Chocano diego (27 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. Hardcover. This landmark monograph traces six decades of Colombian artist Beatriz Gonzalez's bold and radical reimagining of images, power, and memory through expressive satirical painting, sculptural assemblage, and large-scale public interventions. Coinciding with her largest European retrospective to date, this striking exhibition catalog presents more than 100 works and 300 images, capturing a body of work that is urgent, unflinching, and deeply original. Gonzalez dismantles visual hierarchies by reworking images from newspapers, Western art history, and religious iconography into a bold, graphic language all her own. Her iconic early series of paintings The Sisga Suicides (1965) reinterprets a newspaper photograph of tragedy through vibrant stylization, while later pieces-such as Kennedy (John Fitzgerald. (1971) and Interior Decoration (1981)-transform transform furniture, wallpaper, and public space into sites of political memory. Across each phase of her career, Gonzalez addresses recurring violence in Colombia, the legacies of colonialism, and the displacement of Indigenous communities with a blend of satire, tenderness, and defiance. Richly illustrated and rigorously researched, this book situates Gonzalez's work within the history of Colombia while revealing how profoundly her practice resonates across global contexts. Reflections from contemporary artists punctuate the chapters, underscoring her influence across generations. Essential for scholars, curators, and readers interested in the transformative potential of art in public life, this volume offers a vital introduction to Gonzalez's singular vision-and to what images can reveal, provoke, and resist. AUTHORS: Lotte Johnson is curator at the Barbican Art Gallery, London. Her previous books include Unravel: The Power and Politics of Textiles in Art (Prestel, 2024) and Carolee Schneemann: Body Politics (Yale University Press, 2022). She previously worked at The Museum of Modern Art, New York. Diego Chocano is assistant curator at the Barbican Art Gallery, London. He has held similar positions at Tate Britain and the University of Essex. 300 colour illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: new.

Hardback. Condizione: New. This landmark monograph traces six decades of Colombian artist Beatriz González's bold and radical reimagining of images, power, and memory through painting, sculptural assemblage, and largescale public interventions. Coinciding with her largest European retrospective to date, this striking exhibition catalog presents more than 100 works and 300 images, capturing a body of work that is urgent, unflinching, and deeply original. González dismantles visual hierarchies by reworking images from newspapers, Western art history, and religious iconography into a bold, graphic language all her own. Her iconic early series of paintings The Sisga Suicides (1965) reinterprets a newspaper photograph of tragedy through vibrant stylization, while later pieces-such as Kennedy (John Fitzgerald). (1971) and Interior Decoration (1981)-transform transform furniture, wallpaper, and public space into sites of political memory.Across each phase of her career, González addresses recurring violence in Colombia, the legacies of colonialism, and the displacement of Indigenous communities with a blend of satire, tenderness, and defiance. Richly illustrated and rigorously researched, this book situates González's work within the history of Colombia while revealing how profoundly her practice resonates across global contexts.Reflections from contemporary artists punctuate the chapters, underscoring her influence across generations. Essential for scholars, curators, and readers interested in the transformative potential of art in public life, this volume offers a vital introduction to González's singular vision-and to what images can reveal, provoke, and resist.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Condizione: New.

Hardback. Condizione: New. This landmark monograph traces six decades of Colombian artist Beatriz González's bold and radical reimagining of images, power, and memory through painting, sculptural assemblage, and largescale public interventions. Coinciding with her largest European retrospective to date, this striking exhibition catalog presents more than 100 works and 300 images, capturing a body of work that is urgent, unflinching, and deeply original. González dismantles visual hierarchies by reworking images from newspapers, Western art history, and religious iconography into a bold, graphic language all her own. Her iconic early series of paintings The Sisga Suicides (1965) reinterprets a newspaper photograph of tragedy through vibrant stylization, while later pieces-such as Kennedy (John Fitzgerald). (1971) and Interior Decoration (1981)-transform transform furniture, wallpaper, and public space into sites of political memory.Across each phase of her career, González addresses recurring violence in Colombia, the legacies of colonialism, and the displacement of Indigenous communities with a blend of satire, tenderness, and defiance. Richly illustrated and rigorously researched, this book situates González's work within the history of Colombia while revealing how profoundly her practice resonates across global contexts.Reflections from contemporary artists punctuate the chapters, underscoring her influence across generations. Essential for scholars, curators, and readers interested in the transformative potential of art in public life, this volume offers a vital introduction to González's singular vision-and to what images can reveal, provoke, and resist.…

Condizione: New. 2026. First Edition. hardcover. . . . . .

