charles w millard (81 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condizione: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

paperback. Condizione: Very Good. 1983. Smithsonian Pub. Pages clean tight and bright no marks.Cover is clean and strong with light shelf rub at spine and top edge of cover.

Paperback. Condizione: Very Good. First Edition. [10] pp.; b/w plates, pictorial stapled-wraps, 4to.: Bumping/light creasing to edges, some splitting to spine-ends of wraps, one marker line along bottom edge of FFEP: Well packaged in a box, ships with tracking.

Paperback. Condizione: Very Good. Booklet, illustrated wih numerous photos and one opage of drawings by Phil May, illustrating life at the camp. Camp Roberts was built as a World War II training center, now used as a National Guart post. ; 8-1/2" x 11"; 32 pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Bound in dark grey cloth with white title on the spine. Full color illustrations. 94pp. Illustrated black-and-white dustjacket.CONDITION: Light shelf wear. Pages are crisp and clean. Binding and text block are square and straight. Dustjacket has light rubbing and edge wear.Full refund if not satisfied.

Condizione: Very Good. Very Good condition. (Abstract Art, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condizione: Good. 1st. [30] pages, illustrations; 28 cm. An exhibition presented by the Dallas Museum of Fine Arts, February 6 to March 24, 1974, sponsored by the Atlantic Richfield Foundation. Good+. Firm binding, clean inside copy. Moderate shelfwear to wraps, with a closed tear on the back cover. Size: 4to.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. Hardcover. No DJ. Ex-Library with usual markings. Pages are clean and unmarked. Covers show light edge wear with rubbing/light soiling. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Condizione: Very Good. Softcover. Good binding and cover. Edge wear. Clean, unmarked pages.

First edition Very close to fine and bright pictorial stiff wraps with strong square spine and crisp bright text throughout. Some color and black and white illustrations throughout. A sharp copy.

Condizione: Good. Good condition. (Art, Art Exhibition, Exhibition Catalog) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Softcover. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. Contents: Mullin, Guest editor's introduction. Homan, Criticism for the filmed Shakespeare. Hodgdon, Barbara, Kozintsev's King Lear: filming a tragic poem. Berlin, Peter Brook's interpretation of King Lear: "nothing will come of nothing." Kliman, Olivier's Hamlet: a film-infused play. McCreadie, Henry V: onstage and on film. Halio, Zeffirelli's Romeo and Juliet: the camera versus the text. Rothwell, Zeffirelli's Romeo and Juliet: words into picture and music. Bazerman, Time in play and film: Macbeth and Throne of Blood. Kinder, Throne of Blood: a morality dance. Poague, As You Like It and It Happened One Night: the generic pattern of comedy. Millard, Shakespeare on film: towards an audience perceived and perceiving. Staton, Shakespeare redivivus: supplementary techniques for teaching Shakespeare. Richmond, The synergistic use of Shakespearean film and videotape. Reviews. 9.0" tall; 89 pages. Very Good in No Dust Jacket dust jacket.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Later printing. Minor wear & light scuffs to boards. Text and images unmarked. Dj lightly shelf worn with small scuffs & scratches. Dust jacket in a mylar cover. **Please note: book is oversized and heavy, and will require substantial additional shipping fees to international or expedited addresses.**.

Soft covered. Condizione: Near Fine. First Edition. Stapled off-print publication. 7 pp. Signed "Charlie" to the front page. Near Fine.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condizione: Good. Spine sunned. Very nice and clean. Text free of highlighting and writing. Tightly bound. 156 pages : illustrations (black and white, and color) ; 21 x 27 cm Exhibition catalogs Sheeler, Charles, 1883-1965.

Soft cover. Condizione: Near Fine. Joan Miro (illustratore). 1st Edition. 1st. Edition, 1980. Illustrated soft cover , 94 page book. Illustrated with color full page plates.Condition : Near Fine , ex-owner name pencaled on the top and bottom title page. Book.

Paperback. Condizione: Very Good. Oblong 8vo, unpaginated. Special issue entirely devoted to Charles Sheeler, illustrated with b/w plates. Front wrapper panel partially detached (about 3"); otherwise, the book is in excellent, bright condition. 8vo.

hardcover. Condizione: Good. Hardcover and dusk jacket ex-library with typical marks shows moderate cover wear. Text is unmarked. Ships FAST!

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Color & B/W Plates (illustratore). Not Indicated. Joan Miró i Ferrà (Catalan pronunciation: [?u'am mi'?o]) (April 20, 1893 - December 25, 1983) was a Spanish-Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting.

Soft cover. Condizione: Very Good. Hirshhorn Museum and Sculpture Garden, Washington D. C., 1983. Softcover, 91 pp. This show of paintings took place between June 16 and August 14, 1983. Very good, with previous owner's name on half title page, wraps somewhat rubbed.

Paperback. Condizione: Very Good. 94 pages, illustrated in color and black and white. Minor shelf wear, binding tight, pages clean and unmarked.

64 pages. Paperback: H 27.75cm x L 20.25cm. White paper covers with foxing which is strongest along spine. Light toning and foxing to top edge; past owner's ink signature on frontis's blank recto; interior pages are otherwise clean. Binding retains some crispness. Else a very good copy. Errata slip is not present (its inclusion cited by Harvard Library catalog). With color frontispiece, b/w illustrations, Lenders to the Exhibition, Foreword by Charles W. Millard, Introduction and essay by Michael Klein, Notes, Chronology of Exhibitions, and Catalog of the Exhibition (pages 23-63). Published as the accompanying catalog for an exhibition held at the Hirshhorn Museum and Sculpture Garden from September 16 to November 14, 1976.