Catalogue designer (14 risultati)

Trade Paperback. Condizione: Very Good. First Edition. 226 Pages Indexed. The three exhibitions were: London 12 April to August 1988, Paris 20 September to 31 December 1988, and Washington 29 January to 30 April 1989. This exhibition reveals the immense diversity of Cezanne's creative imagination. It also shows us the richness and beauty of the quasi-expressionist technique that characterizes his work prior to the influence of orthodox impressionism and the concomitant emergence of his more characteristic constructive brushstroke in the mid-1870S. For more than a century, Cezanne's early work has been both controversial and perplexing to most viewers. However, in the careful examination of a large number of early works of great quality, the exhibition confirms the artist as a painter and draftsman of remarkable and consistent stature from the very beginning of his career. Contents: Foreword, Lenders to the Exhibition, Acknowledgements, Photographic Acknowledgements, Editorial Note, Introduction, The Early Work of Paul Cezanne, Parisian Writers and the Early Work of Cezanne, Literature Music and Cezanne's Early Subjects, La Lutte d'armour, The Collector's of Cezanne's Early Work, The Catalogue, Chronology, Concordance of Works in the Exhibition, List of Exhibitions including Cezanne's Early Work, and Select Bibliography. Green, Harry - Designer (illustratore). …

Oblong 8vo; stiff pictorial wraps; softcover; color and black and white photographic illustrations; lightly soiled covers with 2 coffee rings else a very good tight copy.

Paperback. Condizione: Very Good+. First Edition. Oblong 8vo 8" to 9" tall; 28 pages; Clean and secure in original color wrappers. OCLC 462485550 Measures 21 x 30 cm. Illustrated with 13 b&w plates & 3 colour plates; additional illustrations. Interesting exhibition catalogue from this noted British Pop Artist. Includes a Chronology with biographical and exhibition history. Bibliography of written works by the artist, catalogues, periodicals, books. Listing of Collections holding works by the artist. Exhibition listing of 16 works by the artist. Exhibition held September 5 - 28 1972. Allen Jones RA (1937 - present) is a British pop artist best known for his paintings, sculptures, and lithography. He is a Senior Academician at the Royal Academy of Arts. His works reside in a number of collections; including the Tate, the Museum Ludwig, the Warwick Arts Centre and the Hirshhorn Museum. His best known work Hatstand, Table and Chair, involving fibreglass "fetish" mannequins, debuted to protests in 1970. Intrigued by the "toughness" of American pop art, Jones moved to Manhattan in 1964 and took a studio at the Chelsea Hotel. In New York City, Jones recollects learning to "present what you were saying as clearly as possible," and he developed an interest in making his images tangible. For the year Jones remained in the city, he "discovered a rich fund of imagery in sexually motivated popular illustration of the 1940s and 1950s." According to Jones, about his art of the time: "Fetishism and the transgressive world produced images that I liked because they were dangerous. They were about personal obsessions. They stood outside the accepted canons of artistic expression and they suggested new ways of depicting the figure that weren't dressed up for public consumption." While living in the Chelsea neighbourhood of London in the late 1960s, Jones began working in sculpture, in particular his fibreglass sculpture series of "life-size images of women as furniture with fetishist and sado-masochist overtones." Each of the original three figures was produced in an edition of only six. "Green Table" included in this exhibition is pictured in the catalogue. The severe reaction from the art world, feminists, and the mainstream press after the sculptures' debut would limit Jones' exhibition career in England over the next several decades. When asked about their effect on his career, Jones was quoted stating "it's collateral damage. I wanted to offend the canons of accepted worth in art. I found the perfect image to do that, and it's an accident of history that these works coincided with the arrival of militant feminism." Roman Polanski, Elton John and Gunter Sachs all owned a piece at one stage, with one of the sets selling at auction in 2012 for £2.6 million. The sculptures have also been referenced in Stanley Kubrick's 1971 film A Clockwork Orange.…

Paperback. Quarto in blue wrappers; color illus., portrait; 40 pp., 26 cm.; Very good(+) to near fine copy; upper right open corner of cover wrapper and first few leaves is bumped; very light shelfwear and edgewear to wrappers; o/w clean copy with bright, crisp, clean pages and illustrations. In English.…

Couverture souple. Condizione: Bon. Pas de jaquette. Edition originale. Dina Shoham. Hanna Sahar. The wallpaper series. Beau livret en bon état.

