catharina vallejo (28 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New.

Paperback or Softback. Condizione: New. La Gozadora del Dolor. Book.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: As New. Like New condition. Pristine covers and clean, crisp pages. No internal markings or spine creasing. Professional packaging and fast shipping.".

Paperback. Condizione: New. Passerelle Bleue sobre "lo verdadero y lo falso" (illustratore). 1. ed. Excellent condition. The Coloquio Internacional Celebración de la Escritura Femenina Contemporánea en las Américas took place in Montreal during March of 2000 at Concordia University. Its aim was to emphasize and explore the creative bond that exists between the peoples and c If book and packaging weight exceeds 400gms, additional shipping charges may apply. New Crítica Literaria 256 pp.

Condizione: New. In.

PF. Condizione: New.

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148 S. Ediciones Universal, Rústica. Estado de conservación: como nuevo. 1. ed edition.

Condizione: As New. Unread book in perfect condition.

Softcover. 14x21cm, 1993, 1a. ed., Textos. 406p., Sprache: Spanisch, Rústica./ Buen estado. "Util antología de un periodo poco atendido por la crítica. La introducción, las informaciones bibliográficas y la selección no pretenden ser exhaustivas, pero proporcionan un buen panorama de la actividad literaria en un tiempo de búsqueda de la expresión hispanoamericana. Incluye 28 poetas de Argentina, Bolivia, Colombia, Cuba, Ecuador, Me'xico, Peru', Repu'blica Dominicana, Uruguay y Venezuela". [Breve reseña del libro, extraída de internet] ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 27,00 (original price 30,00) **.

Taschenbuch. Condizione: Neu. THE WOMEN IN THE MEN'S CLUB | WOMEN MODERNISTA POETS IN CUBA (1880-1910) | Catharina Vallejo | Taschenbuch | Englisch | Bookmundo | EAN 9789403645759 | Verantwortliche Person für die EU: Bookmundo, Delftsestraat 33, 3013 AE ROTTERDAM, NIEDERLANDE, info[at]bookmundo[dot]com | Anbieter: preigu.

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. 248 p. ; 21x 14 cms.

Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 192 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The feminine, or 'Woman,' was one of the main inspirations in Modernismo's expression, and the still current exclusion of women poets from this movement's canon is contrary to its own foundational concepts of innovation, rupture and the importance of personal expression. This book examines the philosophical and epistemological underpinnings of Modernismo to show that there were indeed women who expressed beauty, broke with tradition and, in their search for a female Modernista voice, were innovative. Concentrating primarily on three Cuban women who lived and worked around the turn of the nineteenth-century: Mercedes Matamoros (1851-1906); Nieves Xenes (1859-1915); and Juana Borrero (1878-1896), the study's perspectives include the female voice-as-gap, the gap as woman (the presence of absence), women's presence in the historical present, and how these women did speak in their own voice, and on topics considered to be modernista - and feminine - such as art, love and beauty, thus creating a signifying space that was, in fact, just as (or perhaps more) innovative than many of the canonized (male) poets of Modernismo. Englisch.

Condizione: New. Print on Demand pp. 184 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condizione: New. Print on Demand pp. 184.

Tapa blanda. Condizione: Nuevo. Impresión bajo demanda.

Condizione: New. PRINT ON DEMAND pp. 184.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The feminine, or 'Woman,' was one of the main inspirations in Modernismo's expression, and the still current exclusion of women poets from this movement's canon is contrary to its own foundational concepts of innovation, rupture and the importance of personal expression. This book examines the philosophical and epistemological underpinnings of Modernismo to show that there were indeed women who expressed beauty, broke with tradition and, in their search for a female Modernista voice, were innovative. Concentrating primarily on three Cuban women who lived and worked around the turn of the nineteenth-century: Mercedes Matamoros (1851-1906); Nieves Xenes (1859-1915); and Juana Borrero (1878-1896), the study's perspectives include the female voice-as-gap, the gap as woman (the presence of absence), women's presence in the historical present, and how these women did speak in their own voice, and on topics considered to be modernista - and feminine - such as art, love and beauty, thus creating a signifying space that was, in fact, just as (or perhaps more) innovative than many of the canonized (male) poets of Modernismo.

Kartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnBecause of her social and literary avant-garde activities during the first thirty years of the twentieth century, Graziella Garbalosa (La Habana, 1896-1977) -actress, singer, prolific poet and prose-writer- is an extraordinary fig.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Because of her social and literary avant-garde activities during the first thirty years of the twentieth century, Graziella Garbalosa (La Habana, 1896-1977) -actress, singer, prolific poet and prose-writer- is an extraordinary figure in the Cuban artistic world. In spite of this strong presence in that nation's cultural environment, but perhaps because of her continuous travels, there are few references to her in Cuban literary histories. Her works show a great awareness of narrative experiments (very much of the avant-garde period and notable in a woman writer), in which she explores the textualization -and hence the appropriation- of the female body. Her writing is all the more daring when placed in the context of her times, when 'honorable' women were not considered to have erotic feelings. In 1920, married and with a daughter, she published a volume of poetry 'La juguetería de amor'. Her first novel, 'La gozadora del dolor' (Havana, 1922), issued when she had separated from her husband, corresponds to the melodramas typical of the era: strongly emotional, with conflicting moral codes and an intense and exaggerated plot. The work exhibits a rhetoric of extremes, and there are scenes of graphic sensuality, as well as powerful realism, which together act to establish the author's thesis on erotic pleasure as a material act which leads to pain, horror and, finally, the ultimate tragedy. Shortly after the publication of Garbalosa's second novel, 'El relicario. Novela de costumbres cubanas' in 1923, her involvement in political protest force her into exile in Mexico, where she publishes another novel, 'Una mujer que sabe mirar', in 1927. Upon her return to Cuba in 1928 she publishes 'Más arriba está el sol'. From then on she divides her residence between Cuba and Mexico, presents her scenic recitals through the United States and Europe (including Holland, Belgium, France and Spain), and continues to publish, mainly in Mexico: various literary volumes of stories and theater, such as the beautifully illustrated 'Narkis. Diez leyendas y cuentos, antiguos y modernos en versos clásicos y libres' (1948), 'Los momentos de la Reina Vida, tragicomedia en tres actos y un prólogo' (1955), and 'Charlas en el penthouse' (1955), among others. During her lifetime she publishes articles, poems and chronicles on a wide variety of cultural and political topics in major newspapers and magazines in Mexico and Cuba ('El Diario de la Marina, Bohemia', 'Social, 'Carteles'), and maintains friendship with many important artistic and literary figures of her times, such as Ernest Hemingway, Juan Antonio Mella, Rubén Martínez Villena, Diego Rivera, Gerardo Murillo, Tina Modotti and José Carlos Mariátegui. After the 1959 revolution in Cuba, she maintained her residence there until her death in 1977. This edition of 'La gozadora del dolor', with an introductory study and notes by Catharina Vallejo, constitutes excellent material for the study of Spanish-American narrative of the early twentieth century; it should also be of interest to those who study the evolution of the status of women in that time-period in Spanish-speaking areas. Through its portrait of the artistic environment of the Cuban avant-garde, and its mention of numerous Western European writers -both male and female- the novel also relates to studies in comparative literature. Its connection to the erotic-naturalist novel of Spain in the early twentieth century -and especially given the relationship between Cuba and the metropolis at that time- also situates it in the field of transatlantic studies.

Taschenbuch. Condizione: Neu. La Gozadora del Dolor | Graziella Garbalosa | Taschenbuch | Kartoniert / Broschiert | Spanisch | 2007 | Stockcero | EAN 9789871136698 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.