Carrion ulises (199 risultati)

Paperback. Condizione: Very good. First Edition. UMBRELLA: THE ANTHOLOGY 1978-1998 with text and art by or about Judith A. Hoffberg, Anna Banana, Guy Bleus, Ulises Carrion, Dick Higgins, E. F. Higgin III, Bern Porter and many others. 165 pages, paper with stifdf cover. As new condition.

paperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 28 pages. Number eleven of the CODE(X)+1 Monograph Series. Number eleven of the CODE(X)+1 Monograph Series. The Timeless Art of Allowing Books to Thrive is a dialogue between two theoretically and existentially divergent proponents of reading-executed in the manner of a conversation. Ulises Carrion's ground-breaking 1975 manifesto "The new art of making books" is here presented with interleaved remarks composed 40 years later by internationally renowned scholar, poet and typographer, Robert Bringhurst. "Carrion's kind of art has not lacked for proponents and exponents in the academy or in the art world, but much that has been written along these lines is intellectually murky and burdened with pompous jargon. Carrion himself, by contrast, was plain-spoken and full of real ideas. My own predilections are different from his, and so we disagree on many fronts, yet he is lucid and articulate - and therefore someone I can talk to, dead or alive." - from the preface by Robert Bringhurst This limited edition of 500 copies was designed and printed by Peter Koch with the assistance of Jonathan Gerken.…

Staplebound. Condizione: New. Second edition. 15p., graphics., wrps. "Mundos personales o estrategias culturales" is a short zine edition in which Ulises Carrión explores graphic art and independent publishing. The edition was translated by Eric Schierloh and issued as part of Barba de Abejas's small-format series. Carrión was a Mexican writer, artist, and theorist; he was also the founder of the Amsterdam-based Other Books and So, an important space devoted to artists' publications.…

Staplebound. Condizione: New. Second edition. 15p., illus., wrps. "Flechas," written by Ulises Carrión and published by Barba de Abejas, is a short artist book that gathers the diagrams Carrión made for his lecture "Chisme, escándalo y buenos modales." The work reflects Carrión's broader interest in language, structure, and the book as a visual and conceptual form.…

Hardcover/Hardback. Condizione: Very Good. Ulises Carrión. El Robo Del Año. Mexico City: Alias, 2013. Hardcover. Cloth spine. Unpaginated. Many illustrations. 5 1/2" x 8 1/4". As New, sealed in publisher's shrink wrap. Carrión'sDe Diefstal van het Jaarexhibition at the Drents Museum in 1982. De Diefstal van het Jaar consisted solely of alarge diamond on display in the museum without any visible security or precautions. New essays (presented in Spanish & English) by Martha Hellion and Paulo Silveira is juxtaposed against Claudio Goulart's original photography documenting the exhibition.…

Staplebound. Condizione: New. 14th Edition. 25p., graphics., wrps. "El arte nuevo de hacer libros" is Ulises Carrión's best-known essay on the book as an artistic form, first published in 1975. More foundational than "Obras-Libro. Revisi-tadas," it sets out the ideas for which Carrión is most widely known: that a book is not simply a container for text, but a form with its own structure, sequence, and expressive possibilities. Carrión was a Mexican writer, artist, and theorist; he also founded the Amsterdam-based Other Books and So, an important space devoted to artists' publications.…

Staplebound. Condizione: New. 7th ed. 28p., graphics., wrps. "Obras-Libro. Revisi-tadas" is an essay by Ulises Carrión, in which he explores the book as an artistic form. Carrión was a Mexican writer, artist, and theorist; he was also the founder of the Amsterdam-based Other Books and So, an important space devoted to artists' publications.…

8vo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Soft cover. Condizione: Very Good. 1st Edition. Ulises Carrión. Lilia Prado superestrella y otros chismes. Third volume of Carrión Archive.

tapa blanda. Condizione: Bien. Civilización, progreso y cultura.(008) Revista de Occidente. Madrid. 2012. 20 cm. Encuadernación en tapa blanda de editorial ilustrada. (=3552893=) JX42.

Encuadernación de tapa dura. Condizione: Excelente. Traducción al inglés Martha Hawley y traducción al portugúes de Paula Abramo. Colección "Alias, Nº 3". EXCELENTE ejemplar. s/n.

