Christoph asendorf (99 risultati)

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione sovraccoperta: Very Good. First Edition. 248 pages. 8-1/2 by 10-1/2 inches. First edition (first printing). A very good copy with a slight slant to the spine in a very good dust jacket with crisp edges except a little wear to the corners. Reflecting on the technological age, poet Rainer Maria Rilke wrote of the intense emotions with which people can endow manufactured objects. We seem to "charge" the world of things as we would a battery. Now German art historian Christoph Asendorf explores this transformation of human sense perception in the industrial age and contributes to a new understanding of European culture and modernity. Drawing from literature, painting, architecture, film, philosophy, anthropology, and popular culture, Asendorf offers rich analyses of works by Manet, Baudelaire, Monet, Zola, Benjamin, Heidegger, and Duchamp. These close readings are combined with a montage of key cultural images and events ranging from Paxton's Crystal Palace to the introduction of electricity. The result is a striking account of the emergence of consumer culture within the developing commodity economy of modern Europe. Certain to challenge the mono-disciplinary perspectives of many specialists, this book will interest historians of art, culture, literature, science, and technology. …

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. A very heavy book that will require additional postage for destinations outside of the USA.

Hardcover. Condizione: Very Good-. Condizione sovraccoperta: Very Good+. Exhibition Edition. 368 pages; color and B&W illustrations throughout the book. Minor rubbing and a couple of faint smudges on the exterior edges of textblock. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Prestel Verlag, Munich, 1991. Hardcover, 227 pp. Large format art book, published in conjunction with an exhibition which took place in Vienna from 14 March to 23 June, 1991. The work of Austrian painter Oskar Kokoschka (1886-1980). All text is in German. Profusely illustrated in color. Very good condition, no dust jacket. **Heavy or oversize Item. An extra shipping charge may apply.**. Profusely Illustrated (illustratore).…

Hardcover. Condizione: Very Good. In German and English.

4°, Pp. Condizione: Gut. 254 S. : überw. Ill., 1 Faltblatt Gebraucht: Einband berieben, vom Schnitt her leicht gegilbt, ansonsten guter Zustand. Aus dem Inhalt: Sprache der modernen Welt / Der Künstler als Homo faber / La Femme en bleu / Krieg und Frieden in Legers Malerei 1914-1920 / Legers Kampfplätze: Kunst, Krieg und Kunkurrenz / Elemente zur Biographie von 1911 bis 1924 / Tafeln: Frühe Bilder 1911/12 / Eine mechanische Palette im Cyberspace / Der Propeller und die Avantgarde / La Ville: Verfeinern über die Vollendung hinaus / Elements mecaniques: Brücke zwischen Legers Kunst vor und nach dem Krieg / Leger und das Volk / Eine vollständigere Kunst - Leger und das Ballett / Katalog der Werke. Sprache: Deutsch Gewicht in Gramm: 1728.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. USART-P-New quarto in its jacket. 367pp, 351 illustrations, 315 in color. Heavy, NO overseas shipments. Size: 4to - over 9¾" - 12" tall.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; vi, 248 pp.; illustrations ; 26 cm. Contents; 1. The Body, the Economy, and the World of Things. 1. L'homme machine. 2. Vathek, or Disintegration. 3. German Romanticism: Money and Happiness, or the Eroticism of the World of Things -- 2. From the "Ego Crystal Forest" To the Crystal Palace -- 3. Economy and Metamorphosis. Excursus: Grandville, or Laputa in the July Monarchy -- 4. On the Physiognomy of the World of the Commodity and the Machine. 1. The Myth of the Living Machine. 2. The Commodity Spectacle circa 1850. 3. The Collector and His Treasure: "An Entirely Furtive Private Relationship" -- 5. Circulation as a Way of Life -- 6. Impressionism. 1. Manet. 2. Degas. 3. Monet. 4. On the Historical Site of the Impressionist Way of Seeing -- 7. Commodities and the Erotic. 1. Paradise in the Department Store. 2. The Eroticism of Machines -- 8. The Decay of the World of Things and Its Restoration in Art -- 9. The Interieur, Or Things in the Everyday Life of the Bourgeoisie. 1. Materials: Artificial Nature and Synthetics. 2. The Production of the "Faculty for Delusion" 3. The Role of Things -- 10. The Production of "Homogeneous and Empty Time" -- 11. Nerves and Electricity. 1. On the Romantic Image of Electricity. 2. Polarity and Sexual Attraction. 3. The Image of Electricity between Hegel's Phenomenology and Kleist: The "Liberation of Predicates from Subjects" and Electrical Epiphany. 4. Andersen: Electricity on the "Romantic-Technological Knife-Edge". 5. Siemens, Edison, and the History of Mentalities of Electric Light, Ornament and Psychic Streams. 6. "Telegram Style of the Soul" and Cosmic Energies. 7. Nerves: Mach, Bahr, and Freud. 8. Strindberg and Electro-Hysteria -- 12. The Constitution of Perception from 1900 to 1914. 1. Mach, Simmel, and Hofmannsthal. 2. Silence. 3. Ornament. 4. The Life of Things: Rilke's Thing-Poems, Animism, and Silent Film. 5. Animated Thought. 6. Abstraction and Empathy. 7. The Lord Chandos Letter -- Epilogue: The Emancipation of Material from the Subject. Subjects; 1800-1899. Arts, Modern 19th century. Aesthetics. Social history. Material culture. Modernism. Visual perception. 1 Kg. …