Condizione: New.

hardcover. Condizione: New. Special order direct from the distributor.

Condizione: New.

Condizione: New. 2026. First Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 304 pages. 11.00x9.50x10.87 inches. In Stock.

1st edn. 4to. Original pictorial cloth (VG). Pp. 303, with coloured and b&w illus throughout (no inscriptions). [English and Spanish text].

Hardcover. Condizione: new. Hardcover. This landmark monograph traces six decades of Colombian artist Beatriz Gonzalez's bold and radical reimagining of images, power, and memory through expressive satirical painting, sculptural assemblage, and large-scale public interventions. Coinciding with her largest European retrospective to date, this striking exhibition catalog presents more than 100 works and 300 images, capturing a body of work that is urgent, unflinching, and deeply original. Gonzalez dismantles visual hierarchies by reworking images from newspapers, Western art history, and religious iconography into a bold, graphic language all her own. Her iconic early series of paintings The Sisga Suicides (1965) reinterprets a newspaper photograph of tragedy through vibrant stylization, while later pieces-such as Kennedy (John Fitzgerald. (1971) and Interior Decoration (1981)-transform transform furniture, wallpaper, and public space into sites of political memory. Across each phase of her career, Gonzalez addresses recurring violence in Colombia, the legacies of colonialism, and the displacement of Indigenous communities with a blend of satire, tenderness, and defiance. Richly illustrated and rigorously researched, this book situates Gonzalez's work within the history of Colombia while revealing how profoundly her practice resonates across global contexts. Reflections from contemporary artists punctuate the chapters, underscoring her influence across generations. Essential for scholars, curators, and readers interested in the transformative potential of art in public life, this volume offers a vital introduction to Gonzalez's singular vision-and to what images can reveal, provoke, and resist. AUTHORS: Lotte Johnson is curator at the Barbican Art Gallery, London. Her previous books include Unravel: The Power and Politics of Textiles in Art (Prestel, 2024) and Carolee Schneemann: Body Politics (Yale University Press, 2022). She previously worked at The Museum of Modern Art, New York. Diego Chocano is assistant curator at the Barbican Art Gallery, London. He has held similar positions at Tate Britain and the University of Essex. 300 colour illustrations Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: Brand New. 304 pages. 11.00x9.50x10.87 inches. In Stock.

Hardback. Condizione: New. This landmark monograph traces six decades of Colombian artist Beatriz González's bold and radical reimagining of images, power, and memory through painting, sculptural assemblage, and largescale public interventions. Coinciding with her largest European retrospective to date, this striking exhibition catalog presents more than 100 works and 300 images, capturing a body of work that is urgent, unflinching, and deeply original. González dismantles visual hierarchies by reworking images from newspapers, Western art history, and religious iconography into a bold, graphic language all her own. Her iconic early series of paintings The Sisga Suicides (1965) reinterprets a newspaper photograph of tragedy through vibrant stylization, while later pieces-such as Kennedy (John Fitzgerald). (1971) and Interior Decoration (1981)-transform transform furniture, wallpaper, and public space into sites of political memory.Across each phase of her career, González addresses recurring violence in Colombia, the legacies of colonialism, and the displacement of Indigenous communities with a blend of satire, tenderness, and defiance. Richly illustrated and rigorously researched, this book situates González's work within the history of Colombia while revealing how profoundly her practice resonates across global contexts.Reflections from contemporary artists punctuate the chapters, underscoring her influence across generations. Essential for scholars, curators, and readers interested in the transformative potential of art in public life, this volume offers a vital introduction to González's singular vision-and to what images can reveal, provoke, and resist.…

