channer alice (22 risultati)

4° paperback. [12] / [12] pages. Edition of 1000 copies.Very good copy. Sprache: Englisch Gewicht in Gramm: 220.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. Alice Channers (b. Oxford, 1977; lives and works in London) sculptures explore relationships between materials, bodies, machines, and industrial or technological processes. With relish, she combines her industrialized objects with human gesture or with natural traces such as physical or geological remains. Channer relentlessly juxtaposes the organic and the artificial, the biological and the industrial, weaving the traces of production processes into the language of her sculptures. She not only confronts her artistic signature with the cold aesthetics of mechanical shaping, but also points to the fragility of ecology with her seductive yet fragile exoskeletons.Heavy Metals / Silk Cut is the artists first comprehensive monographic exhibition catalogue, published on the occasion of her solo exhibition in the two buildings of Kunstmuseum and Kunsthalle Appenzell, which features new productions as well as works from the past twelve years. With essays by Rosanna McLaughlin and Zoe Gray, an experimental text by Daisy Hildyard, and a conversation with the artist by Stefanie Gschwend, the book project invites readers to discover her process-based creative approach. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -Verfremdete, widersprüchliche Materialien Alice Channer (geb. 1977 in Oxford, lebt und arbeitet in London) untersucht in ihren Skulpturen Beziehungen zwischen Materialien, Korpern, Maschinen und industriellen oder technologischen Verfahren und kombiniert lustvoll Industrieobjekte mit menschlicher Gestik oder natürlichen Spuren wie korperlichen oder geologischen Uberresten. Channer stellt beharrlich Organisches und Künstliches, Biologisches und Industrielles nebeneinander und integriert die Spuren von Produktionsprozessen in die Sprache ihrer Skulpturen. Sie konfrontiert nicht nur ihre künstlerische Handschrift mit der kalten Asthetik mechanischer Formung, sondern verweist mit ihren verführerischen und gleichzeitig brüchigen Exoskeletten auch auf die Fragilitat der Okologie.ALICE CHANNER ist der erste umfassende monografische Katalog der Künstlerin, der anlasslich ihrer Einzelausstellung in den zwei Gebauden des Kunstmuseums und der Kunsthalle Appenzell Heavy Metals / Silk Cut mit neuen Produktionen sowie Arbeiten der letzten zwolf Jahre erscheint. Die Publikation ladt mit Essays von Rosanna McLaughlin und Zoe Gray, einem experimentellen Text von Daisy Hildyard und einem Gesprach von Stefanie Gschwend mit der Künstlerin ein, ihre prozessbezogene Kunst zu entdecken.Alienated, Contradictory Materials Alice Channer's (b. Oxford, 1977; lives and works in London) sculptures explore relationships between materials, bodies, machines, and industrial or technological processes. With relish, she combines her industrialized objects with human gesture or with natural traces such as physical or geological remains. Channer relentlessly juxtaposes the organic and the artificial, the biological and the industrial, weaving the traces of production processes into the language of her sculptures. She not only confronts her artistic signature with the cold aesthetics of mechanical shaping, but also points to the fragility of ecology with her seductive yet fragile exoskeletons.ALICE CHANNER is the artist's first comprehensive monographic exhibition catalogue, published on the occasion of her solo exhibition Heavy Metals / Silk Cut in the two buildings of Kunstmuseum and Kunsthalle Appenzell, which features new productions as well as works from the past twelve years. With essays by Rosanna McLaughlin and Zoe Gray, an experimental text by Daisy Hildyard, and a conversation with the artist by Stefanie Gschwend, the book project invites readers to discover her process-based creative approach. 308 pp. Deutsch, Englisch.

Taschenbuch. Condizione: Neu. Neuware -Verfremdete, widersprüchliche Materialien Alice Channer (geb. 1977 in Oxford, lebt und arbeitet in London) untersucht in ihren Skulpturen Beziehungen zwischen Materialien, Korpern, Maschinen und industriellen oder technologischen Verfahren und kombiniert lustvoll Industrieobjekte mit menschlicher Gestik oder natürlichen Spuren wie korperlichen oder geologischen Uberresten. Channer stellt beharrlich Organisches und Künstliches, Biologisches und Industrielles nebeneinander und integriert die Spuren von Produktionsprozessen in die Sprache ihrer Skulpturen. Sie konfrontiert nicht nur ihre künstlerische Handschrift mit der kalten Asthetik mechanischer Formung, sondern verweist mit ihren verführerischen und gleichzeitig brüchigen Exoskeletten auch auf die Fragilitat der Okologie.ALICE CHANNER ist der erste umfassende monografische Katalog der Künstlerin, der anlasslich ihrer Einzelausstellung in den zwei Gebauden des Kunstmuseums und der Kunsthalle Appenzell Heavy Metals / Silk Cut mit neuen Produktionen sowie Arbeiten der letzten zwolf Jahre erscheint. Die Publikation ladt mit Essays von Rosanna McLaughlin und Zoe Gray, einem experimentellen Text von Daisy Hildyard und einem Gesprach von Stefanie Gschwend mit der Künstlerin ein, ihre prozessbezogene Kunst zu entdecken.Alienated, Contradictory Materials Alice Channer's (b. Oxford, 1977; lives and works in London) sculptures explore relationships between materials, bodies, machines, and industrial or technological processes. With relish, she combines her industrialized objects with human gesture or with natural traces such as physical or geological remains. Channer relentlessly juxtaposes the organic and the artificial, the biological and the industrial, weaving the traces of production processes into the language of her sculptures. She not only confronts her artistic signature with the cold aesthetics of mechanical shaping, but also points to the fragility of ecology with her seductive yet fragile exoskeletons.ALICE CHANNER is the artist's first comprehensive monographic exhibition catalogue, published on the occasion of her solo exhibition Heavy Metals / Silk Cut in the two buildings of Kunstmuseum and Kunsthalle Appenzell, which features new productions as well as works from the past twelve years. With essays by Rosanna McLaughlin and Zoe Gray, an experimental text by Daisy Hildyard, and a conversation with the artist by Stefanie Gschwend, the book project invites readers to discover her process-based creative approach. 308 pp. Deutsch, Englisch.

