castriota david (34 risultati)

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condizione: Very Good. Faint edgewear. ; Wisconsin Studies In Classics; 9.1 X 6.1 X 0.8 inches; 320 pages.

Softcover. Condizione: Very Good. Faint crease through upper corner of book. ; Wisconsin Studies In Classics; 9.1 X 6.1 X 0.8 inches; 320 pages.

Softcover. Condizione: Very Good. Foxing to textblock. ; Wisconsin Studies In Classics; 9.1 X 6.1 X 0.8 inches; 320 pages.

Soft cover. Condizione: Fine. 1st Edition.

Hardcover. Condizione: Very Good. First Edition. First Edition, First Printing. Published by Southern Illinois University Press, 1986. Quarto. Hardcover. Book is very good. Dust jacket is very good with shelf/edgewear, creases to back cover, and tape repairs. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Soft cover. Condizione: Good. 8vo. xii, 337pp. 39 illus. 2 maps. Original wr., slightly worn, and slightly spotted on edges.

Hardback. David Castriota, Princeton University Press. David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century B.C. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilised an array of realistic plants and flowers as allusive elements associated with various gods and goddesses, which together symbolised the support and blessing of the Roman divinities for the Augustan regime. Supporting his argument with evidence from Greek and Roman literature and religion, Castriota shows that the planners of the Ara Pacis adapted and expanded a long tradition of symbolic floral decoration from Greek monumental arts. Throughout his work, Castriota demonstrates that the Roman absorption of Greek precedent enabled viewers to recognise the intended message of divine sponsorship.By examining the origins of the Ara Pacis within its broader historical setting, the author provides new insights into a crucial period that witnessed the emergence of a distinctly Roman Imperial art. Hardback.

Paperback. Condizione: Brand New. 337 pages. 9.50x6.00x1.00 inches. In Stock.

Condizione: Good.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 344 pages; David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century B.C. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilised an array of realistic plants and flowers as allusive elements associated with various gods and goddesses, which together symbolised the support and blessing of the Roman divinities for the Augustan regime. Supporting his argument with evidence from Greek and Roman literature and religion, Castriota shows that the planners of the Ara Pacis adapted and expanded a long tradition of symbolic floral decoration from Greek monumental arts. Throughout his work, Castriota demonstrates that the Roman absorption of Greek precedent enabled viewers to recognise the intended message of divine sponsorship. By examining the origins of the Ara Pacis within its broader historical setting, the author provides new insights into a crucial period that witnessed the emergence of a distinctly Roman Imperial art.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

hardcover. Condizione: Very Good. previous owner's stamp With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Condizione: New.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Gut. XVIII, 253 Seiten, 91 Abb. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - sehr guter Zustand / very good condition - sponsorship. By examining the origins of the Ara Pacis within its broader historical setting, the author provides new insights into a crucial period that witnessed the emergence of a distinctly Roman Imperial art. -- David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century B.C. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilized an array of realistic plants and flowers as allusive elements associated with various gods and goddesses, which together symbolized the support and blessing of the Roman divinities for the Augustan regime. -- Supporting his argument with evidence from Greek and Roman literature and religion, Castriota shows that the planners of the Ara Pacis adapted and expanded a long tradition of symbolic floral decoration from Greek monumental arts. Throughout his work Castriota demonstrates that the Roman absorption of Greek precedent enabled viewers to recognize the intended message of divine. ISBN 9780691037158 Sprache: Englisch Gewicht in Gramm: 754 17,1 x 3,2 x 24,8 cm, Original Leinen kaschiert mit Schutzumschlag / Cloth laminated with dust jacket.

Paperback. Condizione: Brand New. reprint edition. 448 pages. 9.25x7.50x1.00 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: As New. 1st Edition. Previous owner embossed seal inside front else fine/as new jacket.

Condizione: Bueno. : Handicappato e carogna es una obra humorística escrita por David Anzalone y Alessandro Castriota. El libro ofrece una perspectiva sarcástica y provocadora sobre la discapacidad, rompiendo tabúes a través del humor negro y la sátira social.La narrativa sigue situaciones irónicas, como la creación de una sociedad que alquila personas con discapacidad para utilizar plazas de aparcamiento reservadas, desafiando las convenciones sobre la compasión y explorando la faceta más 'canalla' del protagonista. Es una pieza clave de la literatura humorística italiana contemporánea vinculada al mundo del espectáculo. EAN: 9788804578635 Tipo: Libros Categoría: Entretenimiento|Literatura y Ficción Título: Handicappato e carogna Autor: David Anzalone| Alessandro Castriota Editorial: Mondadori Idioma: it Páginas: 105 Formato: tapa blanda.

Kartoniert / Broschiert. Condizione: New. &Uumlber den AutorAlois RieglEdited by David CastriotaTranslated by Evelyn KainKlappentextrnrnWritten at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl s Stilfragen represented a tu.

Hardcover. Condizione: Brand New. 448 pages. 9.69x7.99x1.18 inches. In Stock.

Paperback. Condizione: new. Paperback. Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate.His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention."Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri ZernerAlois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creati This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Condizione: Neu. Neuware - Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both 'great art' and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate.His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention.'Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity.' --From the preface of Henri ZernerAlois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorAlois RieglEdited by David CastriotaTranslated by Evelyn KainKlappentextrnrnWritten at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl s Stilfragen represented a tu.

Hardback. Condizione: New. Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate.His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention."Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri ZernerAlois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.