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paperback. Condizione: Good.
Editore: Doubleday, Page, 1927
Da: Cragsmoor Books, Cragsmoor, NY, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. Lg. 8vo. Dk. green cl., gilt lettering, crest, lines. Frontis. Illus. Xiv, 568pp., page tops gilt edged.
Da: Globus Books, San Francisco, CA, U.S.A.
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Lingua: Inglese
Editore: Faculty of Arts and Humanities, University College London, GB, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
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Aggiungi al carrelloPaperback. Condizione: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
EUR 27,96
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Aggiungi al carrelloPaperback. Condizione: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
Da: zenosbooks, San Francisco, CA, U.S.A.
Prima edizione
paperback. Condizione: Very Good in Wrappers. No Jacket. First Edition. New York. 2016. May 2014. Berghahn Books. 1st Paperback Edition. Very Good in Wrappers. 9781785331947. 362 pages. paperback. keywords: Film Russia Soviet Union History. DESCRIPTION - Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. inventory #42646.
Lingua: Inglese
Editore: Faculty of Arts and Humanities, University College London, GB, 2008
ISBN 10: 0955743915 ISBN 13: 9780955743917
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 31,99
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Aggiungi al carrelloPaperback. Condizione: New.
Paperback. Condizione: new. Paperback. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. The second scholarly study in English to consider the creative role of the camera operator in the film-making processRepresents the first scholarly study to offer a detailed analysis of the films of the Soviet avant-garde in their totalityCrosses disciplinary boundaries and examines the relationship between cinema and the visual arts Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback or Softback. Condizione: New. The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. Book.
Lingua: Inglese
Editore: University College London 2010-06-01, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
Da: Chiron Media, Wallingford, Regno Unito
EUR 17,77
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 20,52
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Academybookshop, Long Island City, NY, U.S.A.
Hardcover. Condizione: New.
Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
EUR 28,37
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
EUR 23,70
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 25,26
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Lingua: Inglese
Editore: University College London 2008-01-05, 2008
ISBN 10: 0955743915 ISBN 13: 9780955743917
Da: Chiron Media, Wallingford, Regno Unito
EUR 25,57
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Aggiungi al carrelloPaperback. Condizione: New.