Paperback. Condizione: Very Good. No Jacket. First Edition. Bound in colour printed limp wraps, this 1999 softcover Catalogue is Vg. Published to accompany the Patrick Caulfield Exhibition held at The Hayward Gallery, February to April, 1999. 152pp with Foreword, Seven Essays on the Art of Patrick Caulfield by Marco Livingstone, Patrick Caulfield a Dialogue with Bryan Robertson, 55 Full-page Colour Plates by Caulfield, Chronology, Picture Collections, Bibliography and List of Works, Size is 11" x 9". Condition all VG.…

Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good Minus. First Thus. 30 cm, 271 pp, b&w and colour photo illus, d/w - chips at edges, with tape repairs. VG in VG minus jacket. A heavy book - overseas buyers please ask for a freight quote.

4to. 49, [1], [2], 26, [6] pp. Small illust. on title, numerous photo illustrations, text illustrations, wiring diagrams & schematics (1 large folding). Colour-printed softcovers post-binder, nickel & brass screw-posts at gutter margin, cover art of note in gold against black & gilt lettering (minor shelfwear, rubbing, edgewear), still VG copy, w/ former ownership markings at right fore-edge front cover. First edition of this surprisingly rare service manual and catalogue for the famed Wurlitzer 1250 Jukebox model, which was their first model to play both 45 and 78 rpm records. This 1950 post-War Fuller design featured brilliant multi-coloured lights, the patented "Cobra" pick up system, and unfortunately only offered 48 selections as opposed to the Seeburg Jukebox introduced months before with 100. Original editions are very uncommon, and not to be confused with the often mis-dated and much later 1982 reprint edition, no copies located in Worldcat; See: Kerry Segrave, Jukeboxes: An American Social History; Wurlitzer, Jukebox History (2020).…

Two vols. 1st -- 4to. [8 pp (unpaginated).], with colour and black & white photo lithograph illustrations, text illustrations throughout, self-printed colour-illustrated softcovers, cover art stylish Mid-Century design w/ coins & gears, and lettering, NF copy; 4to. 2nd -- 90, 8 pp. With 100's of photo & text illustrations, wiring diagrams & schematics, nearly all large folding printed in red & black. Flexible illustrated soft-cover Acco-Fastener split-pin clasp post-binder, cover art of Wurlitzer 2300S on front cover (minor scuffing, shelfwear, rubbing), still VG- copy. First edition of this remarkably scarce brochure and service manual volumes for the groundbreaking Wurlitzer 2300 and 2300S Jukebox models, was Wurlitzer's first stereo jukebox. This Wurlitzer model featured a futuristic front mesh grille, chrome & glass window for the selections, and the 2300 models could play 200 selections from 45 rpm records. This model also featured a blue light backdrop, and also shining down upon the stainless steel mesh grille and kickplate. This catalogue also advertises the Model 5126 Stereo Extender, Models 5123-5124 stereo speakers, and the Model 5122 Wurlitzer Console Floor Speaker. The service manual also includes sections on the Wurlitzer 2310 and 2310S jukebox series and encompasses not only specifications and description with wiring diagrams, but also how to properly install the unit, make adjustments, maintain the Jukebox properly, and exploded view parts catalogue. Wurlitzer still produced over 15,000 of all the 2300 series models in 1958-59. No copies located in Worldcat of either piece; See: Kerry Segrave, Jukeboxes: An American Social History; Wurlitzer, Jukebox History (2020).…

