paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condizione: very_good.
Lingua: Inglese
Editore: Vita e Pensiero, 1988
Da: Avol's Books LLC, Madison, WI, U.S.A.
Paperback. Condizione: Fine. Eight essays by various authors, in Italian, on THE CINEMA IN MILAN BETWEEN THE TWO WARS. In French wraps.
Da: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Soft cover. Condizione: Near Fine. clean, unmarked copy.
Lingua: Inglese
Editore: Columbia University Press, New York, 2008
ISBN 10: 0231139950 ISBN 13: 9780231139953
Trade Paperback. Condizione: Very Good+. 1st Paperback. First trade paperback printing, has a very minor lean to the binding, small bumps to spine ends and cover corners, and faint rubbing with a touch of edgewear to the covers, otherwise a solid, tight, clean VG+ copy.
Lingua: Inglese
Editore: Columbia University Press, New York, 2008
ISBN 10: 0231139950 ISBN 13: 9780231139953
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
paperback. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
Da: medimops, Berlin, Germania
EUR 9,45
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: Bookbot, Prague, Repubblica Ceca
EUR 3,80
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. Condizione: Fair. Beschriftungen / Markierungen; Leichte Risse. Did film in the twentieth century experiment with vision more than any other art form? Acclaimed film scholar Francesco Casetti explores this question by situating cinema within the discourses of modernity. He argues that film defined a unique gaze, capturing significant events and shaping their reception. Casetti begins by analyzing film's nature as a medium focused on immediacy, nearness, and accessibility. He discusses the myths and rituals created on screen and in theaters, which offered new images and behaviors in response to evolving social concerns and ideas. Film adeptly addressed the diverse needs of modernity, uniting conflicting stimuli and providing solace in a fragmented world while fulfilling a desire for everyday experiences.The medium's ability to communicate, inform, and negotiate defined its relevance. Casetti identifies several types of gaze cultivated by film: a personal gaze linked to point of view; a complex gaze merging reality and imagination; a piercing gaze, machine-generated yet anthropomorphic; an excited gaze rich in stimuli while remaining spectator-oriented; and an immersive gaze that balances engagement with distance. Each gaze combines contrasting qualities, resulting in a synthesis that embraces contradictions. Casetti demonstrates that film's vision, characterized by its oxymoronic nature, serves as a crucial lens for understanding the modern experience.
Da: Dave Wilhelm Books, Evanston, IL, U.S.A.
Softcover. Condizione: Very Good. Solid VG/near fine softcover. Clean, spine not broken.
EUR 10,15
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Paperback. Condizione: Good. In Italian. V Edizione, 2001, with a dark gray and blue cover. No text markings noted; modest wear.
Condizione: New.
EUR 28,20
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Condizione: New.
Condizione: As New. Unread book in perfect condition.
EUR 25,20
Quantità: 13 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 32,53
Quantità: 7 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Editore: Milano: Accademia, 1977
Da: Plurabelle Books Ltd, Cambridge, Regno Unito
Membro dell'associazione: GIAQ
Prima edizione
EUR 11,79
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Series: Manuali Accademia. 299p first edition white paperback with illustration to front cover, covers display minor signs of wear, spine square, binding tight, hinges tight, pages appear clean and bright, minor spotting, all text legible, very good condition Language: Italian.
Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 29,02
Quantità: 1 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
EUR 22,51
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Lingua: Inglese
Editore: Columbia University Press 3/3/2015, 2015
ISBN 10: 0231172435 ISBN 13: 9780231172431
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. The Lumiere Galaxy: Seven Key Words for the Cinema to Come. Book.
Editore: Accademia Edizioni, Milano,, 1977
Da: FIRENZELIBRI SRL, Reggello, FI, Italia
EUR 5,00
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: NUOVO. Milano, Accademia Edizioni cm.12,5x18,5, pp.300, brossura cop.fig.a col. Collana Manuali.
Lingua: Inglese
Editore: Columbia University Press, US, 2008
ISBN 10: 0231139950 ISBN 13: 9780231139953
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 36,12
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's most important events, but also because it determined the manner in which they were received. Casetti begins by examining film's nature as a medium in an age obsessed with immediacy, nearness, and accessibility. He considers the myths and rituals cinema constructed on the screen and in the theater and how they provided new images and behaviors that responded to emerging concerns, ideas, and social orders. Film also succeeded in negotiating the different needs of modernity, comparing and uniting conflicting stimuli, providing answers in a world torn apart by conflict, and satisfying a desire for everydayness, as well as lightness, in people's lives.The ability to communicate, the power to inform, and the capacity to negotiate-these are the three factors that defined film's function and outlook and made the medium a relevant and vital art form of its time. So what kind of gaze did film create? Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them. The result was an ever inventive synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle. In this sense, film is the key to reading and understanding the modern experience.