Condizione: New. Condizione sovraccoperta: NUEVO.

14,5 x 10,5 cm. Otras Tintas, 2023. 1ª edición. Colección A propósito del libro. Una toma de posición sobre el libro como forma activa dentro del campo del arte y la edición. Encuadernación rústica a grapa. s/n. NUEVO. Poesía. Ediciones indómitas ENVIO POR CONTRAREEMBOLSO LLEVA UN CARGO ADICIONAL DE 3 EUROS.…

Several illus. [46], 133 pp. 8vo, blue printed softcover, perfect-bound. Brooklyn, NY: Ugly Duckling Presse, 2020. Handsomely printed re-publication of Ulises Carrión's 1972 classic Sonnet(s). Fully reprinted here, in the 1972 bookwork Carrión devised 44 variations on Dante Gabriel Rossetti's sonnet "Heart's Compass." With insightful essays and contributions by Veronica Gerber Bicecci, Annette Gilbert, Monica de la Torre, Michalis Pichler, Heriberto Yepez, India Johnson, and Felipe Becerra. As new. Published through In-Out Productions in an edition of 200 copies, the first edition of Sonnet(s) is now very rare.…

HARDCOVER. Condizione: Fine. Condizione sovraccoperta: As New. 1st Edition. 1st printing. Large 8vo in brown faux leather covered boards, 269pp, numerous illustrations in text, bibliography, index etc . [CONDITION: An extremely well preserved almost AS NEW unmarked and unread copy (hint of tanning to last few leaves) in an AS NEW complete Dust Jacket. An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover/Paperback. Condizione: Very Good. Ulises Carrión. Namen en Adressen. Maastricht:Agora Studio, 1980. Postcard. 3 15/16" x 5 10/16". Near fine. Invitation to a Ulises Carrión curated exhibition, Names &Addresses: Verbal, Visual and Aural Works1973-1980, held in Maastricht at Agora Studio in1980.…

Softcover/Paperback. Condizione: Very Good. Ulises Carrión. Here and Now. Amsterdam: Other Books and So Archive, 1979. Post card. 4 3/16"x 61/16" Near fine, but for light edge wearand a crease to the bottom right hand corner.

Softcover/Paperback. Condizione: Very Good. Ulises Carrión. Archive. Amsterdam: Other Books and So Archive, 1980. Postcard. 4 3/12"x 6 1/12". Near fine, but for light corner wear and faint tiny stains. "Books, Mail, Recordings, Video, Distribution, Exhibition, Registration, Concentration".

Softcover/Paperback. Condizione: Very Good. Ulises Carrión. Boxing Gloves. Stempelplaats, Amsterdam, 1978 Postcard. Fine, but for slight yellowing at edges. Rubber-stamped in red.

paperback. Condizione: Good. Ulises Carrion: Die neue Kunst des Büchermachens (Sammlung der Künstlerbücher Band 2). Druck EPO, Antwerpen 1993. Broschur, 24 Seiten, ordentlicher Zustand.

Soft cover. Condizione: Near Fine. No Jacket. Limited Edition. 250 copies were printed at Beau Geste Press copyright remains with authors. No publisher stated. Limited to 250 copies. No date. Last indication of date within is 1974. Unpaginated; 42 pages.

Softcover/Paperback. Condizione: Very Good. UlisesCarrión. Second Thoughts. Amsterdam: VOID Distributors, 1980. Softcover. 70 pages. Edition of 500. Very good. Light wear / creasing to top right. Inscribed "To Peter because he knows Judy". Scarce collection of Carrión's essays published in 1980 by Hetty Huisman's Void Distributors. "This book includes the theoretical and polemical works by Ulises Carrión, from the Other Books and So Archive. Covering such themes as bookworks, rubber-stamps and mail-art, these texts are here for the first time assembled in onevolume,after having been publishedin periodícals and catalogues in various countries. Forthis edition, numerous annotations (references and anecdotes) have been added by the author." - Void Distribution copy.…