Two vols. 1st -- 4to. [8 pp (unpaginated).], with colour and black & white photo lithograph illustrations, text illustrations throughout, self-printed colour-illustrated softcovers, cover art of phonograph arm & 45 record mechanism (minor edgewear, slight crease front cover), still NF copy, minor former ownership stamp upper left corner; 4to. 2nd -- 84, 83, [1], 93, [1], 33, [1], 23, [1] pp. With 100's of photo illustrations, text illustrations, wiring diagrams & schematics, some large folding. Flexible blue soft-cover slide-lock post-binder, red lettering front cover & spine (minor edgewear, creasing), still VG copy w/ last section still unopened and paper wrapper seal intact. First edition of these remarkably scarce brochure and service manual volumes for the very popular Wurlitzer 2100 and 2104 Jukebox models, which marked the shift of Wurlitzer to entirely playing 45 records, and competed direction with Seeburg with a real eye-catching rack able to play 200 selections from 100 records, and 104 selections from 52 records respectively. Arguably one of the most desirable of the Silver Age jukeboxes, this Wurlitzer model featured a design evoking a 1950's auto windshield, lots of chrome, and sleek styling. This model also proved to be a hit with teenagers and young people flocking plugging quarters into the jukebox, with Wurlitzer producing nearly 15,000 of the two in 1957. This catalogue also advertises the Model 5210 wall box unit with a 2 nickel feature for making selections remotely, and the Model 5207 for making 104 selections. The service manual also includes sections on the Wurlitzer 1900 & 2000 "Centennial" models produced from 1955-1956 (52 & 100 records), and encompasses not only specifications and description with wiring diagrams, but also how to properly install the unit, make adjustments, maintain the Jukebox properly, and exploded view parts catalogue. No copies located in Worldcat of either piece; See: Kerry Segrave, Jukeboxes: An American Social History; Wurlitzer, Jukebox History (2020).…

Folio. 86, [2] pp. With over 60 photo plates, all w/ facing knitting instructions. Colour-illustrated softcovers, Tioga trademark cover art of women knitting in red & black (minor dustsoiling, edgewear, minor creasing to lower right corner), still VG- copy. First edition of this scarce yarn catalogue and instruction book, including directions on specific yarn needs, as well as necessary stitches for the sweaters, and other projects featuring fashion designs by Perrin based on the Hollywood glamour of the 1930s. These fashions reflect the accentuated high waist designs intended for slim hips, longer mid-calf or floor length hemline, and wiode soldiers. However since most women were not blessed with slim hips and narrow waists, shoulders were exaggerated, ruffled sleeves, and long flowing capes. Worldcat locates 2 copies (Univ. of Illinois, NYPL).…

Soft cover. Condizione: Good. No Jacket. Espinosa, Antonio. Muestras de los caracteres que se funden por direccion de D.Antonio Espinosa de Los Monteros y Abbadia, academico de la Real de San Fernando, uno de sus primeros pensionados, en matrices hechas enteramente por el mismo, con punziones, que igualmente prosigue trabajando hasta concluir un surtido completo.Madrid c1770. 8vo. [16] leaves with text on rectos only, each page surrounded by individual typographical border. Wrappers. Rare Spanish type specimen catalogue by the distinguished designer, founder and printer, Antonio Espinoza (1732-1812) from Murcia, creator of the elegant cursive type for the famous Ibarra edition of Sallust (1772). The catalogue presents a selection of available type specimens designed and cast by Espinosa at his foundry in Madrid. The cursive type faces are shown on leaves 4 and 6 (rectos), the last leaf (recto) contains samples of small type suitable for glosseries. The title page is reproduced in Hipolito Escobar, Historia illustrada del libro espanol, (Madrid 1994), p228. The author was one of the first members of the Royal Academy of Arts of San Fernando established in 1752 by King Fernando VI. As a printer Espinosa is celebrated for his grand topographical plan of Madrid (1769). Title lightly foxed with neat repair in blank margin, some minor traces of usages, otherwise in good condition. Palau 18415 (lists a copy with 24 leaves); Updike II, 81 ( remarkable. in that roman characters in some cases and italic in all have an extraordinary quality of penwork ).…