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near Fine hardcover in a Near Fine dust jacket. Overall a bright and attractive copy. Text in English. No major signs of wear or aging. No markings to the text or plates. 230 pp.

Couverture rigide. Condizione: Bon état. In-4 relié 30 cm sur 24,1. 256 pages. Bon état d'occasion. in-4°.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; vi, 248 pp.; illustrations ; 26 cm. Contents; 1. The Body, the Economy, and the World of Things. 1. L'homme machine. 2. Vathek, or Disintegration. 3. German Romanticism: Money and Happiness, or the Eroticism of the World of Things -- 2. From the "Ego Crystal Forest" To the Crystal Palace -- 3. Economy and Metamorphosis. Excursus: Grandville, or Laputa in the July Monarchy -- 4. On the Physiognomy of the World of the Commodity and the Machine. 1. The Myth of the Living Machine. 2. The Commodity Spectacle circa 1850. 3. The Collector and His Treasure: "An Entirely Furtive Private Relationship" -- 5. Circulation as a Way of Life -- 6. Impressionism. 1. Manet. 2. Degas. 3. Monet. 4. On the Historical Site of the Impressionist Way of Seeing -- 7. Commodities and the Erotic. 1. Paradise in the Department Store. 2. The Eroticism of Machines -- 8. The Decay of the World of Things and Its Restoration in Art -- 9. The Interieur, Or Things in the Everyday Life of the Bourgeoisie. 1. Materials: Artificial Nature and Synthetics. 2. The Production of the "Faculty for Delusion" 3. The Role of Things -- 10. The Production of "Homogeneous and Empty Time" -- 11. Nerves and Electricity. 1. On the Romantic Image of Electricity. 2. Polarity and Sexual Attraction. 3. The Image of Electricity between Hegel's Phenomenology and Kleist: The "Liberation of Predicates from Subjects" and Electrical Epiphany. 4. Andersen: Electricity on the "Romantic-Technological Knife-Edge". 5. Siemens, Edison, and the History of Mentalities of Electric Light, Ornament and Psychic Streams. 6. "Telegram Style of the Soul" and Cosmic Energies. 7. Nerves: Mach, Bahr, and Freud. 8. Strindberg and Electro-Hysteria -- 12. The Constitution of Perception from 1900 to 1914. 1. Mach, Simmel, and Hofmannsthal. 2. Silence. 3. Ornament. 4. The Life of Things: Rilke's Thing-Poems, Animism, and Silent Film. 5. Animated Thought. 6. Abstraction and Empathy. 7. The Lord Chandos Letter -- Epilogue: The Emancipation of Material from the Subject. Subjects; 1800-1899. Arts, Modern 19th century. Aesthetics. Social history. Material culture. Modernism. Visual perception. 1 Kg. …

Condizione: New.

1st edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical Description: vi, 248 pages : illustrations ; 26 cm. Subjects: 1800-1899; Aesthetics, Modern; Aesthetics, Modern 19th century; Arts and society; Books; Social history 20th century. 1 Kg. …

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 368 pages 351 illustrations 315 in color. Edited by Klaus Albrecht Schröder and Antonia Hoerschelmann. Published on the occasion of the exhibition from the Albertina Vienna March 15-June 22, 2003. Biography. Works in Exhibition. Bibliography.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

1st edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical Description: vi, 248 pages : illustrations ; 26 cm. Subjects: 1800-1899; Aesthetics, Modern; Aesthetics, Modern 19th century; Arts and society; Books; Social history 20th century. 1 Kg. …

Softcover/Paperback. 366 S. mit Ill. / oberer Buchschnitt befleckt sonst gutes Exemplar // Wien, Bildende Kunst L031 9783775712507 *.* Sprache: Englisch Gewicht in Gramm: 2250.

Condizione: very good. Condizione sovraccoperta: very good. 8vo large pp.248. Reflecting on the technological age, poet Rainer Maria Rilke wrote of the intense emotions with which people can endow manufactured objects. We seem to "charge" the world of things as we would a battery. Now German art historian Christoph Asendorf explores this transformation of human sense perception in the industrial age and contributes to. book.…

Condizione: As New. Unread book in perfect condition.