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  • Editore: Crown Publishers, New York, 1966

    • Rilegato

    Da: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.Willis Monie-Books, ABAA

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    Membro dell’associazione: ABAAESAILAB

    Condizione: Usato - Molto buono

    EUR 8,18

    EUR 7,06 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. Second Printing. Light wear DJ extremities.

  • Editore: Crown, 1966, 1966

    • Rilegato
    • Prima edizione

    Da: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.Longhouse, Publishers & Booksellers

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    Condizione: Usato

    EUR 11,78

    EUR 5,30 spedizione 
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    Quantità: 1 disponibile

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    First edition 300 illustrations in full color and black and white. Near fine red boards with gilt lettering in like dustjacket with trifle wear to top of spine. Text beautifully realized and profusely illustrated throughout in black and white and color. Runs the spectrum of modern art. Unique.

  • Editore: Crown Publishers, Inc., New York, 1966

    • Rilegato

    Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS

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    Condizione: Usato - Molto buono

    EUR 22,28

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    Quantità: 1 disponibile

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    Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Cloth, 320 pages, illustrations (some colour); 24 cm. First published, Argentina, under title: Nuevas tendencias en la pintura. Translated from the Spanish. Firm binding, clean inside copy. Light foxing/endpapers, age toning. Dust jacket, with moderate edgewear, protected in a mylar cover. *** Aside from the identification of "Informalism as an international tendency," covering American Abstract Expressionism and its European counterpart (Tachism), this book contains important information on European and Latin American "Concrete Art." *** CONTENTS: The directions of modern art; Chapter one: The avant-garde at the end of the second world war; Chapter two: Reaction against concrete art; Chapter three: Informalism as the dominant international tendency; Chapter four: Informalism in the United States; Chapter five: The reaction against informalism; Chapter six: Currents opposed to informalism and strict visuality; Chapter seven: The synthesis of neodadaism and strict visuality; Chapter eight: Sociological aspects of postwar art. Size: 8vo.…