Condizione: New.

gebundene Ausgabe. Condizione: Sehr gut. 304 Seiten Text englisch - Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1900.…

Hardcover. Condizione: new. Hardcover. This landmark monograph traces six decades of Colombian artist Beatriz Gonzalez's bold and radical reimagining of images, power, and memory through expressive satirical painting, sculptural assemblage, and large-scale public interventions. Coinciding with her largest European retrospective to date, this striking exhibition catalog presents more than 100 works and 300 images, capturing a body of work that is urgent, unflinching, and deeply original. Gonzalez dismantles visual hierarchies by reworking images from newspapers, Western art history, and religious iconography into a bold, graphic language all her own. Her iconic early series of paintings The Sisga Suicides (1965) reinterprets a newspaper photograph of tragedy through vibrant stylization, while later pieces-such as Kennedy (John Fitzgerald. (1971) and Interior Decoration (1981)-transform transform furniture, wallpaper, and public space into sites of political memory. Across each phase of her career, Gonzalez addresses recurring violence in Colombia, the legacies of colonialism, and the displacement of Indigenous communities with a blend of satire, tenderness, and defiance. Richly illustrated and rigorously researched, this book situates Gonzalez's work within the history of Colombia while revealing how profoundly her practice resonates across global contexts. Reflections from contemporary artists punctuate the chapters, underscoring her influence across generations. Essential for scholars, curators, and readers interested in the transformative potential of art in public life, this volume offers a vital introduction to Gonzalez's singular vision-and to what images can reveal, provoke, and resist. AUTHORS: Lotte Johnson is curator at the Barbican Art Gallery, London. Her previous books include Unravel: The Power and Politics of Textiles in Art (Prestel, 2024) and Carolee Schneemann: Body Politics (Yale University Press, 2022). She previously worked at The Museum of Modern Art, New York. Diego Chocano is assistant curator at the Barbican Art Gallery, London. He has held similar positions at Tate Britain and the University of Essex. 300 colour illustrations Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. This landmark monograph traces six decades of Colombian artist Beatriz González's bold and radical reimagining of images, power, and memory through painting, sculptural assemblage, and largescale public interventions. Coinciding with her largest European retrospective to date, this striking exhibition catalog presents more than 100 works and 300 images, capturing a body of work that is urgent, unflinching, and deeply original. González dismantles visual hierarchies by reworking images from newspapers, Western art history, and religious iconography into a bold, graphic language all her own. Her iconic early series of paintings The Sisga Suicides (1965) reinterprets a newspaper photograph of tragedy through vibrant stylization, while later pieces-such as Kennedy (John Fitzgerald). (1971) and Interior Decoration (1981)-transform transform furniture, wallpaper, and public space into sites of political memory.Across each phase of her career, González addresses recurring violence in Colombia, the legacies of colonialism, and the displacement of Indigenous communities with a blend of satire, tenderness, and defiance. Richly illustrated and rigorously researched, this book situates González's work within the history of Colombia while revealing how profoundly her practice resonates across global contexts.Reflections from contemporary artists punctuate the chapters, underscoring her influence across generations. Essential for scholars, curators, and readers interested in the transformative potential of art in public life, this volume offers a vital introduction to González's singular vision-and to what images can reveal, provoke, and resist.…

