Caspar netscher (35 risultati)

No Binding. Condizione: Good. Postcard in Good condition, unmailed, with writing on reverse. Cards are sent in stiff mailers. Photo.

Loose Leaf. Condizione: New. Reproduction. Original title: Sater spying on a sleeping nymph German: Sater Spionage auf einer schlafenden Nymphe French: Sater espionnant sur une nymphe endormie Spanish: Sater espiando a una ninfa dormida High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1649). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: German: Der Präsident French: , Spanish: - No, no. High-quality fine-art reproduction based on an original work from the Fng. Creation period: unknown century (1754). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

seltene Original Radierung von ca. 1780 vonWilliam Wacker (1725-1743) nach Capar Netscher (1635-1684) Blatt-Masse ca.42 x28 cm Platte ca.29 x22 cm etwas fleckig sonst gut erhalten ___________________________________ Original! - Keine Kopie! - Kein Nachdruck! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch Gewicht in Gramm: 1550. …

Payne Dresden & Leipzig 1855.

1 Blatt, verso weiß. Condizione: Gut. Bild ca. 9,5 x 8 cm, Blatt ca. 29,5 x 21,5 cm. Brustbild-Portrait, darunter Legende. Zeigt den Porträt- und Genremaler Caspar Netscher (1639 in Heidelberg - 1684 in Den Haag). - Leicht stockfleckig, winziges Fleckchen am unteren linken Rand, sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 150.…

original Kupferstich gestochen von Klauber nach einem Gemälde von Netscher von 1786 - Blattmaße: ca. 30 x 43 cm - gut erhalten. -- original copper engraving by Klauber after a painting by Netscher from 1786 - good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.…

original Kupferstich gestochen von Klauber nach einem Gemälde von Netscher von 1786 - Blattmaße: ca. 32 x 49 cm - gut erhalten. -- original copper engraving by Klauber after a painting by Netscher from 1786 - good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.…

Hardcover. Condizione: As New.

Condizione: Good. Steel Engraving. 8.125" x 10.25". Good with small marginal tears, edge wear, faint staining.

Condizione: Good. Steel Engraving. 8.25" x 11". Good with marginal tears, edge wear, staining.

Softcover. Condizione: Gut. n/a. 17,0x13,0 cm Original-Stahlstich leicht altersfleckig und leicht gebrauchsspurig, obere rechte Blattecke leicht berissen, sonst GUTES EXEMPLAR.---Eine Dame mit Schoßhündchen wird von ihrer Dienerin frisiert, ein weiterer Diener bringt eine Schüssel. Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 1 Seiten. nein.…

Condizione: Good. Steel Engraving. 7.75" x 10.5". Very Good with faint staining. Tape-mounted and framed on light boards.

Kein Einband. Condizione: Gut. 17,1 x 13,2 cm Grafik, Papier altersbedingt etwas fleckig und gebräunt, Passepartout mit leichten Gebrauchsspuren, sonst GUTES EXEMPLAR---Passepartout-Größe: 30 x 24 cm Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 1 Seiten. nein.…

Condizione: Good. Steel engraving. 10 3/4 x 8 in. (sheet). Good, light toning and foxing in the margins.

Condizione: Good. Steel engraving. 10 1/2 x 8 1/2 in. (sheet). Good, foxing in the margins.

Condizione: Good. Steel engraving. 10 5/8 x 7 7/8 in. (sheet). Very Good, light sheet toning.

Condizione: Good. Steel Engraving. 8.25" x 10.25". Very Good with faint creasing.

Kein Einband. Condizione: Gut. 17,1 x 13,2 cm Original-Stahlstich Papier altersbedingt etwas fleckig, sonst GUTES EXEMPLAR---"Blatt: 26 x 19,8 cm; Darstellung: 17,1 x 13,2 cm" Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 1 Seiten. nein. …

auf Bütten-Karton (ca. 60x43cm) aufgewalzt (Chine appliqué) mit Trockenstempel des Verlegers unter dem Titel; Franz Hanfstaengl München um 1830.

Radierung, Druck bei F. A. Brockhaus, Leipzig - aus : Zeitschrift für Bildende Kunst 23. Jg. 1887-1888; Abbildung: 15,4 x 18,6 cm, im neuen Passepartout 24 x 30 cm; sehr gut erhaltenes Blatt. - / Caspar Netscher (* 1639 in Heidelberg; 15. Januar 1684 in Den Haag) war ein Porträt- und Genremaler. Gewicht in Gramm: 1200. …