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Good. 1.2 cm., 2 cm., 6 mm. of soiling to recto; 7 mm. and 8 mm. tears to top edge of recto; 8 mm. and 9 mm. tears to bottom edge of recto; tears to spine edge measuring 7 mm., 1 cm. (x 2), 3.1 cm., and 7 mm. tears. Yellowing of covers and pages. Contents clean and unmarked. …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Fair / Good. 9.6 cm. loss to bottom left corner of verso with multiple areas of tearing and loss along length of spine. Light yellowing of covers and contents. Contents clean and unmarked. …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Poor / Fair / Good. Yellowed brittle pages with multiple tears and areas of loss to covers including 6.5 cm. 3.5 cm., and 2.9 cm. losses. Light chipping and folding of pages, contents otherwise clean and unmarked. Sold "as-is.". …

Rústica. Condizione: Muy buen estado. Primera edición. Profusamente ilustrado en color y b/n. [Libro en Español / Book in Spanish] === ARTE CONTEMPORANEO === Size: 8vo.

Encuadernación de tapa blanda. Condizione: Muy Bien. Artist's Magazine. 11 cm X 19,5 cm. 192 pages. Wears to front covers and general handling marks.

First Edition. Color illus. 143 pp. & colophon. 8vo, pictorial softcover, title on spine. New York: Jonathan A. Hill, Bookseller Inc., 2023. Our second catalogue on the Mexican artist Ulises Carrión (1941-89), offering 58 items for sale, including manuscripts, rare bookworks, exhibition ephemera, etc. A number of the materials come from the collection of Guy Schraenen (1941-2018). In her Substack review of the catalogue, Johanna Drucker writes: "The catalogue is an exquisitely produced collection of facsimiles of the materials the bookseller is managing. The care with which the presentation has been put together and the production values in design, printing, photography, and expertly meticulous cataloguing make it an exemplary piece for study.Finally, the value of this catalogue is not only in its presentation of the work of a much-respected artist, but in the preservation of the fabric of culture, of aesthetics, of artistic communities and lives." As new. Edition of 500 copies. Designed by Flat Fix and printed by KOPA in Lithuania. N.B. International shipping by Fedex starts at $25.00. OCLC Accession No.: 1403378417. …

Blanda. Condizione: Usado. NOTA: EL COSTO DEL ENVÍO SOLAMENTE AMPARA 0.9 KILOS DE PESO. EN CASO DE QUE EL LIBRO PESE MÁS DE 0.9 KILOS, SE TE SOLICITARÁ PAGAR UN COSTO EXTRA. ESTADO: USADO. TÍTULO: EL ARTE NUEVO DE HACER LIBROS. AUTOR: ULISES CARRIÓN. EDITORIAL: TUMBONA EDICIONES. IDIOMA: ESPAÑOL. EDICIÓN: 1. AÑO: 2012. REIMPRESIÓN: NO. ISBN: 9786077534402. APARIENCIA: BUENA. ENCUADERNACIÓN: BLANDA. PÁGINAS: 179. MEDIDAS: 21 X 14 X 1 CM. PESO: 280 GRS. UNIÓN: PEGADO. CANTOS: CON LEVES SIGNOS DE USO. INTERIORES: COMPLETOS E ÍNTEGROS. NOTAS: NO. SELLOS: NO. SUBRAYADOS: NO. FIRMAS O DEDICATORIA: NO. PARTICULARIDADES EXTRAS: LAS PORTADAS PRESENTAN LIGERO DESGASTE. ESQUINA SUPERIOR IZQUIERDA DE PORTADA CON LIGERA MANCHA, LO QUE PARECE SER RESTO DE ETIQUE. …

Encuadernación de tapa blanda. Condizione: Nuevo. 1ª Edición. Antes de internet, que de algún modo lo incorpora y rebasa, el arte correo estuvo en el centro de una actividad artística internacional que creía en la colaboración, el intercambio y la participación política. Ya fuera a través de libros de artista o poesía visual, del arte con sellos de goma o propuestas conceptuales, las últimas vanguardias del siglo xx tuvieron como eje y muchas veces como origen las redes efímeras y cambiantes del arte correo, una red marginal de creación que desafiaba las instituciones nacionales y cuestionaba las prácticas y convenciones artísticas. En este segundo volumen del Archivo Carrión, que recoge tanto sus escritos teóricos como sus proyectos en este medio, cada pieza de arte correo es un arma lanzada contra el Gran Monstruo, el opresivo dueño del castillo a cuyas puertas nunca nos cansaremos de llamar, pues es el que "nos separa a los unos de los otros, a todos".…