Celant mario (34 risultati)

297 pp.; 28 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 28 - November 26, 1989. Texts by Germano Celant and the artist. Includes exhibition checklist, biography, selected bibliography, and selected exhibitions and reviews. Printed in black-and-white and color. Very Good. Yellowing and dusting of covers and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Condizione: Good. Oorspronkelijk geniet omslag, softcover, 1 z/w illustratie, 4to. Met 2 losse foto's en een foldertje over Mario Merz.

Condizione: Good. Oorspronkelijk geniet omslag, softcover, 1 z/w illustratie, 4to. Met losse geniete informatie (5 pagina's).

Trade Paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good-. Condition: Very Good; Softcover with dustjacket. Exhibition Catalog. Condition is Very Good in a Very Good- dustjacket. Book has clean covers and pages along with a tight binding. Jacket has some light staining on spine.

Soft cover. Condizione: Very Good. Very good copy.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

New York. Guggenheim. MARIO MERZ. By Germano Celant; 300 pp. exhibition catalogue, hundreds of illustrations in color and b&w. Thick 4to, wraps. 1989.

Trade Paperback. Condizione: Near Fine. Condizione sovraccoperta: wraps. First Edition. This is a near fine first edition paperback copy, white spine. MEDIA SHIPPING ONLY, extra for airmail or international shipping. Mario Merz (illustratore).

20x15. 33 pags. Fotos en blanco y negro. Rústica con solapas.

Paperback. Condizione: near fine(-). Folio in offwhite illus jacket; 297 pages, [1] leaf of plates: illustrations (some color); 29 cm. Includes bibliographical references (pages 284-286). Original exhibit brochure laid in. Exhibition catalog: "Mario Merz, Solomon R. Guggenheim Museum, New York, September 28-November 26, 1989" Merz, Mario. Merz, Mario, 1925-2003. Conceptual; Italy; Exhibitions; Merz,; Exhibitions Contents: Sponsor's statement / Marco Rivetti -- Foreword / Thomas Krens -- Acknowledgments / Thomas Krens -- The organic flow of art / Germano Celant -- Catalogue, interviews, and selected writings / Mario Merz. Conceptual art -- Italy -- Exhibitions. Conceptual art. Merz, Mario -- Exhibitions. Merz, Mario, 1925-2003. **A large, heavy book. Extra shipping charges may apply.**. Gentle bump tp spine head region, jacket lightly sunned; esle a near fine to near fine(-) copy. …

Soft cover. Condizione: Very Good +. 1st Edition. Exhibition catalog published in conjunction with an Institute of Contemporary Arts, Nagoya Mario Merz retrospective. 92 pages with text in Japanese and English. Well illustrated in color and black & white. One inch stain to the rear endpaper and the inner rear flap fold. Book.…

91 pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 23 - June 19, 1988. Essays by Germano Celant and Démosthènes Davvetas. Includes an interview between Merz and Fumio Nanjo. Also includes exhibition history, biography, and bibliography. Text in English and Japanese. Good / Very Good. Rubbing of covers and cover edges with wear to cover corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very good in wraps. First Edition. 21 x 30cm 92pp very good catalogue with Japanese and English text including an essay: The Unexpected Centaur by Germano Celant. Previous owner's name neatly written at top of rear end paper, largely black and white reproductions show the artist's works. Mario Merz was an Italian artist, and husband of Marisa Merz. Born in Milan, Merz started drawing during World War II, when he was imprisoned for his activities with the Giustizia e Libert? antifascist group. He experimented with a continuous graphic stroke not removing his pencil point from the paper. He explored the relationship between nature and the subject, until he had his first exhibitions in the intellectually incendiary context of Turin in the 1950s, a cultural climate fed by such writers as Cesare Pavese, Elio Vittorini, and Ezra Pound. He met Marisa Merz during his studies in Turin in the 1950s. They were associated with the development of Arte Povera, and they were both influenced by each other's works.…

Soft cover. Condizione: Very Good. No Jacket. First Edition. Exhibition Catalogue. Two Volumes in slipcase. Slipcase shows mild wear.

Wrappers with Slipcase. Condizione: Fine Condition. Two volume set, 476 pp., 452 illustrations in color. Volume I was published for the exhibition from the Fondazione Prada, Milan 27 October-15 December 2002. Volume II is a thorough catalogue in which the whole of the artist's output is described and analyzed, accompanied by his own writings and essays by Robert Storr, John Miller, Glenn D. Lowry, Dennis Cooper and John Waters, amongst others. Beautiful slipcase in fine condition. Book.…

4°, 297 S., zahlr. tlw. farb. Abb., Brosch. m. OU, OU am Rücken gebräunt u. m. kl. Läsur am Rücken, Name a. Vakatbl., Blattränder min. gebräunt. EA. Erschienen zur Ausstellung im Guggenheim-Museum, New York. Mit Interviews und ausgewählten Schriften. Text engl. 2100 gr. Schlagworte: Kunst - Monographien, Kunst - Ausstellungen, Sammlungen. …