Doornspijk, Davaco Publishers, 2002. 542 pp. 378 ills (33 full-color plates). Orig. hardcover (olive green cloth with black lettering on spine), d./j. 4to.- Lower edge front cover with veru light shelfwear (some scratching). (Aetas Aurea. Monographs on Dutch & Flemisch Painting, Vol. XVI).Caspar Netscher (1635/6-1684) was one of the most acomplished and successful artists active in the Netherlands during the latter part of the seventeenth century. Paradoxically, however, the same factors that made him so successful during his lifetime and into the eighteenth century also occasioned his exclusion from the modern canon of seventeenth-century Dutch painting, for his art represents a decisive move away from the hearty egalitarian aesthetic that prevailed during the earlier part of the century. Responding to (and helping define) his patrons' desire for international style and sophistication, Netscher's exquisite portraits and subject pieces are unmistakably Dutch, yet are imbued with an elegance more in keeping with progressive pan-European tastes.This is the first full-length study to examine the work of this important Dutch artist and to specifically refute the commonly held notion of the "decline" of Dutch art at the end of the seventeenth century. The book contains much new and previously unpublished information. The text is complemented by an appendix of documents relevant to the artist (most previously unpublished), and concludes with an exhaustive catalogue raisonné of the paintings. The latter contains detailed information on 220 accepted paintings by the artist, 44 problematic attributions (including some compositions known only through copies and works that involve a significant amount of studio assistance); 470 rejected works; and 388 paintings mentioned in the literature prior to 1800 but presently untraced.…

Doornspijk, Davaco Publishers, 2002. 542 pp. 378 ills (33 full-color plates). Orig. hardcover (olive green cloth with black lettering on spine), d./j. 4to. (Aetas Aurea. Monographs on Dutch & Flemisch Painting, Vol. XVI). - - New copy !!Caspar Netscher (1635/6-1684) was one of the most acomplished and successful artists active in the Netherlands during the latter part of the seventeenth century. Paradoxically, however, the same factors that made him so successful during his lifetime and into the eighteenth century also occasioned his exclusion from the modern canon of seventeenth-century Dutch painting, for his art represents a decisive move away from the hearty egalitarian aesthetic that prevailed during the earlier part of the century. Responding to (and helping define) his patrons' desire for international style and sophistication, Netscher's exquisite portraits and subject pieces are unmistakably Dutch, yet are imbued with an elegance more in keeping with progressive pan-European tastes.This is the first full-length study to examine the work of this important Dutch artist and to specifically refute the commonly held notion of the "decline" of Dutch art at the end of the seventeenth century. The book contains much new and previously unpublished information. The text is complemented by an appendix of documents relevant to the artist (most previously unpublished), and concludes with an exhaustive catalogue raisonné of the paintings. The latter contains detailed information on 220 accepted paintings by the artist, 44 problematic attributions (including some compositions known only through copies and works that involve a significant amount of studio assistance); 470 rejected works; and 388 paintings mentioned in the literature prior to 1800 but presently untraced.…

Condizione: Very Good, margins trimmed. Image Size : 461x349 (mm), 18.15x13.74 (Inches), Platemark Size : , Paper Size : , Hand Colored, Copper Engraving.

0. Prachtvolles Barockblatt! - Papierränder minimal beschnitten und unten etwas gebräunt. Sprache: Deutschu.

20 x 35 cm, 13 x 22 cm, Min. stockfleckig. Rückseitig holländischer Text von alter Hand, dat. 1649 Caspar Netscher (1639 in Heidelberg; ? 15. Januar 1684 in Den Haag) war ein Porträt- und Genremaler.Netscher war der Sohn des Bildhauers Johann Netscher. Er wuchs in Arnheim auf und ging bei Hendrick Coster in die Lehre. Dort wurde er durch den Arnheimer Lizenzmeister Willem Everwijn um 1654 in die Werkstatt von Gerard Terborch nach Deventer vermittelt. 1658 oder spätestens Anfang 1659 verzog Netscher nach Den Haag. Dort arbeitete er für ansässige Kunsthändler, die er zunächst hauptsächlich mit Kopien von Bildern seines Lehrers, aber auch anderer geschätzter Maler belieferte ? ein damals vollkommen geläufiges Verfahren.Bereits im Sommer 1659 gab er diese schlecht bezahlte Arbeit auf um nach Italien zu reisen und seine künstlerische Ausbildung zu vervollständigen. Seine Schiffsreise führte ihn zunächst nach Bordeaux, wo er Station machte. Sein Leben erfuhr hier jedoch eine entscheidende Wendung, denn er heiratete dort bereits am 25. November 1659 die Hugenottin Margaretha Godijn, die Tochter eines aus Lüttich stammenden Werkzeugmachers.1662 begab sich Netscher mit seiner jungen Familie ? mittlerweile war der Sohn Theodor geboren ? zurück nach Den Haag: Am 25. Oktober 1662 ist Netschers Eintritt in die Haager Malergilde Pictura urkundlich belegt. In Den Haag malte er zunächst Genreszenen, die deutlich den Einfluss seines Lehrers Terborch verraten, denn besondere Sorgfalt widmete er der differenzierten Behandlung der Stoffe, wie Orientteppiche, Seide und Brokat in ihrer Wirkung durch Licht und Schatten. Eines seiner bekanntesten Werke ist Die Spitzenklöpplerin, das 1662 entstand (London, Wallace Collection). Bald darauf wendet er sich vor allem der Porträtmalerei zu, wo er hohe Anerkennung fand. Auch König Willem III. ließ sich von ihm porträtieren. 1100 gr. Schlagworte: Gemälde - Zeichnung.…

