Carrie moyer (24 risultati)

Condizione: Fine. 27 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

DVD. Condizione: Used - Good.

Softcover, 56 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: As New. Softcover exhibition catalog, published in 2021. Binding: French wrappers. 27 pages, illustrated in color. No marks or writing to book.No signs of wear or distress.

Paperback. Condizione: Very Good. Edition not stated. Minor shelf wear to binding. Light soiling on fore edge. Text and images unmarked.

Soft cover. Condizione: Very Good. Very good condition. Minor crease on upper front cover corner and rear cover edge as shown. Very clean and tight. No writing or marking.

dvd. Condizione: Used - Good.

Softcover, 44 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. VG +, light shelf wear. TM.

paperback. Condizione: Very Good. In original shrink wrap Very Good paperback with light shelfwear - NICE! Oversized.

No Binding. Condizione: Very Good. This 5 different exhibition announcements published by Mary Boone for the following artist: Eric Freeman "Untitled 2003" 2003 unfolded size: 14 x 7inches; Henri Focillon "The life in Art 1948 " 2016 (2 copies) size: 8 x 8in; G.T. Pellizzi "Constellation in blue 2013" 2014 unfolded size: 14 x 7inches; Carrie Moyer "Hot Metal Twice 2017" 2018 size: 8 x 8 inches; Stefanie Heinze "A Loved One 2017;" 2018 size: 8 x 8 inches; edition size is unknown, none are signed, all in VERY GOOD COND.…

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Hardcover without dustjacket as issued, 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condizione: Gut. 224 Seiten; 9788740454758.3 Gewicht in Gramm: 1.

Hardcover. Condizione: New.

hardcover. Condizione: New. Brand new gift quality hardcover in jacket oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Soft cover. Condizione: Very Good. Paperback. [Oversize. Contact for overseas shipping quote.].

Hardcover. Condizione: Near Fine. 1st Edition. Saratoga Springs: The Frances Young Tang Teaching Museum and Art Gallery, 2013. 8vo, 96 p., original laminated boards. A NF copy.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Softcover, unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Hardcover. Condizione: New.

Poster / Screenprint, measuring 24 x 18 inches; good condition; scattered smudges to front; an unfolded copy. Produced for the Do You Think I'm Disco? exhibition curated by Edwin Ramoran at Longwood Art Gallery, Bronx, NY. Will be mailed rolled. Shipping may be extra and is often expensive for long poster tubes, especially international shipping.…