cecilia vicuna (88 risultati)

Condizione: very_good.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: New. Sandra Vásquez de la Horra reimagines the world and deconstructs societal and cultural norms through her playful and surrealistic drawings and paper sculptures. Her work delves into shared and untold histories, trauma, desire, fantasies, and taboos. Born in Chile during the repressive Pinochet regime, she has lived and worked in Germany for decades, incorporating Latin American and European traditions into her unique artistic language. Her drawings - along with paintings, photographs, and films - explore mythologies, fantastical hybrid botanicals, diverse geographies, and text, with writing in Spanish, English, Italian, Latin, and German, that expands the possibilities of meaning for each image. She imbues the traditional technique of drawing with tactility by dipping finished drawings in beeswax, and she continues to challenge our preconceptions of what drawing can be by turning paper into three-dimensional sculptures. Sandra Vásquez de la Horra's work invites us in and exposes the mysteries and intimacies of our shared experiences.

Paperback. Condizione: New. Sandra Vásquez de la Horra reimagines the world and deconstructs societal and cultural norms through her playful and surrealistic drawings and paper sculptures. Her work delves into shared and untold histories, trauma, desire, fantasies, and taboos. Born in Chile during the repressive Pinochet regime, she has lived and worked in Germany for decades, incorporating Latin American and European traditions into her unique artistic language. Her drawings - along with paintings, photographs, and films - explore mythologies, fantastical hybrid botanicals, diverse geographies, and text, with writing in Spanish, English, Italian, Latin, and German, that expands the possibilities of meaning for each image. She imbues the traditional technique of drawing with tactility by dipping finished drawings in beeswax, and she continues to challenge our preconceptions of what drawing can be by turning paper into three-dimensional sculptures. Sandra Vásquez de la Horra's work invites us in and exposes the mysteries and intimacies of our shared experiences.

Paperback. Condizione: Fine. rattapallax 11 is focused on young Chilean poets and a Centenary of Neruda. Some of the Young Chilean Poets include Gustavo Barrera, Carlos Baier, Javier Bello, Lila Diaz, Alejandra Del Rio, Rodrgio Rojasand others. Poets involved in the Centenary of Neruda include Martin Espada, Marjorie Agosin, Edward Hirsch, Marciano, Luciana Souza, Kyi May Kaung, Cecilia vicuna, Edwin torres, Ivon gordon Vailakis, Nicomedes Suarez-Arauz. 110 pages, paper with stiff cover. Includes a CD with 38 poems. Fine condition.

Soft cover. Condizione: New. 1st Edition. Fine oversized paperback. Overall a bright and attractive catalog, as new. Color photographs and reproductions throughout.

Hardback. Condizione: New. At once poetry, art and activism, Vicuña's playful multimedia works "open up minds by opening up words"This beautifully designed clothbound book brings together the Palabrarmas series by the Chilean-born artist, poet and activist Cecilia Vicuña (born 1948). Images of these works-each a powerful juxtaposition of color, poetry and politics-appear alongside new essays and historical references chosen with the artist. Palabrarmas, a neologism that translates to "word weapons" or "word arms," imagine new ways of seeing language. Taking the form of collages, silkscreens, drawings, poems, fabric banners, cutouts, mixed-media installations and street actions, Vicuña's Palabarmas bring together her work in poetry, activism and visual art. Each one unpacks and deconstructs single words to reveal other words hiding within them, allowing new meanings to emerge. The artist began making these visual anagrams while in exile in London and Bogotá after the Pinochet-led coup of 1973 in Chile, and has always seen them as a form of liberation-as a way to "open up minds by opening up words," as she puts it. The Palabarmas have taken on new relevance in today's political climate, and appeared on the streets during Chile's 2019 revolution as protest signs. This book presents a range of Palabrarmas in color for the first time, with new essays by Mónica de la Torre, Carla Macchiavello, Cecilia Vicuña and Jeanne Gerrity, and reprinted texts by René Daumal, Robert Randall and Simón Rodríguez.

Condizione: New.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: NEW.

Paperback. Condizione: New.

Condizione: New. 2024. paperback. . . . . .

Condizione: New.

Soft cover. Condizione: Near Fine. 1st Edition. Bright and unmarked, 140 pages of this magazine reviewing Latin American Art, focus on Cinema and Politics, circa 2007. Cover art by Nadin Ospina, Colombia Land. Terrorista, 2002. Profusely illustrated with colour photographs and original art.

Condizione: New.