'TABLEAU DE GASPARD NETSCHER.'Portrait of the artist Caspar Netscher.Made by Ignaz Sebastian Klauber after Caspar Netscher.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 33 x 46.8 cm (12.99 x 18.43 inch). Image size: 23.5 x 36.5 cm. (9.25 x 14.37 inch).CORNELIS TROOST, JACOB HOUBRAKEN, PIETER FOUQUET, 18TH-CENTURY PRINTS, DUTCH PORTRAIT, ARTIST'S PORTRAIT, ETCHING, ENGRAVING, PAINTING ATTRIBUTES, ALLEGORICAL PORTRAIT | PCO-B9-25BACKGROUND INFORMATION'Galerie du Palais Royal .', Paris: J. Couche & J. Bouilliard, [n.d., 1786-1808]. This series of plates depict the collection of the Royal Palace in Paris. Each plate is set in a decorative border and accompanied by a descriptive text (by l'Abbe de Fontenal), describing the artist and painting. The author Jacques Couche (1759-1836), was a French engraver, student of Levasseur.Biography engraver: Ignaz Sebastian Klauber (1753-1817) originated from Augsburg. He later worked in St. Petersburg.Biography artist: Caspar Netscher (1639-1684) was a Dutch portrait and genre painter. He was born in Heidelberg or Prague, but fled with his mother and sister to Arnhem during the civil war. He became a pupil of Ter Borch for a few years before embarking on a Grand Tour. He died early, in 1684, but his legacy was thenceforth carried by his two sons, Constantyn and Theodorus. Condition: very good, given age. Light foxing, creasing and soiling. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Caspar Netscher (illustratore).…

Lithographie v. Franck, 1813, 9,5 x 8 (H) Blattgr. 31 x 23,3 Inkunabel der Lithographie. Winkler 223, 15. - Kreidelithographie von Maximilian Franck. - Gut erhalten.

Young woman seated at a table on the left, looking at the viewer. Se holds her knitting work in her hands. On the table a lit candle beside some writing tools. Within a niche, with a rolled up curtain on the right.Highly experimental impression by Ploos van Amstel.[NL] Een vrouw, zittend aan tafel met een breiwerk in de handen, bij kaarslicht. Antieke prent met gemengde technieken: prenttekening, mezzotint (zwarte kunst), ets met bruine inkt. Antieke tekening van Cornelis Ploos van Amstel (1726-1798), naar Caspar Netscher (1639-1684). Printdrawing, mezzotint, etching printed in brown on paper; total: 120 x 98 mm; state V/5, in very good condition, in paper passepartout. Laurentius 57.…

'MARIA II D.G. ANGL. SCOT. FRAN. ET HIB. REGINA." (CIRCULAR FRAME INSCRIPTION) - 'G. NETSCHER PINX." - 'J. HOUBRAKEN SCULP." - 'J. & P. KNAPTON EXCUDIT."'Oval portrait of Queen Mary II within an ornamental cartouche. She is shown half-length, wearing pearls and a rich gown with ermine. In the foreground are regalia including crown and sceptre on a cushion, with decorative drapery and roses surrounding the frame.Made by Jacobus Houbraken after Caspar Netscher.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 23.3 x 36.5 cm (9.17 x 14.37 inch). Image size: 23.3 x 36.5 cm. (9.17 x 14.37 inch).QUEEN MARY II, MARIA II, WILLIAM III, BRITISH MONARCHY, ROYAL PORTRAIT, JACOBUS HOUBRAKEN, CASPAR NETSCHER, 18TH CENTURY ENGRAVING, GRANGER SERIES, OVAL PORTRAIT | PCO-E15-2-39BACKGROUND INFORMATIONFrom: Thomas Birch, The Heads of Illustrious Persons of Great Britain, published by J. & P. Knapton, London, 1743-1752.Reference: National Portrait Gallery, London: NPG D31074; related impression NPG D9291.Biography engraver: Jacobus Houbraken (1698-1780) was a Dutch engraver, son of Arnold Houbraken. He is best known for his refined portrait engravings executed for English publications, notably Thomas Birch's The Heads of Illustrious Persons of Great Britain (1743-1752). His works are characterized by precise line work and elegant tonal modelling, and he became one of the most accomplished reproductive engravers of the 18th century.Biography artist: Caspar Netscher (1639-1684) was a Dutch Golden Age painter, pupil of Gerard ter Borch. He specialized in elegant portraits and genre scenes, often depicting aristocratic sitters in refined interiors. His portrait of Queen Mary II served as the model for Houbraken's engraving. Condition: good, given age. Light foxing, creasing, and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Caspar Netscher (illustratore).…