; "Trends: Traditions and Dirt: An Opinionated Guide to the Current State of Art in Northern California," by Robert Atkins "Exhibitions in Print," by Ronald Benom, Kevin Boyle, Carole Caroompas, Carl Cheng (John Doe Co.), Roy Dowell, Jud Fine, Nancy Hirsh, David Ireland, Mark Lere, Richard Lovelace, Patti Podesta, Sonya Rapoport, Bryan Rogers, Darryl Sapien, Jill Scott, Richard Turner, and Bob Wilhite. Cover: Patrick Hogan. Good / Very Good. Rubbing and handling wear to covers including light creasing along right side edge of recto. Slight curve to bottom right corner of publication. 7 mm. bumping of right side edge of covers and contents. Contents clean and unmarked.

64 pp.; 27.5 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June/July 1979 issue of Journal. Edited by Debra Burchett and Bridget Johnson. Contents include: "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin "Painting: Back to Back," by Melinda Wortz. Cover by Ed Ruscha. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 271. Very Good / Fine. 2.3 cm. dog-ear to bottom right corner of recto. 5.1 cm. of light yellowing along top edge of recto. Additional light rubbing of covers and yellowing of pages. Contents clean and unmarked.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Poor / Good. Significant staining [from spilled red wine] across covers with 12.5 cm. and 1.5 cm. of staining to first page and staining including 10 cm. of staining to spine edge of pages 51 - 61. Rubbing of cover edges and bumping of corners. Contents otherwise clean and unmarked.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Very Good. 2 and 2.5 cm. areas of bumping/light creasing to verso carrying through lightly to pages. Light edge wear. Light yellow spotting of covers. Light yellow spotting along top and bottom edge of first page. Contents otherwise clean and unmarked.