Chowdhury manosh (32 risultati)

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

Hardback. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is an anthology of essays that explore cultural products and their reception and readings in a given location. Taking the Bangladeshi scenario into consideration, this book engages with, and relates to, much wider conceptual and theoretical debates that are prevalent in the academic and polemic world. The concept of popular is contested among cultural-political spheres and is manifested across genres and formats. Conventional modalities are often referred to as music, film, creative literature and paintings, with little doubt about its more assured place in the elite space, and for not being an easy pick for the culture industry. With the advent of new media and the internet, cyberspace provides entirely new meanings of the culture industry and cultural products where identities are endlessly in construction as well as in question.This volumeexplores cultures and cultural products that have gone through crucial phases during and after the colonial period, through modernity and capitalism, within the compulsory flow of cultural globalization, and it will be of interest to readers with a background in sociocultural anthropology, colonial and post-colonial studies, and the culture and history of Asia.…

Buch. Condizione: Neu. Neuware - This book aims to illustrate how the 'popular' is not an arbitrary outcome as it is claimed to be, and how the project of constructing the popular functions as a web composed of different agents - governmental and state agencies, the media, corporate groups, development agencies, and the military with subtle nuances. Different agencies overlap in many aspects but work as a pact for making a national-popular. With specific references to Bangladesh, this book tends to illuminate how these agencies share similar missions and objectives, create spaces to collaborate with each other, and, regardless of specific disputes among them, maintain and manifest an oligarchic relationship. This is the flexible, yet definitive, location of the popularizing project - a 'cultural mission' of the ruling systems. It would deny a simplistic understanding of popular culture and posit the question of the popular within a complex web of social agencies in a particular space, at a specific historical juncture. Making popular here is integral to claiming populist credibility both as a cultural and political mission. It is cultural in the way the projects are launched and manifested and seek to reveal certain meanings. It is political in terms of configuring indoctrination over its subjects, mostly in the form of nationalist exhibitions. The project is becoming even more important for the corporate groups as it does not necessarily contest the state machinery but rather takes it as a 'de facto' ally. …

Paperback. Condizione: New.

Hardback. Condizione: New.

Condizione: new. Questo è un articolo print on demand.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is an anthology of essays that explore cultural products and their reception and readings in a given location. Taking the Bangladeshi scenario into consideration, this book engages with, and relates to, much wider conceptual and theoretical debates that are prevalent in the academic and polemic world. The concept of popular is contested among cultural-political spheres and is manifested across genres and formats. Conventional modalities are often referred to as music, film, creative literature and paintings, with little doubt about its more assured place in the elite space, and for not being an easy pick for the culture industry. With the advent of new media and the internet, cyberspace provides entirely new meanings of the culture industry and cultural products where identities are endlessly in construction as well as in question.This volumeexplores cultures and cultural products that have gone through crucial phases during and after the colonial period, through modernity and capitalism, within the compulsory flow of cultural globalization, and it will be of interest to readers with a background in sociocultural anthropology, colonial and post-colonial studies, and the culture and history of Asia. 161 pp. Englisch.…

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book aims to illustrate how the 'popular' is not an arbitrary outcome as it is claimed to be, and how the project of constructing the popular functions as a web composed of different agents - governmental and state agencies, the media, corporate groups, development agencies, and the military with subtle nuances. Different agencies overlap in many aspects but work as a pact for making a national-popular. With specific references to Bangladesh, this book tends to illuminate how these agencies share similar missions and objectives, create spaces to collaborate with each other, and, regardless of specific disputes among them, maintain and manifest an oligarchic relationship. This is the flexible, yet definitive, location of the popularizing project - a 'cultural mission' of the ruling systems. It would deny a simplistic understanding of popular culture and posit the question of the popular within a complex web of social agencies in a particular space, at a specific historical juncture. Making popular here is integral to claiming populist credibility both as a cultural and political mission. It is cultural in the way the projects are launched and manifested and seek to reveal certain meanings. It is political in terms of configuring indoctrination over its subjects, mostly in the form of nationalist exhibitions. The project is becoming even more important for the corporate groups as it does not necessarily contest the state machinery but rather takes it as a 'de facto' ally. …

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.