Encuadernación de tapa blanda. Condizione: Bueno. Colección Los Poetas. Editorial Claridad. Dirección Antonio Zamora - Gustavo Riccio. 1º Serie Buenos Aires, 1924-1926. N° 1 al N° 62. Formato: 15,5 x 11 cm. (Solo falta el N° 47: Sonetos Shakespeare) Nº 1. Diego Fernández Espiro. Poesías completas. Nota biográfica por Gustavo Riccio. Nº 2. Eduardo Marquina. Elegías. Nota biográfica por Gustavo Riccio. Nº 3. Rubén Darío. El canto errante. Nota biográfica por Gustavo Riccio. Nº 4. Guerra Junqueiro. La vejez del Padre Eterno. Versión castellana de Eduardo Marquina. Nº 5. Antología de versos para niños. Selección de Gustavo Riccio. Nº 6. José Asunción Silva. Poesías completas. Nº 7. Alberto Ghiraldo. Triunfos nuevos. Nota biográfica por Antonio Zamora. Nº 8. Amado Nervo. Serenidad. Nº 9. Josué Carducci. Nuevas Rimas. Traducción y notas H. Giner de los Ríos. Nota biográfica por Gustavo Riccio. Nº 10. José de Maturana. Las fuentes del camino. Nº 11. Juan Pedro Calou. Poemas póstumos. Nº 12. Francisco Villaespesa. Viaje sentimental. Nota biográfica por Gustavo Riccio. Nº 13. Paul Verlaine. La buena canción. Traducción en verso por E. Diez Canedo. Nº 14. Julio Herrera y Reissig. Las lunas de oro. Nº 15. Mario Bravo. Canciones y poemas. Nº 16. Emilio Carrere. Los ojos de los fantasmas. Nº 17. Jorge Isaacs. Poesías completas. Nº 18. Lorenzo Stechetti. Póstuma. Nº 19. Almafuerte. Poesías selectas. Nº 20 José María Gabriel y Galán. Nuevas castellanas. Nº 21. Alfredo R. Bufano. Misa de Requiem. Nº 22. Edgar Allan Poe. Poemas. (Poesías completas). Prólogo de Rubén Darío. Nº 23. Carlos Baudelaire. Las flores del mal. Traducción de E. Marquina. Nº 24. Enrique Heine. Poesías. Nº 25. José de Espronceda. Selección de poesías. Nº 26. José A. Trelle (El viejo Pancho). Paja Brava. (Versos criollos) Nº 27. Manuel Machado. Caprichos. Nº 28. Gabriel D' Annunzio. Poesías líricas. Nº 29. Fernán Silva Valdés. Agua del tiempo. Nº 30. Víctor Hugo. Poesías. Nº 31. Rafael de Diego. Las angustias y otros poemas. Nº 32. Gustavo Adolfo Becquer. Rimas. Nº 33. Juan Wolfang Goethe. Poesías líricas. Nº 34. Santos Chocano. Alma América. (Selección). Nº 35. Lord Bryon. Poesías selectas. (Varios traductores) Nº 36. José Martí. Versos libres. Nº 37. Gervasio Méndez. Poesías completas. Prólogo y nota de B. Mitre y Vedia y Rubén Darío. Nº 38. Alfredo de Musset. Poesías. (Varios traductores) Nº 39. José Mármol. Poesías escogidas. Nº 40. G. Núñez de Arce. Poesías y poemas cortos. N° 41. Luis C. López. De mi Villorrio y posturas difíciles. Nº 42. Cervantes. Sonetos. Versos del Quijote. Nº 43. Gabriela Mistral. Selección de poesías. N° 44. Dante. Poesías de amor. (Varios traductores) Nº 45. Ricardo Palma. Armonías. Nº 46. Armando Vasseur. Cantos augurales. N° 48 Luis G. Urbina. Antología. Nº 49. Esteban Echeverría. La cautiva. Poema en nueve partes y un epílogo. Nº 50. Rubén Darío. Baladas y canciones. Nº 51. Juan Ramón Jiménez. Elegías puras y lamentables. Nº 52. Amado Nervo. La amada inmóvil. Nº 53. Guillermo Valencia. Sus mejores poemas. Nº 54. Juana de Ibarbourou. Raíz Salvaje. Nº 55. Alfonso de Lamartine. Poesías líricas. Nº 56. Olegario V. Andrade. Poemas. Nº 57. Emilio Frugoni. Poemas Montevideanos. Nº 58. Antonio Machado. Soledades y otras poesías. Con un poema de Rubén Darío. Nº 59. Delmira Agustini. El rosario de Eros. Nº 60. Manuel Ugarte. Vendimias juveniles. Nº 61. Salvador Díaz Mirón. Poemas. Nº 62. Amado Nervo. El estanque de los lotos. …