8 3/4 x 9 in., 46 pp., perfect bound in French paper wrappers. Printed in full color by David McNamara at Publish Publish. Text by Vicuña and O'Hern, and drawings and paintings by Vicuña. Designed and edited by M.C. Kinniburgh, and distributed by Granary Books. The Theran Spiral is a dialogue between Vicuña and O'Hern, and part of a larger project titled The Ritual Commons which developed from their work at documenta 14 in Athens (in 2017). Struck by the connections between the Andean quipu and the motifs of Ancient Crete, Vicuña and O'Hern follow the "red thread" of a series of powerful fresco fragments at the site Akrotiri, which depict menstrual rites. In conversation,Vicuña and O'Hern re-imagine these rites, with several drawings and new paintings by Vicuña as part of their response. From the introduction by Vicuña: In 2016, I was invited to join documenta 14 in Athens, a year ahead of the exhibition that took place in 2017. Once in the city, I suddenly remembered that as a child I was in love with a Cretan image: "La Parisienne." I looked her up, and for the first time I saw her in color! She had a huge red knot in her back, and I thought: "like an Andean quipu." In that instant, the idea of creating a Quipu to honor the commonality and difference between the Andes and ancient Crete was born. I created my Quipu Womb, with the help of Greek artist-sailors who knew how to make knots, and this majestic sculpture rose as a cosmic umbilical cord of menstrual blood. Intrigued by the Cretan knots, I began to research and learned that in multiple frescoes in Knossos and Akrotiri, women carried red knots, not only in their backs, but also on their arms and waists. I knew then that my partner, James O'Hern, and I would have to travel to Crete to see them firsthand. documenta 14 was an invitation to "Learn from Athens," and that's exactly what happened to us. In Greece we encountered the living traces of the old cultures, and we began weaving our own stories and perspectives as indigenous mestizos of the Americas with the memory of the ancient initiatory rites. Jim and I were invited to teach a five-day seminar at the A.S.F.A. (Athens School of Fine Arts) as part of documenta 14: "The Ritual Body of the Commons." During that seminar, and the long conversations with the artists that took part, the idea of writing a book took hold. Our guide in the journey was the red thread. Following its discontinuous movement, our book The Ritual Commons was born. The chapter you now have in your hands is part of that book (yet unpublished). Crete for us is the language of blood speaking, and the frescoes of Akrotiri are its supreme expression, a celebration of life created for the ritual initiation of boys and girls. Nanno Marinatos writes that "the blood of the goddess is the source of the sacred crocus . suggesting that the blood of the goddess gave rise to plant life" (Akrotiri, Thera and the East Mediterranean, 63). For us, the frescoes must have been part of a multidimensional visual and oral story experienced both by the individual and the social body participating in the transformative emotion of the rites. This chapter reimagines the initiation following the painstaking reconstruction of the fresco fragments by the archaeologists, focusing on the collective joy and abundance expressed in these works, and the pain of loss of the cosmic mother culture after the entire Minoan (Cretan) universe collapsed circa 1600 BC. As oral poets, Jim and I composed the book and this chapter as a recorded dialogue that becomes a trialogue when a Third Voice emerges; the voice of our togetherness, what we say in common. This is from an edition of 123 copies, of which 33 are numbered and signed by the authors, with a unique, small drawing in neon pink pencil byVicuña. This is from the regular edition, which is unsigned. As new.

Condizione: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 153 pp. Near Fine in Near Fine dust jacket. Slight shelfwear to extremities. One of 1500 printed in the first edition. Advance copy with publisher's 1" x 2" sticker to lower corner of first page.

Condizione: New.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: NEW.

Paperback. Condizione: Brand New. 2nd revised edition. 149 pages. 8.00x8.00x0.50 inches. In Stock.

Paperback. Condizione: New. On the occasion of the exhibition Cecilia Vicuña: Dreaming Water, Malba publishes - in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo - the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format - a letter addressed to the artist - as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the "Palabrarmas" project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio.

Condizione: new.

Paperback. Condizione: new. Paperback. On the occasion of the exhibition Cecilia Vicuna: Dreaming Water, Malba publishes in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de Sao Paulo the most comprehensive monographic book dedicated to Cecilia Vicuna's work to date. It features a main text by curator and editor Miguel A. Lopez in epistolary format a letter addressed to the artist as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and Jose de Nordenflycht. It includes two texts by Vicuna on her drawings from the Palabrarmas project and the activism of the group Artists for Democracy, as well as a conversation between Vicuna, Marisol de la Cadena, and Camila Marambio. SELLING POINTS: . Showcasing the work of Cecilia Vicuna, a global artist who has had a great impact on the contemporary art scene. Her pieces are part of prestigious collections, including the Museum of Modern Art (MoMA) in New York. . Offering a comprehensive exploration of Vicuna's multifaceted artistic journey comprising over 200 works of paintings, drawings, screenprints, collages, textiles, videos, photographs, installations, poetry, artist books, and performances. . Readers can immerse themselves in her creative wealth with her influence extending beyond artistic movements, embodying decolonization and ecofeminist ideals. . Curated by Miguel A. Lopez, the book not only delves into Vicuna's art, but also includes essays by prominent scholars and a conversation between Vicuna, Marisol de la Cadena, and Camila Marambio. 417 illustrations Includes inserts (8 cm width) between pages 24-25 and 200-201. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condizione: New. A BRAND NEW BOOK UNUSED. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing, a scan of the actual book is available on request.

Paperback. Condizione: New. On the occasion of the exhibition Cecilia Vicuña: Dreaming Water, Malba publishes - in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo - the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format - a letter addressed to the artist - as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the "Palabrarmas" project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio.