Christopher weedman (64 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. While few can deny its incalculable influence on popular filmmaking during and after World War II, film noir has been and remains one of the most contentious categories of cinema, involving more debates than consensus about what constitutes a noir. This collection explores the amorphous parameters of this dark cinematic phenomenon by utilising an expanded, nuanced definition of film noir, which reaches beyond traditional conceptions of genre, style, and cycle to examine its complex international origins and emphasis on issues of liminality. Through illuminating case studies of single films from nations including Argentina, the former Czechoslovakia, France, Great Britain, Poland, Spain, and the US, authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic categorisation.…

Condizione: New.

Paperback. Condizione: new. Paperback. While few can deny its incalculable influence on popular filmmaking during and after World War II, film noir has been and remains one of the most contentious categories of cinema, involving more debates than consensus about what constitutes a noir. This collection explores the amorphous parameters of this dark cinematic phenomenon by utilising an expanded, nuanced definition of film noir, which reaches beyond traditional conceptions of genre, style, and cycle to examine its complex international origins and emphasis on issues of liminality. Through illuminating case studies of single films from nations including Argentina, the former Czechoslovakia, France, Great Britain, Poland, Spain, and the US, authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic categorisation. Applys a noir lens to films which defy easy generic categorisation Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback or Softback. Condizione: New. Liminal Noir in Classical World Cinema. Book.

Condizione: New.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New.

Condizione: New. 2025. paperback. . . . . .

Condizione: New.

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

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Paperback. Condizione: Brand New. 232 pages. 9.21x6.14x9.21 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware - While few can deny its incalculable influence on popular filmmaking during and after World War II, film noir has been and remains one of the most contentious categories of cinema, involving more debates than consensus about what constitutes a noir. This collection explores the amorphous parameters of this dark cinematic phenomenon by utilising an expanded, nuanced definition of film noir, which reaches beyond traditional conceptions of genre, style, and cycle to examine its complex international origins and emphasis on issues of liminality. Through illuminating case studies of single films from nations including Argentina, the former Czechoslovakia, France, Great Britain, Poland, Spain, and the US, authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic categorisation.…

Paperback. Condizione: new. Paperback. While few can deny its incalculable influence on popular filmmaking during and after World War II, film noir has been and remains one of the most contentious categories of cinema, involving more debates than consensus about what constitutes a noir. This collection explores the amorphous parameters of this dark cinematic phenomenon by utilising an expanded, nuanced definition of film noir, which reaches beyond traditional conceptions of genre, style, and cycle to examine its complex international origins and emphasis on issues of liminality. Through illuminating case studies of single films from nations including Argentina, the former Czechoslovakia, France, Great Britain, Poland, Spain, and the US, authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic categorisation. Applys a noir lens to films which defy easy generic categorisation Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: Brand New. 264 pages. 9.01x6.00x1.00 inches. In Stock.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. While few can deny its incalculable influence on popular filmmaking during and after World War II, film noir has been and remains one of the most contentious categories of cinema, involving more debates than consensus about what constitutes a noir. This collection explores the amorphous parameters of this dark cinematic phenomenon by utilising an expanded, nuanced definition of film noir, which reaches beyond traditional conceptions of genre, style, and cycle to examine its complex international origins and emphasis on issues of liminality. Through illuminating case studies of single films from nations including Argentina, the former Czechoslovakia, France, Great Britain, Poland, Spain, and the US, authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic categorisation. Applys a noir lens to films which defy easy generic categorisation Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. The past thirty years have seen an unprecedented level of interest in early Christian biblical interpretation, from major scholarly initiatives to more popular resources aimed at pastors and general readers. The fields of Biblical Studies and Patristics/Early Christian Studies each arrived at the study of early Christian biblical interpretation largely from their own standpoints, and they tend to operate in relative isolation from one another. This books aims to bring the two fields into closer conversation, in order to suggest new avenues into the study of the deeply biblical dimension of patristic theology as well as the contribution that patristic exegesis can make to contemporary views of how best to interpret the Bible.Based on a multi-year consultation in the Society of Biblical Literature, The Bible and Early Trinitarian Theology features leading scholars from both fields, who bring new insights to the relationship between patristic exegesis and current strategies of biblical interpretation, specifically with reference to the doctrine of the Trinity. Following an account of how each field came to study patristic exegesis, the book offers new studies of Trinitarian theology in Old Testament, Johannine, and Pauline biblical texts and the patristic interpretation of them, combining the insights of modern historical criticism with classical historical theology. It promises to make a valuable contribution to both fields, suggesting several new avenue into the study of early biblical literature and the development of Trinitarian theology.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New. In English.

Paperback. Condizione: New. While few can deny its incalculable influence on popular filmmaking during and after World War II, film noir has been and remains one of the most contentious categories of cinema, involving more debates than consensus about what constitutes a noir. This collection explores the amorphous parameters of this dark cinematic phenomenon by utilising an expanded, nuanced definition of film noir, which reaches beyond traditional conceptions of genre, style, and cycle to examine its complex international origins and emphasis on issues of liminality. Through illuminating case studies of single films from nations including Argentina, the former Czechoslovakia, France, Great Britain, Poland, Spain, and the US, authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic categorisation.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.