Caruth scott (15 risultati)

- Brossura
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 24,05
EUR 3,86 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 10 disponibili
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

- Brossura
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 28,74
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. Molatham is an Arabic verb which translates literally as to cover ones face, but is used vernacularly in Palestine to describe anybody resisting the Israeli occupation. In this context, the verb locates the pivotal role played by the medium of photography in the Israeli occupation of the We…st Bank, whereby in order to resist it, Palestinians must remain anonymous.Taking this as his starting point, Scott Caruths Molatham is the culmination of a six year endeavour to archive the social practice of studio portraiture photography in the West Bank. As instances where Palestinians have chosen to represent them selves through the medium of photography, the collaborative process of studio portraiture reinstates that political agency which is denied through the occupiers use of surveillance or the photojournalists fetishised frame of destruction, violence or loss.Instigated in 2013, Molatham explores the archives of two prominent photography studios in the West Bank - Studio Havana and Studio Chaplin in Ramallah. Developments within the photographic medium itself, from black and white hand tinted photographs to those utilising Photoshop in the present day can be traced chronologically. The book explores how the physical structures of the studios themselves have been subject to both restricted access and destruction. The book then moves on to explore the ways in which these personal, relatively private photographic objects go on to become the centre pieces of public gaze, widely disseminated images that form a central nexus of Palestinian resistance; within political iconography and propaganda, before tracing their display and subsequent disintegration throughout the urban landscape of the West Bank. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Brossura
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 28,77
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 5 disponibili
Paperback. Condizione: New. 'Molatham' is an Arabic verb which translates literally as 'to cover ones face', but is used vernacularly in Palestine to describe anybody resisting the Israeli occupation. In this context, the verb locates the pivotal role played by the medium of photography in the Israeli occupation of the West Bank…, whereby in order to resist it, Palestinians must remain anonymous.Taking this as his starting point, Scott Caruth's Molatham is the culmination of a six year endeavour to archive the social practice of studio portraiture photography in the West Bank. As instances where Palestinians have chosen to represent them selves through the medium of photography, the collaborative process of studio portraiture reinstates that political agency which is denied through the occupiers use of surveillance or the photojournalists 'fetishised frame of destruction, violence or loss'.Instigated in 2013, Molatham explores the archives of two prominent photography studios in the West Bank - Studio Havana and Studio Chaplin in Ramallah. Developments within the photographic medium itself, from black and white hand tinted photographs to those utilising Photoshop in the present day can be traced chronologically. The book explores how the physical structures of the studios themselves have been subject to both restricted access and destruction. The book then moves on to explore the ways in which these personal, relatively private photographic objects go on to become the centre pieces of public gaze, widely disseminated images that form a central nexus of Palestinian resistance; within political iconography and propaganda, before tracing their display and subsequent disintegration throughout the urban landscape of the West Bank.

- Brossura
Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 29,06
Spedizione gratuitaSpedito in U.S.A.Quantità: 10 disponibili
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

- Brossura
Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 25,51
EUR 5,50 spedizioneSpedito da Italia a U.S.A.Quantità: 5 disponibili
Condizione: new.

- Brossura
Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 27,64
EUR 7,63 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 3 disponibili
Condizione: New.

- Brossura
Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 24,05
EUR 17,55 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 30,15
EUR 11,74 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Brand New. 152 pages. In Stock.

- Brossura
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 32,71
EUR 10,50 spedizioneSpedito da Irlanda a U.S.A.Quantità: 10 disponibili
Condizione: New. . paperback. . . . . .

- Brossura
Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 33,44
EUR 9,95 spedizioneSpedito da Germania a U.S.A.Quantità: 3 disponibili
Condizione: New.

- Brossura
Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 41,13
EUR 9,21 spedizioneSpedito in U.S.A.Quantità: 10 disponibili
Condizione: New. . paperback. . . . . . Books ship from the US and Ireland.

- Brossura
Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 34,61
EUR 32,44 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. Molatham is an Arabic verb which translates literally as to cover ones face, but is used vernacularly in Palestine to describe anybody resisting the Israeli occupation. In this context, the verb locates the pivotal role played by the medium of photography in the Israeli occupation of the We…st Bank, whereby in order to resist it, Palestinians must remain anonymous.Taking this as his starting point, Scott Caruths Molatham is the culmination of a six year endeavour to archive the social practice of studio portraiture photography in the West Bank. As instances where Palestinians have chosen to represent them selves through the medium of photography, the collaborative process of studio portraiture reinstates that political agency which is denied through the occupiers use of surveillance or the photojournalists fetishised frame of destruction, violence or loss.Instigated in 2013, Molatham explores the archives of two prominent photography studios in the West Bank - Studio Havana and Studio Chaplin in Ramallah. Developments within the photographic medium itself, from black and white hand tinted photographs to those utilising Photoshop in the present day can be traced chronologically. The book explores how the physical structures of the studios themselves have been subject to both restricted access and destruction. The book then moves on to explore the ways in which these personal, relatively private photographic objects go on to become the centre pieces of public gaze, widely disseminated images that form a central nexus of Palestinian resistance; within political iconography and propaganda, before tracing their display and subsequent disintegration throughout the urban landscape of the West Bank. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

- Brossura
Da: moluna, Greven, Germaniamoluna
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 29,09
EUR 48,99 spedizioneSpedito da Germania a U.S.A.Quantità: Più di 20 disponibili
Condizione: New.

- Brossura
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 34,50
EUR 62,05 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Taschenbuch. Condizione: Neu. Neuware.

- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 24,30
EUR 76,30 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 5 disponibili
Paperback. Condizione: New. 'Molatham' is an Arabic verb which translates literally as 'to cover ones face', but is used vernacularly in Palestine to describe anybody resisting the Israeli occupation. In this context, the verb locates the pivotal role played by the medium of photography in the Israeli occupation of the West Bank…, whereby in order to resist it, Palestinians must remain anonymous.Taking this as his starting point, Scott Caruth's Molatham is the culmination of a six year endeavour to archive the social practice of studio portraiture photography in the West Bank. As instances where Palestinians have chosen to represent them selves through the medium of photography, the collaborative process of studio portraiture reinstates that political agency which is denied through the occupiers use of surveillance or the photojournalists 'fetishised frame of destruction, violence or loss'.Instigated in 2013, Molatham explores the archives of two prominent photography studios in the West Bank - Studio Havana and Studio Chaplin in Ramallah. Developments within the photographic medium itself, from black and white hand tinted photographs to those utilising Photoshop in the present day can be traced chronologically. The book explores how the physical structures of the studios themselves have been subject to both restricted access and destruction. The book then moves on to explore the ways in which these personal, relatively private photographic objects go on to become the centre pieces of public gaze, widely disseminated images that form a central nexus of Palestinian resistance; within political iconography and propaganda, before tracing their display and subsequent disintegration throughout the urban landscape of the West Bank.