Soft cover. Condizione: Fine. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First English edition, first printing. Two volumes sharing the following format: Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued; contained in a custom ruched brown paper-covered slipcase. Volume One: Works in various media and texts by Tom Friedman. Unpaginated (160 pp.), with four-color plates throughout. Volume Two: Essays and interviews by Germano Celant, Mario Perniola, Robert Storr, John Miller, Hudson, Glenn D. Lowery, Dennis Cooper and John Waters. Includes a bio-bibliography. 320 pp., with four-color plates throughout. Slipcase measures 12-5/8 x 9-1/2 inches. Published on the occasion of an exhibition at Fondazione Prada. Fine (volume 1 has a tiny crease at the top right front corner, affecting wrappers only, and a small speck on the front cover, else As New) in Near Fine slipcase (light sunning to the opening edges). …

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

Brossura. Condizione: ottimo. Condizione sovraccoperta: ottimo. prima edizione. Figure: teoria e critica dell'arte intende proporre riflessioni e dibattiti sullo statuto della critica e sui rapporti con l'opera d'arte, sulle specifiche modalità del loro costituirsi. Il nostro discorso su arte e critica ne riconosce un legame stretto, dialettico e ravvicinato, e sempre sicuramente attento a decifrare e produrre le regole e i modi di ciascuna di queste esperienze la critica non sfuma né si dissolve nell'arte e l'arte non è categoria privilegiata che misura il lavoro della critica, così come questa non intende definire per l'arte, territorio di rispecchiamento, le misure del suo prodursi. Figure si colloca, perció, nel dibattito sul sapere, dalla parte di chi lavora nella direzione di un approfondimento e rinnovamento, di un uso nuovo delle nozioni di progetto e di razionalita. con la convinzione, tuttavia, che gli strumenti razionali e la loro incidenza sulle trasformazioni reali e sui processi in corso hanno perduto un ruolo forte e una definibilita assoluta. Descrizione bibliografica Titolo: Figure: teoria e critica dell'arte. La Cornice. Il Mostro Quotidiano. Rivista quadrimestrale Autori vari: Filiberto Menna, Germano Celant, Cesare Milanese, Mario Manieri-Elia, Rino Mele, Giorgio Cortenova, Lamberto Pignotti, Pietro Bellasi, Guido Almansi, Michele Maffesoli, Edgar Morin, Gillo Dorfles, Silvana Sinisi, Lorenzo Mango, Benedetto Gravagnuolo, Alberto Cuomo, Angelo Trimarco, Paolo Balmas, Maurizio Grande, Ernesto L. Francalanci, Massimo Carboni Curatore: Filiberto Menna Editore: Roma: Edizioni Kappa: Anno 2, Numero 4-5, 1983 Lunghezza: 192 pagine; 23 cm; illustrato b/n Soggetti: Critica d'arte Cornice Archetipi Esposizioni Pagina Quadro Arca Babele Labirinto Architettura Limiti Silenzio Luoghi Oro Collage Realtà Mostro Quotidiano Mostri Ricomposizione Grasso Magro Diverso Uguale Mostruosità Comi-tragedia Mostruoso Sincronicità Mostruosa Scena Modi Silenziosi Narrare Scrittura Narrazione Memoria International Style Storie Architetti Italiana Moderno Postmoderno Supermoderno Fritz Saxl Storia Benedetto Croce Arti Figurative Questione Colore Parola Impossibile Critico Sogno Linneo Filosofia Pensiero Artaud Pittura Teatro Dominio Finzione Corpo Artisti Cinema Letteratura Scultura Avanguardia Opera totale Futurismo Dadaismo Canoni Semiotica Spazio Teatralità Relazioni Spettatore Finestra Estetica Vita Confini Autoanalisi Distruzione Gesto informale Corporeità Soggetto Thappening Evento Fluxus Situazionista Spettacolo Ben Vautier Happening Oggetti Biennale veneziana Esposizione Quotidiano Mito Linguaggio Barriere Mediazione Consapevolezza Magritte Sklovskij Psicologia Messa in scena Loat court Illusione Ribalta psicologica Artifici Stilistica Forma Inchieste Riviste Teoria Giulio Carlo Argan Bertelli Balla Fotografia Iconografia Immagine Flusso Quadro Dipingere El Lissitzky Parete Seurat Salvador Dalì Parola Wittgenstein Trauerspiel Boccioni Margine Severini Giorgio Agamben Derrida Hans Christian Andersen Novecento Papier collé Picasso Braque Natura morta Estetica Malevic Carrà Hausmann Hoch Ernst Moholy-Nagy Tatlin Patchwork Parolibere Montaggio Rebus Hitchcock Stile internazionale Bricolage Le Corbusier Karl Jencks Johnson Moma Wim Wenders Nicholas Ray Falso movimento Art Criticism Frame Archetypes Exhibitions Page Painting Ark Babel Labyrinth Architecture Limits Silence Places Gold Reality Daily Monsters Recomposition Fat Thin Different Equal Monstrosity Comedy-tragedy Monstrous Synchronicity Scene Silent Ways Narrate Writing Narration Memory Stories Architects Italian Postmodern Supermodern History Figurative Arts Question Color Word Impossible Critic Dream Linnaeus Philosophy Thought Theater Domination Fiction Body Artists Literature Sculpture Avant-garde Total work Futurism Dadaism Canons Semiotics Space Theatricality Relations Spectator Window Aesthetics Life Boundaries Self-analysis Destruction Informal gesture Corporeality Subject Event Situationist Show Objects Venice Exhibition Daily Myth Language Barr.…

