casto marilyn (16 risultati)

Hardcover. Condizione: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: Good. hardcover with dust jacket, tight, pages clear and bright, shelf and edge wear, corners bumped, ex-library copy with usual library markings, packaged in cardboard box for shipment, tracking on U.S. orders.

Hardcover. Condizione: Very Good. Clean and sturdy copy with unmarked text. Dust jacket included. Theatre. BA.

Cloth Over Board. Condizione: Very Good. Condizione sovraccoperta: Very Good w/ Protective Cover. 1st Edition. This book is in very good condition with tight binding and clean text. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: new. Hardcover. Kentucky emerged as a prime site for theatrical activity in the early nineteenth century. Most towns, even quite small ones, constructed increasingly elaborate opera houses, which stood as objects of local pride and symbols of culture. These theaters often hosted amateur performances, providing a forum for talent and a focus for community social life. As theatrical attendance rose, performance halls began offering everything from drama to equestrian shows to burlesque.Today many architects believe that the design of a theater should not detract from the stage or screen. Marilyn Casto shows that nineteenth-century Kentucky audiences, however, not only expected elaborate decor but considered it a delightful part of the theatergoing experience. Embellished arches and painted and gilded walls and ceilings enhanced the theatricality of the performance while adding to the excitement of an evening out.In Actors, Audiences, and Historic Theaters of Kentucky, Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all. A captivating glimpse into a disappearing slice of American popular culture, her work examines what people considered entertaining, what they hoped to gain from theatergoing, and how they chose and experienced the theaters' architectural settings. In the social and physical design of these theaters, Casto explores nearly two centuries of the state's and nation's cultural history. Despite its remoteness, Kentucky emerged as a prime site for theatrical activity in the ""Wild West"" of the 1790s and beyond. This work is a social and architectural history of Kentucky's theatres, paying special attention to the actors who performed in them and the audiences who saw it all. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Despite its remoteness, Kentucky emerged as a prime site for theatrical activity in the "Wild West" of the 1790s and beyond. This work is a social and architectural history of Kentucky's theatres, paying special attention to the actors who performed in them and the audiences who saw it all. Num Pages: 192 pages, 45 b&w photographs. BIC Classification: 1KBBSK; AMGC; AN; HBTB. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 22. Weight in Grams: 503. . 2000. Hardcover. . . . .

Condizione: Good. 1975. Council of Planning Librarians Bibliography 933. 4to., 42pp., original wraps bound in transparent plastic folder. Ex-university library. Good, large chip on rear wrap.

Condizione: New. Despite its remoteness, Kentucky emerged as a prime site for theatrical activity in the "Wild West" of the 1790s and beyond. This work is a social and architectural history of Kentucky's theatres, paying special attention to the actors who performed in them and the audiences who saw it all. Num Pages: 192 pages, 45 b&w photographs. BIC Classification: 1KBBSK; AMGC; AN; HBTB. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 22. Weight in Grams: 503. . 2000. Hardcover. . . . . Books ship from the US and Ireland.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: Brand New.

Condizione: New. In Actors, Audiences, and Historic Theaters of Kentucky, Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all.Klappentextrn.

Hardcover. Condizione: new. Hardcover. Kentucky emerged as a prime site for theatrical activity in the early nineteenth century. Most towns, even quite small ones, constructed increasingly elaborate opera houses, which stood as objects of local pride and symbols of culture. These theaters often hosted amateur performances, providing a forum for talent and a focus for community social life. As theatrical attendance rose, performance halls began offering everything from drama to equestrian shows to burlesque.Today many architects believe that the design of a theater should not detract from the stage or screen. Marilyn Casto shows that nineteenth-century Kentucky audiences, however, not only expected elaborate decor but considered it a delightful part of the theatergoing experience. Embellished arches and painted and gilded walls and ceilings enhanced the theatricality of the performance while adding to the excitement of an evening out.In Actors, Audiences, and Historic Theaters of Kentucky, Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all. A captivating glimpse into a disappearing slice of American popular culture, her work examines what people considered entertaining, what they hoped to gain from theatergoing, and how they chose and experienced the theaters' architectural settings. In the social and physical design of these theaters, Casto explores nearly two centuries of the state's and nation's cultural history. Despite its remoteness, Kentucky emerged as a prime site for theatrical activity in the ""Wild West"" of the 1790s and beyond. This work is a social and architectural history of Kentucky's theatres, paying special attention to the actors who performed in them and the audiences who saw it all. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Neuware - 'Winner of the Southeast Chapter of the American Society of Architectural Historians' Annual Book Award Kentucky emerged as a prime site for theatrical activity in the early nineteenth century. Most towns, even quite small ones, constructed increasingly elaborate opera houses, which stood as objects of local pride and symbols of culture. These theaters often hosted amateur performances, providing a forum for talent and a focus for community social life. As theatrical attendance rose, performance halls began offering everything from drama to equestrian shows to burlesque. Today many architects believe that the design of a theater should not detract from the stage or screen. Marilyn Casto shows that nineteenth-century Kentucky audiences, however, not only expected elaborate decor but considered it a delightful part of the theatergoing experience. Embellished arches and painted and gilded walls and ceilings enhanced the theatricality of the performance while adding to the excitement of an evening out. In Actors, Audiences, and Historic Theaters of Kentucky , Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all. A captivating glimpse into a disappearing slice of American popular culture, her work examines what people considered entertaining, what they hoped to gain from theatergoing, and how they chose and experienced the theaters' architectural settings. In the social and physical design of these theaters, Casto explores nearly two centuries of the state's and nation's cultural history.