Christine eyene (29 risultati)

Softcover. Condizione: Très bon. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover, 76 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Fine.

Hardcover. Condizione: new. Hardcover. Sounds Like Her re-frames how we experience the dynamic of sound as practiced by women from diverse cultures and gender identities. It features artists using sound as a medium or subject to explore voice, noise, organic and synthetic sounds, rhythmic patterns, sonic structures and challenges the restrictive social construct of 'female voices'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. first printing.near fine glossy card cover original.5. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng Language: eng.

Soft cover. Condizione: New. 9780901673817. A mint, unread softcover, no marks, creases or inscriptions, not price clipped, illustrated with colour and b/w photographs throughout. Contents new unread. Book.

Hardback. Condizione: New.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Brossura. Condizione: new. Edited by Eyene C. and Schwarz K.Venezia, Santa Maria della Pietà, 4 giugno - 27 novembre 2011.English Text.Milano, 2011; paperback, pp. 72, 27 col. ill., cm 24x17. "Il padiglione dello Zimbabwe alla Biennale di Venezia è cruciale nello stabilire di una piattaforma dopo un isolamento di molti anni. Il padiglione offrirà la preziosa opportunità di avviare discussioni sul ruolo degli artisti nella società. Lo Zimbabwe è diventato una 'zona di silenzio' con limitato accesso alle 'zone' di scambio attraverso le quali si può comunicare. E' in quest'ottica che un padiglione alla Biennale di Venezia romperà questo silenzio".Raphael Chikukwa, curatore. Libro.…

Condizione: New.

Hardcover. Condizione: Brand New. 80 pages. 11.06x7.09x0.39 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: Very Good.

Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Sounds Like Her re-frames how we experience the dynamic of sound as practiced by women from diverse cultures and gender identities. It features artists using sound as a medium or subject to explore voice, noise, organic and synthetic sounds, rhythmic patterns, sonic structures and challenges the restrictive social construct of 'female voices'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condizione: Very good condition. First Edition. Manchester City Galleries 2 June-16 September 2012. Paperback.

Hardback. Condizione: New.

Paperback with flaps, 240x170mm, 128p, 80 bw and col. illustrations. English/ French/ Dutch (NL) edition . ISBN 9788836628551. Expo: 18/6/2014 - 31/8/2014, Palais des Beaux-arts (BOZAR), Brussels 2014 WHERE WE'RE AT! Other voices on gender rassemble le travail de photographes et videastes feminines d'origine culturelle en Afrique, Caraibes et Pacifique, et qui developpent le discours feminin dans leur art. Concue comme partie integrale de l'Ete de la Photographie sur la thematique des relations entre les genres, cette exposition presente le travail d'artistes qui ont contribue de maniere significative a la participation et la visibilite des femmes dans l'art depuis les annees 80. Les oeuvres selectionnees couvrent des sujets et debats actuels sur la question de l'egalite des sexes, l'auto-representation, et le corps et la sexualite, dans le cadre des debats sur l'identite et la culture, a partir d'esthetiques, d'approches conceptuelles et processus creatif innovants. Where we're at ! est un etat des lieux contemporain de diverses pratiques artistiques allant de l'intimiste aux formes d'activisme les plus singulieres. Parmi les artistes inclues : Helene Amouzou (Togo/Belgique), Rehema Chachage (Tanzanie), Angele Etoundi Essamba (Cameroun/Hollande), Cecilia Ferreira (Afrique du Sud), Katia Kameli (Algerie/France), Majida Khattari (Maroc/France), Shigeyuki Kihara (Samoa/Nouvelle Zelande), Micheme Magema (RDC/France), Ato Malinda (Kenya), Zanele Muholi (Afrique du Sud), Maud Sulter (Ghana/Ecosse) et Alberta Whittle (Ecosse/Barbades). Where we're at brings together women photographers and video artists of African, Caribbean and Pacific cultural background, developing gender discourses in their art. Conceived as part of the Summer of Photography 2014 centered on Gender Relations, the project presents the work of practitioners who have made significant contributions to the participation and visibility of women in the arts since the 1980s. The pieces selected for this exhibition address current topics and debates around gender equality, self-representation, body and sexuality, within the frames of cultural and identity politics, through innovative and often challenging aesthetics and conceptual approaches and creative processes. WHERE WE'RE AT! is a contemporary appraisal of diverse artistic experiences ranging from the most intimate to the most singular forms of activism. It also stands as a curatorial positioning on questions relating to exhibiting and collecting gender-focused art practices in the South and global contexts. 0 g.…

Soft cover. Condizione: New. "Limited print-run of 500"--Colophon. Published to accompany an exhibition held at Tiwani Contemporary, London. Description: 72 pages : colour illustrations ; 21 cm.

Paperback. Condizione: New.

Paperback. Condizione: New. The Zimbabwe pavilion at the 2011 Venice Biennale marks a rare breach in the country's cultural invisibility. This volume records this historically significant occasion, with works by Zimbabwe artists such as Tapfuma Gutsa, Calvin Dondo, Berry Bickle and Misheck Masamvu.

Paperback. Condizione: New. The Zimbabwe pavilion at the 2011 Venice Biennale marks a rare breach in the country's cultural invisibility. This volume records this historically significant occasion, with works by Zimbabwe artists such as Tapfuma Gutsa, Calvin Dondo, Berry Bickle and Misheck Masamvu.

Condizione: new. vendeur professionnel. Livraison soignee en 24/48h.

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2025. 1 Volume/1. -- Comme Neuf / As New -- Hardback // Reliure éditeur cartonnée illustrée . Format in-4°(.29,7 x 21 cm )(.1000 gr ). ------ 160 pages + 51 stickers. **************************** Présentation éditeur : "" Dans le cadre de l exposition « AGORA, La place du musée » le NMNM a invité les éditions Empire à concevoir un ouvrage évolutif destiné à offrir aux visiteurs et aux lecteurs la possibilité de réfléchir aux processus d élaboration d un catalogue d exposition et, plus largement, aux modalités de construction et de monstration d une collection d art patrimoniale. Pensé comme un kit réunissant toutes les composantes d un livre la structure reliée, les images et les textes , ce catalogue atypique permet à chacun de fabriquer un exemplaire unique, personnalisé en fonction de sa propre sensibilité. Ce livre collaboratif, qui a bénéficié des contributions inédites de Kathy Alliou, Christine Eyene et Emmanuele Quinz, présente ainsi les différentes facettes du programme des publics du NMNM et renouvelle la présentation de ses divers fonds d uvres. Matérialisation du principe d élaboration d une collection et des moyens de la valoriser et de la partager avec le plus grand nombre, cette publication invite aussi à renouer avec les joies simples et ludiques des albums de vignettes de notre enfance. "" ***************************** ref.…

Soft cover. Condizione: Fine. Two short essays plus numerous b/w photos and full-page reproductions of Sekoto's work. 215 x 270mm. Published to accompany the Exiles exhibition.