Condizione: New.

Condizione: New.

paperback. Condizione: Like New. As new clean tight and bright slender trade paperback with French flaps, illustrated throughout. B36 Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Condizione: New. Verfremdete, widerspruechliche Materialien Alice Channer (geb. 1977 in Oxford, lebt und arbeitet in London) untersucht in ihren Skulpturen Beziehungen zwischen Materialien, Korpern, Maschinen und industriellen oder technologischen Verfahren .

Paperback. Condizione: New. New Book, Direct from Publisher.

Paperback. Condizione: new. Paperback. Alice Channers (b. Oxford, 1977; lives and works in London) sculptures explore relationships between materials, bodies, machines, and industrial or technological processes. With relish, she combines her industrialized objects with human gesture or with natural traces such as physical or geological remains. Channer relentlessly juxtaposes the organic and the artificial, the biological and the industrial, weaving the traces of production processes into the language of her sculptures. She not only confronts her artistic signature with the cold aesthetics of mechanical shaping, but also points to the fragility of ecology with her seductive yet fragile exoskeletons.Heavy Metals / Silk Cut is the artists first comprehensive monographic exhibition catalogue, published on the occasion of her solo exhibition in the two buildings of Kunstmuseum and Kunsthalle Appenzell, which features new productions as well as works from the past twelve years. With essays by Rosanna McLaughlin and Zoe Gray, an experimental text by Daisy Hildyard, and a conversation with the artist by Stefanie Gschwend, the book project invites readers to discover her process-based creative approach. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. Neuware - Verfremdete, widersprüchliche Materialien Alice Channer (geb. 1977 in Oxford, lebt und arbeitet in London) untersucht in ihren Skulpturen Beziehungen zwischen Materialien, Korpern, Maschinen und industriellen oder technologischen Verfahren und kombiniert lustvoll Industrieobjekte mit menschlicher Gestik oder natürlichen Spuren wie korperlichen oder geologischen Uberresten. Channer stellt beharrlich Organisches und Künstliches, Biologisches und Industrielles nebeneinander und integriert die Spuren von Produktionsprozessen in die Sprache ihrer Skulpturen. Sie konfrontiert nicht nur ihre künstlerische Handschrift mit der kalten Asthetik mechanischer Formung, sondern verweist mit ihren verführerischen und gleichzeitig brüchigen Exoskeletten auch auf die Fragilitat der Okologie.ALICE CHANNER ist der erste umfassende monografische Katalog der Künstlerin, der anlasslich ihrer Einzelausstellung in den zwei Gebauden des Kunstmuseums und der Kunsthalle Appenzell Heavy Metals / Silk Cut mit neuen Produktionen sowie Arbeiten der letzten zwolf Jahre erscheint. Die Publikation ladt mit Essays von Rosanna McLaughlin und Zoe Gray, einem experimentellen Text von Daisy Hildyard und einem Gesprach von Stefanie Gschwend mit der Künstlerin ein, ihre prozessbezogene Kunst zu entdecken.Alienated, Contradictory Materials Alice Channer's (b. Oxford, 1977; lives and works in London) sculptures explore relationships between materials, bodies, machines, and industrial or technological processes. With relish, she combines her industrialized objects with human gesture or with natural traces such as physical or geological remains. Channer relentlessly juxtaposes the organic and the artificial, the biological and the industrial, weaving the traces of production processes into the language of her sculptures. She not only confronts her artistic signature with the cold aesthetics of mechanical shaping, but also points to the fragility of ecology with her seductive yet fragile exoskeletons.ALICE CHANNER is the artist's first comprehensive monographic exhibition catalogue, published on the occasion of her solo exhibition Heavy Metals / Silk Cut in the two buildings of Kunstmuseum and Kunsthalle Appenzell, which features new productions as well as works from the past twelve years. With essays by Rosanna McLaughlin and Zoe Gray, an experimental text by Daisy Hildyard, and a conversation with the artist by Stefanie Gschwend, the book project invites readers to discover her process-based creative approach.

Taschenbuch. Condizione: Neu. Heavy Metals / Silk Cut | Alice Channer | Alice Channer | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 308 S. | Deutsch | 2023 | Distanz Verlag | EAN 9783954766055 | Verantwortliche Person für die EU: DISTANZ Verlag GmbH, Hallesches Ufer 78, 10963 Berlin, info[at]distanz[dot]de | Anbieter: preigu.

Condizione: Good. 4to. [circa 12 pp.] Stapled Wrap, Very Good, Color Plates. Text also by Jennifer Boyd.Provenance: Richard A. Lorenz (1952-2001), author, art conservator,curator and director of the San FranciscoRegional Art Conservation Center. As a trustee of The ImogenCunningham Trust , Mr. Lorenz organized and curatedexhibitions of Cunningham's photographs and authored four major books onthe photographer.