Soft cover. Condizione: Very Good. 1st Edition. 4° - 465pp - Color Plates and Color & B/w reproductions. First edition, text in English language. Original wrappers. In Very good condition.

Softcover exhibition catalog, 92 pages, in Japanese and English with interview with Merz; very good condition, light rubbing to covers and 1-inch crease to upper left corner of front cover; no internal marks. Foreign shipping may be extra.

Condizione: Très bon état. in-4, broché, jaquette illustrée à rabats, 297 pp., nombreuses photos en noir et en couleurs, bibliographie. Catalogue de l'exposition de New York, septembre-novembre 1989. Texte en anglais. Très bon état.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "Secret Vices: Richard Hampton on Peckinpah," by Howard Hampton; "Undertone: B. Ruby Rich on Standing by Your Girl," by B. Ruby Rich; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Commedia Dell'Arte: A Project for Artforum," by Peter Bagge; "Curies' Children: Vilém Flusser on Progress," by Vilém Flusser; "Democracy, Inc.: David Theo Goldberg on Apartheid in the Press," by David Theo Goldberg; "All Fives, Sevens, and Nines: Walter de Maria," by Lars Nittve; "Engendered Species: Danny Tisdale and Keith Piper," by Kobena Mercer; "On the Road to Kassel"; "News from Nowhere: Bond and Gillick," by Giorgio Verzotti; "Moira Dryer's Dream Catchers," by Rosetta Brooks; "Second Nature," by Norbert Messler; "Absence Made Visible: Robert Ryman," by Thomas McEvilley; "Marisa's Swing," by Germano Celant; "Truths Told Slant: Sally Mann," by Melissa Harris. Reviews by Giorgio Verzotti, Olivier Zahm, Ida Panicelli, Howard Hampton, B. Ruby Rich, Greil Marcus, Peter Bagge, Vilém Flusser, David Theo Goldberg, Lars Nittve, Kobena Mercer, Giorgio Verzotti, Rosetta Brooks, Norbert Messler, Thomas McEvilley, Germano Celant, Melissa Harris, Lisa Liebmann, Thad Ziolkowski, Donald Kuspit, Keith Seward, Matthew Weinstein, Jan Avgikos, David Rimanelli, Justin Spring, John Yau, Jenifer P. Borum, Lois E. Nesbitt, Ronny Cohen, Francine Koslow Miller, Elizabeth Licata, Judith Russi Kirshner, James Yood, Amy Gerstler, Amelia Jones, Colin Gardner, Linda Genereux, Mario de Candia, Francesca Pasini, Miriam Rosen, Olivier Zahm, Jean-Pierre Criqui, Johanna Hofleitner, Anne Krauter, Claudia Jolles, Noemi Smolik, Sabine B. Vogel, Peter Funken, Frank-Alexander Hettig, Jos Van den Bergh, Timo Valjakka, Michael Archer. Cover: Nicola De Maria. …

Softcover. Condizione: Gut bis sehr gut. 1. Auflage. B : 21,5 x 30 cm. 214 Seiten/pagine mit zahlreichen Schwarzweissabbildungen - Catalogo riccamente illustrato, a cura di Germano Celant, con testi ed interviste di Achille Bonito Oliva, Giorgio Franchetti, Mario Perazzi, Umberto Allemandi, Caroline Tisdall, Heiner Bastian.…

Hardcover. Condizione: Very Good. 1st Edition. The Institute for Art and Urban Resources, Inc. 8vo, 263 p., bound in original cardboard. First edition of this collection of Arte Povera artists, including Mario Merz, Luciano Fabro, Giulio Paolini, Pino Pascali and others. Lower text block slightly bowed, lower front board stained; cardboard creased, else a sound VG copy.…

Hardback. Condizione: Very good. First Edition. 31 x 24 cm 448 pp with numerous b&w illustrations throughout. Italian text. No. 2970 of a numbered edition of 3,500 copies of the hardback.

Ohne Stempel, keine An-und Unterstreichungen. Zustand: gut. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.…