Two vols. 1st - 4to. 37, [1], 57, [3] pp. With small photo illust. on title, double-page text photo illustration of the Wurlitzer factory, photo illustrations, text illustrations, wiring diagrams & schematics, 1 large folding. Colour-printed softcovers post-binder, nickel & brass screw-posts at gutter margin, cover art photo of Wurlizter 1015 Jukebox "The Bubbler" on front cover, yapp fore-edges (dustsoiling, minor creasing, small tear to fore-edge of front cover, edgewear), still good copy; 2nd -- 4to. [8], 46, [2], 13, [3] pp. With colour photo & text illustrations first part, numerous photo illustrations, red & black wiring diagrams. Colour-illustrated softcovers post-binder, nickel screw-posts at gutter margin, cover art photo of Mode 2140 Bar Box model (minor creasing, edgewear, some bumping to corners, minor tidemark & dampstaining to first couple leaves, affecting illustration at gutter margin), still G copy. First edition of these remarkably scarce service manuals for the iconic Wurlitzer 1015 Jukebox model, with arching side, top, and center tubes formed of fabricated plastic breaking away from the pre-War Art Nouveau decorative models. The 1946 post-War Fuller design was considered to be one of the "most animated" jukeboxes ever made, featuring the tubes filled with a chemical selected for low boiling point and small eaters attached which created the effect. The model was a smash success, with enormous pent-up demand, and Wurlitzer shipping 56,246 of the models from 1946-1947. The service manual encompasses not only specifications and description with wiring diagrams, but also how to properly install the unit, make adjustments, maintain the Jukebox properly, and exploded view parts catalogue. The Bar Box Model 2140 was the wall and counter unit designed for the famed "Bubbler" and also featured nickel-plated streamlined case, red plastic selector buttons, and 24 titles, and designed to increase revenue at 10¢ and 25¢ play options. Original editions are very uncommon, and not to be confused with the often mis-dated and much later 1978 Vestal Press, or the 1985 Jukebox Trader printings; Worldcat locates 1 copy of 1946 original (Toronto Public), 1 copy of the 2nd volume (Hagley); See: Kerry Segrave, Jukeboxes: An American Social History; Wurlitzer, Jukebox History (2020).…

Two vols. 1st -- 4to. [12 pp (unpaginated).], with colour and black & white photo illustrations, text illustrations throughout, self-printed colour-illustrated softcovers (minor edgewear, slight curling to corners, slight thumbing), still VG copy; 4to. 2nd -- 54, 12, 36 pp., trouble-shooting chart printed on pink tinted paper. With small photo illust. on title, photo illustrations, text illustrations, wiring diagrams & schematics, 1 large folding. Colour-printed softcovers, cover art photo of Wurlizter 1400 Jukebox on front cover (dustsoiling, minor creasing, small tear to fore-edge of front cover, edgewear), still good copy. First edition of these remarkably scarce catalogue and service manuals for the very popular Wurlitzer 1400 & 1450 Jukebox models, upgraded and designed to overtake the growing popularity of the new Seeburg Jukeboxes which could play 100 songs on 50 records. Both Wurlitzer models could play 78, 45, and 33 1/3 speed vinyl records, and could interchange between the different formats within 30 seconds, and play 48 different tunes on 24 records. These Mid-Century examples of musical Americana featured iridescent lights, plexiglass record changer compartment drawing the attention of teenagers and young people flocking across the country to restaurants, diners, and soda fountains for their latest rock 'n' roll fix. The 1400 was built with a durable walnut woodcabinet, Zenith Cobra Pick-ups, and Dynatone sound system, while the 1450 was differentiated by a "Textileather" vinyl covering including blue, beige, and burgundy textured vinyl fabrics. This catalogue also advertises Model 4851 wall box units for making selections remotely, Model 5110 deluxe speakers, and even a recessed wall or ceiling speaker. The service manual encompasses not only specifications and description with wiring diagrams, but also how to properly install the unit, make adjustments, maintain the Jukebox properly, and exploded view parts catalogue. No copies located in Worldcat of either piece; See: Kerry Segrave, Jukeboxes: An American Social History; Wurlitzer, Jukebox History (2020).…